A young girl is looking for her father while struggling to care for her family. The film is bleak and slow but great performances from the cast, especially the lead, will keep your engaged throughout. The story has a very real, raw and natural feeling to it, so natural in fact, that at times you will forget it is a movie. And in many ways, it feels that Winter’s Bone is to Jennifer Lawrence what The Believer was to Ryan Gosling, as her performance is nothing short of perfect.
A masterpiece in every possible way: its striking balance between simplicity and effectiveness, its innovative value, the commitment of its maker, and just overall beauty. Boyhood was filmed over a span of 12 years, something never attempted before in film. The result is a captivating, breathtaking tale with almost unparalleled plausibility. The emotions it incites as well as the natural flow it has will feel a lot like life itself, and will leave you with ideas you can dwell on for long after the credits roll. Directed by Richard Linklater, and nominated for 6 different Oscars.
In many ways, The Perks of Being a Wallflower is a modern masterpiece. It is not just a movie, but a psychological experience – one that is sincere to its premise and the troubled nature of the human beings in it. You will be surprised by the depth of its many layers, and the extents to which a similar movie can go. However as you get busy being surprised, it will make you a very happy person.
The perfect word to describe it is “satisfying”. Its character-driven chemistry will catch you even more as its reaches its perfect mix between comedy, warmth, tragedy and depression.
Authentic and filled with great performances, Mud is a beautiful tale of love, loss, and growth. While you had probably thought you couldn’t be more impressed with him than in Dallas Buyers Club, Interstellar, or True Detective, Mathew McConaughey’s performance here is probably his best, and is nothing short of a masterpiece. It takes the entire movie to an unprecedented level of authenticity and power as well as give his character’s interaction with two young boys in the South the perfect balance between uneasiness and sorrow. The story is also very thrilling, and will keep you at the edge of your seat more times than not.
Darren Aronofsky delivers yet another unforgettable allegory, starring Mickey Rourke as Randy “The Ram” Robinson, an aging professional wrestler long past his prime. He is struggling to retain a sense of identity, purpose and dignity. The audience can see in Rourke the story of all men, that we will one day grow old, regret mistakes that it’s too late to fix, and mourn the end of our successes.
Remember the name Rufus Norris. “Broken” is his directorial debut and he handles it like a seasoned pro. Also keep an eye out in the future for its young star, Eloise Laurence, who shows all the natural ability of a young Natalie Portman or Jodie Foster. Laurence plays “Skunk”, a twelve year old trying to make sense of life – and whose task isn’t made any easier by her own family’s internal struggles, or the other families living in the peaceful-looking cul-de-sac where much of the action takes place. We’re informed from the get-go that some sort of tragedy will befall the girl, but we don’t know what shape it will take, or what the outcome of it will be. The tension builds from there, with a little relief along the way, thanks to her often-amusing performance as she witnesses the confusing actions of her elders. Tim Roth and Cillian Murphy are also in good form, both of whom seem happy to complement Laurence’s presence rather than try to upstage her. “Broken” is equal parts cute, frightening, and brutally tense. It’s well worth checking out.
Enough Said is a realistically sweet movie that handles serious emotions without compromising its comedic chops. It portrays the difficulties and doubts that come with post-divorce relations in a somewhat goofy and original way. James Gandolfini is impeccably wonderful in his last lead role, and joined by Julia Louis-Dreyfus they generate exquisite chemistry right from their first scene together all the way until the movie ends.
Like many other beautiful movies such as Your Sister’s Sister, Enough Said is hilarious, romantic, but to that it adds being smart and realistic. You’ll love it.
An American romantic comedy, Beginners is told through a series of flashbacks telling the story of Oliver and his complicated and difficult relationship with his father. The film is gorgeously heartbreaking, demonstrating how hurtful we are to those we love, while showing the ties of mutual need that bind people. In the way it also takes on the process of finding one’s happiness, through the character’s eyes and his father’s, what that process has in common for both, and how one is inspired from the other. Beginners is lovely, funny, interesting, and above all very enjoyable.
A movie about a 16 year old girl who gets involved with an older more sophisticated man and how the relationship changes her life. Carey Mulligan’s performance is nothing short of perfect, inevitably making herself the center of the movie. The coming-of-age story is also quite exceptional, and conveys impressive load and variety of emotions. An Education is one of those movies that make you live an experience you haven’t lived yourself, but because it is so exquisitely and realistically done, the character’s problems and joys will feel like your own.
Sunshine Cleaning is a great addition to that unidentified genre of grown-up comedies populated by other great entries like Your Sister’s Sister and Enough Said. It is however, less of a comedy than it is a heart-warming emotional tale. Powered by outstanding performances from Amy Adams and Emily Blunt, it ultimately evolves into a character study of failed potential and validation seeking. Sunshine Cleaning is enjoyable, satisfying to a fault, and provides an interesting peak into the lives of its characters.
Written and directed by Kenneth Lonergan (Manchester by the Sea) and featuring the ever-reliable Mark Ruffalo as well as a fantastic performance from Laura Linney, You Can Count on Me is a beautiful and beautifully told story of siblings growing apart and later finding each other again. Sammy (Linney) helped raise her younger brother Terry (Ruffalo) after they were orphaned at an early age. Now a single mother, her life turns around when Terry comes back after a long time of being absent, with the two having become almost completely different people in between. Such an honest, genuine exploration of unconditional love, think of it as much more hopeful The Skeleton Twins.
A beautiful and subtle masterpiece exploring the life of Alike, a teen in Brooklyn navigating her identity as a gay black girl. Caught between the traditional world of her family and the butch and sexual world of her friend who has already come out, director Dee Rees allows the audience to see the trials and tribulations of Alike’s attempts to be comfortable and sure of herself. It’s a moving and raw coming-of-age story with many characters in the film being quite lovable and relatable making it easy for the viewer to become attached.
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