American “dramedy” Atlanta is the work of mastermind Donald Glover, who you may already know without knowing – as a stand-up comedian, Troy Barnes from Community, or two-time Grammy nominated rapper Childish Gambino. It’s easy to tell from this list that Glover is a man of many talents. And Atlanta indeed feels like a complete use of his multifarious arsenal, he directs, writes, and plays the lead character.

Earnest “Earn” Marks Earn (Glover) is a 30-something, a highly intelligent, de facto homeless Princeton dropout striving to redeem himself in the eyes of his ex-girlfriend and mother of his baby. He reconnects with his cousin after learning that he is finding fame as the up-and-coming rapper “Paper Boi”.

The show is full of moments of absurdity and hilarious characters (look out for Darius, played by LaKeith Stanfield), but also offers a genuine look at modern life. A fun, sharp and unique show that can digress at any moment.

You’re the Worst is the story of the relationship between Jimmy and Gretchen, or lack thereof. Jimmy (Chris Geere) is a smart but insensitive British novelist, a lone wolf with an excess of confidence. Equally smart and self-involved, Gretchen has clinical depression and a distinctive self-destructive streak. They meet, they have sex, she steals his car. As you do.

What ensues is, to some extent, a classic will-they-won’t-they comedy between two very cynical but often likeable people with a lot of humor drizzled on top. The electric chemistry between the two leads is topped off by their two weirdo sidekicks: Edgar, a war-veteran who suffers from PTSD, and Lindsay, a self-proclaimed “hot awesome sex fox” who married a nerd for money.

Written and created by Stephen Falk, one of the writers and producers for Orange Is the New Black and Weeds, You’re the Worst acts as if it cares about the standards of the genre, but, especially in season two, it also deals fearlessly with the subject of Gretchen’s mental health, which some have called the best explanation of clinical depression on television ever. Thanks to its witty writing, You’re the Worst will likely start off as the perfect watch-two-episodes-over-dinner-every-night series, until the plot sucks you in and you find yourself so hooked that you can’t watch anything else.

Viewers of American Gangster might have wondered about the fate of heroine kingpin Ellsworth “Bumpy” Johnson, who dies in the movie’s opening scene (of natural causes, mind you). On par with Al Capone or Billy the Kid, Bumpy Johnson was, in fact, a cult criminal and an underworld legend, but known almost exclusively to the people of Harlem, where he ran the drug trade for thirty odd years until the 1960s.

After receiving many nods in films like Hoodlum, Escape from Alcatraz, and Shaft, the story of Bumpy Johnson (played by Forest Whitaker, who also acts as producer) takes center stage in Godfather of Harlem. Co-created by the people behind Narcos, the series opens when Johnson is released from Alcatraz after a long sentence in 1963, when he returns to Harlem to find that much has changed. With the aid of civil-rights activist Malcom X (played, of course, by Nigél Thatch), an out-of-touch Johnson strives to reclaim his old neighborhood from the Italians in an all-out war.

Part deep-diving gangster epic, part 60s period piece with a modern sensibility, Godfather of Harlem has it all: gritty drama, great writing, swanky 60s style, and an awesome soundtrack.

This Golden Globe-winning series is a comedy about, well, Ramy, an Egyptian-American who navigates an archetypal early-20s millennial life crisis, while being torn between what it means to be Muslim and to be American. With weird encounters at the mosque, overbearing, antisemitic uncles, kinky dates, and rampant drug use, it shines the spotlight on all the nooks and crannies of dual identities in 21st century America.

Both the show and its protagonist are named after its multi-award-winning creator Ramy Youssef, who was offered a show based on his own life after a successful career as a stand-up comedian. The soundtrack is also outstanding, combining tunes from well-known indie greats with obscure Middle Eastern funk. In addition to being hilarious, relatable, and deftly written, Ramy is a reminder of why diversity in storytelling matters. Not for PC points, but because it brings about original stories that make you walk in other people’s shoes while reflecting on universally human problems.

The author of the much-loved New York Times bestseller, Sally Rooney, is among the writers of this TV dramatisation, directed by Irish compatriot and indie director Lenny Abrahamson. Abrahamson, who also gave us Frank and the film adaptation of Emma Donoghue’s Room, builds on Rooney’s fantastic source material and an evocative soundtrack to create an intense, atmospheric drama about the vitality and violence of young love.

