Journalist LLoyd Vogel (Matthey Rhys) scoffs at the prospect of a profile commission, or a “puff piece”, as he calls it. His self-respect and professional ruthlessness has driven people away and this assignment may well be a test from his editor. But it is serendipity that brings Lloyd to American TV host Mister Roger (Tom Hanks) and his child-oriented show, at a time when he, a new father, is confronted with his own paternal trauma. No heavy psychological lifting here, but A Beautiful Day in the Neighborhood might be one of the most profound films about father-son relationships ever made. Notably, the film is directed by a woman, Marielle Heller (The Diary of a Teenage Girl). In her film as in his show, Mister Roger doesn’t have to do much: he listens, he speaks, he suggests, and while his kindness may seem frustrating at times, it is truly radical. Additionally, Lloyd’s character is based loosely on writer Tom Junod, whose encounter with Rogers ended up a profile in Esquire magazine.

This surprising documentary follows Jiro, an 85 year old Japanese chef, his Michelin-starred restaurant in the Tokyo underground, and his eager sons. While ostensibly about sushi – and believe me, you’ll learn about sushi and see absolutely gorgeous images of the raw-fish creations – the film’s dramatic impetus is carried by the weight of tradition, the beauty of a labor of love, obsession, and the relationship between father and son. Truly a must-watch.

Summer of Soul would already be remarkable if it was just a collection of some of the greatest live performances ever put to film. Boasting a roster that includes Stevie Wonder, Nina Simone, Gladys Knight, and Sly and the Family Stone, the nearly-forgotten 1969 Harlem Cultural Festival featured in the documentary was an all-star catalog of some of the biggest names in popular music, all at pivotal moments in their careers. Seeing them at the height of their powers, in front of a Black audience that meant so much to them, makes for an unexpectedly emotional experience.

But Summer of Soul also expands beyond the actual concert, using the Harlem Cultural Festival to represent a turning point in Black culture and history, especially after the death of Martin Luther King Jr. Through the film’s pristine, electric editing and gorgeous archival restoration, music becomes a communal act of mourning, a rallying cry to face the uncertain future, and a celebration of a people and a heritage continuing to fight against erasure and persecution.

In the first few minutes of Mass, hushed tones, solemn movements, and awkwardly averted eyes hint at an unspoken tragedy that haunts everyone in the film. The four main characters discuss it during a sit-down, but even then it remains unspeakable; such is the dedication of first-time full-length director Fran Kranz in depicting the reality of tragic events. Not much is done in the way of plot twists and shocks, but in place of those, Mass makes clever use of close-up shots and unmoving settings to portray the privacy and paralysis of grief. For this reason, Mass often feels like a masterful play brought to life, but also more than that, a brilliant portrait of healing—or at the very least, coping with the everlasting aftermath of loss. 

This is a hilarious political comedy starring the ever-great Steve Buscemi. Set in the last days before Stalin’s death and the chaos that followed, it portrays the lack of trust and the random assassinations that characterized the Stalinist Soviet Union. Think of it as Veep meets Sacha Baron Cohen’s The Dictator. Although to be fair, its dark comedy props are very different from the comedy that comes out today: where there are jokes they’re really smart, but what’s actually funny is the atmosphere and absurd situations that end up developing.

Bad Axe is an intimate documentary that follows the Sievs, a tight-knit family that runs a restaurant in the city of Bad Axe, Michigan. When the rise of COVID restrictions and racist hate groups put their business at risk, the Sievs try to hold on to each other while also carefully, in their own way, fighting back.

Mostly shot in the unforgettable year that is 2020, Bad Axe captures the fraught intensity and existential panic we all spiraled into during the global pandemic. It’s a charged film, but underneath all that buzz is a story about a family with its own tensions and histories and contradictions to deal with. Bad Axe is at once simple and complex, and like family, you just kind of love it, flaws and all.

This is a documentary with a dark underbelly. When Bobby Shafran goes on his first day at college, everyone seems to recognize him. The person they’re actually recognizing is his twin brother, as the two were separated at birth by an adoption agency. A third brother surfaces to make the story even crazier, but things take a darker turn when questions arise about why they were separated as toddlers and to what end. If it wasn’t a documentary, this story would be an unusual science fiction on the themes of identity and nature vs. nurture.

Similar in spirit and in subject matter to the Oscar-winning documentary 20 Feet from Stardom, The Wrecking Crew pulls back the curtain on the recording of many of the greatest American songs of the 1960s and ’70s: that a single group of unassuming session musicians were responsible for bringing out the sound in these tracks. The film is a treasure trove for musicians and music fans, making you hear certain instrumental nuances in a different light and deepening your perception of music between what was written and what was recorded. Then inevitably and tragically, the realization sets in that few—if any—of these musicians have received the recognition they truly deserve, as essential but unfairly small parts of a music industry ecosystem that often cares more about image and entertainment than musicianship.

Warm and nourishing as the film’s cuisine, Soul Food is a celebration of the modern African-American family, represented here by the Josephs. The Chicagoan family has a longstanding tradition of making dinner together every Sunday—a ritual, we’re told, that’s lasted for at least 40 years. However, when the matriarch Big Mama Joe gets hospitalized, the simmering tension between her daughters boils over and threatens to break them apart. Many of the struggles they go through are familiar but not cliché, as writer-director George Tillman Jr. draws from his own experiences in a close-knit, extended family. So even if some plot lines feel unresolved, the film is well-paced, soulfully scored, and evenly balanced between the three sisters. Like the food cooked on-screen, this movie will still leave you hungering for more.

It may not teach us anything that we don’t already know by now, but the documentary Totally Under Control—filmed in secret, in defiance of the Trump administration—still stands as a valuable historical document so that the same mistakes can be avoided in the future. Boiled down to simple terms by doctors and other experts, the film’s explanation of the United States’ failure to adequately contain their own COVID-19 outbreak is always science- and fact-oriented first. And in its own classy, level-headed way, the film emphasizes that every politician, celebrity, and media outlet has a crucial part to play in making sure nobody panics and chases any counterproductive agendas. It should be obvious by now that we’re all on the same team.