Initially set in rural Ireland, Normal People follows Marianne Sheridan (Daisy Edgar-Jones) and Connell Waldron (Paul Mescal) as they are figuring out themselves, their connection, and impending adulthood. And that is all I am going to say at this point, because I feel that it is best to know as little as possible going in.

Every detail of every scene feels studied, laying bare the raw emotion of the two main characters. The dialogue is sharp and funny. The acting is flawless. One thing is certain, if you like modern drama that is as much about how and what is said as about what is actually happening, you will have to watch Normal People!

Michaela Watkins is truly the star of the show, delivering a major performance almost every time she appears on screen. The former SNL cast member plays a recently divorced psychologist, who moves in with her brother Alex (Tommy Dewey) and her sexually confident teenage daughter Laura (Tara Lynne Barr). Casual is not only the name of her sibling’s successful online dating site, but also the name of the game of every character’s sexual relationships.

Directed by Jason Reitman, the amazing director who gave us Thank You for Smoking, Juno, and Up in the Air, Casual features sharp dialogue and great performances, the writing being as profane as it is profound. Above all, you will have no choice than to take a good look at yourself, while rolling over the floor laughing at the show’s sexual shenanigans. That’s how smart it is!

This miniseries is about the drug Oxycotin and how corporate greed and corruption kickstarted a harrowing epidemic in the United States. Oxycotin was falsely advertised as non-addictive, which led to many people taking it for small or moderate injuries and becoming drug addicts. 

It’s a collection of stories of hard-working middle-class families and how they were ravaged by the drug, all set against the obscene wealth of the family-owned pharma company that sells it. At the same time, it follows lawyers and federal agents who tried to stop the drug early on and the obstacles they faced. 

Michael Keaton plays a small-town doctor, Rosario Dawson plays a DEA agent who was one of the first to look into the company, and Kaitlyn Dever (Booksmart) plays a teenager who gets prescribed the drug for a back injury. 

Over the Garden Wall consists of 10 episodes that together run just under two hours. While each episode stands alone, it’s easy to watch the entire series in one sitting. The story beckons you to go deeper into its fantastical forest called the Unknown, at the center of which lies a dark mystery, and two boys on a quest to return home.

Wirt (Elijah Wood) and his younger half-brother Greg (Collin Dean) are lost in these enchanted woods. Beatrice, a talking bird, befriends the boys and offers to guide them home. Here, the trio encounter singing frogs, beastly creatures, and sinister forces hidden in the shadows.

There is no other series quite like Over the Garden Wall, which so perfectly balances its comedic and melancholic moments. If you’re looking for something a little bittersweet, musical, and fun, this miniseries will surely hit the spot—that is, if you’re brave enough to enter its Unknown.

The Bear is a frantically paced miniseries that follows Carmy, a young and over-accomplished chef who moves back to Chicago to take over his family’s small restaurant. As his first order of business, Carmy tries to rework the restaurant’s so-called system, but he is continually rebuffed by the kitchen crew, who insist on maintaining their scruffy setup. 

While Carmy and crew initially refuse to meet each other halfway, their tension soon gives way to an electric, workable chemistry, which then lays the foundation for a lot of surprisingly tender moments. Funny, gripping, and absolutely mouthwatering, The Bear is, as many critics have pointed out, an absolute chef’s kiss of a show.

In the early 2000s, amid the rapid rise of online piracy and the consequent fall of paid music, tech genius Daniel Ek would find Spotify, a revolutionary streaming platform that served as a middle ground between user accessibility and artist rights. But even now, at its peak, Spotify’s success seems mystifying. How did they get away with providing free music to all? 

Enter The Playlist—an impressive attempt at answering that very question. In this fictionalized account, key players in Spotify’s success are given their own episode-long arc, starting with the visionary himself, Ek (played by Edvin Endre), followed by the artist, the coder, and the industry insider, to name a few. By employing multiple perspectives, each with its own cinematic style (a particular favorite is that of the lawyer’s, the most experimental out of all the episodes), The Playlist manages to spin the technical and complicated story of Spotify’s origins into something fresh, dynamic, and addictive. Despite utilizing the Rashomon effect—risky but rewarding in this case—The Playlist rarely strays from its main point and, the result is a lean, well-rounded story that’s just as credible as it is heightened.