121 Best Movies to Watch In Korean

Staff & contributors

If you haven’t already seen the South Korean movie Parasite, then you probably heard it was the first foreign-language film to win Best Picture at the 2020 Academy Awards. Thankfully, many more fantastic films from the the East Asian nation are making it to the global stage. Here are the best movies featuring the Korean language to stream now.

In both documentaries and films, adoptees meeting their biological parents for the first time is an event often painted in a sweet light. Never mind the child’s mixed feelings about it or the tragic reality that caused the split in the first place—it’s a reunion between family members, so it must be unequivocally special. In Return to Seoul, director Davy Chou doesn’t just debunk that myth, he subverts it by making the adoptee, Freddie, as unapologetically complex and emotionally enigmatic as possible. She resists affection but wallows in loneliness. She craves reinvention but stays in the same place for years. She’s in constant motion while being absolutely stuck in life. In other words, she’s a realistic embodiment of a person struggling to find some semblance of home. Chou displays an intimate understanding of the foreign experience, and he couples it with captivating cinematography, a rousing soundtrack, and fantastic performances across the board to make a daring, inventive, and thoroughly exciting film. 

Genre: Drama

Actor: Guka Han, Hur Jin, Kim Dong-seok, Kim Sun-young, Louis-Do de Lencquesaing, Oh Gwang-rok, Oh Kwang-rok, Yoann Zimmer

Director: Davy Chou

Rating: R

The 2016 outing of South-Korean auteur director Park Chan-wook (maker of Oldboy and Stoker) once again shifts attention to the dark side of what makes us human: betrayal, violence, and transgression. Based on the 2002 novel Fingersmith by British author Sarah Waters, The Handmaiden revolves around the love of two women and the greedy men around them. Park shifts the novel's plot from Victorian London to 1930s Korea, where an orphaned pickpocket is used by a con man to defraud an old Japanese woman. Routinely called a masterpiece with comparisons made to the likes of Alfred Hitchcock, this is a stylish and meticulous psychological thriller that packs enough erotic tension to put a crack in your screen. If you love cinema, you can't miss this movie. You might even have to watch it twice.

Genre: Drama, Mystery, Romance, Thriller

Actor: Bae Il-hyuck, Cho Jin-woong, Choi Byung-mo, Choi Jong-ryul, Eun-hyung Jo, Ha Jung-woo, Ha Si-yeon, Hae-suk Kim, Han Ha-na, In-woo Kim, Jeong Ha-dam, Jeong In-kyeom, Jin-woong Jo, Jo Eun-Hyung, Jung In-gyeom, Jung-woo Ha, Kim Hae-sook, Kim Hae-suk, Kim In-woo, Kim Min-hee, Kim Si-eun, Kim Tae-ri, Kwak Eun-jin, Lee Dong-hwi, Lee Ji-ha, Lee Kyu-jung, Lee Yong-nyeo, Lim Han-bin, Min-hee Kim, Moon So-ri, O Man-seok, Oh Man-seok, Rina Takagi, So-ri Moon, Tae-ri Kim, Takashi Kakizawa, Tomomitsu Adachi

Director: Chan-wook Park, Park Chan-wook

Rating: Not Rated

, 2003

From Korean director Park Chan-wook, who also brought you the far quieter The Handmaiden, comes a movie that is positively terrifying. Its premise alone is enough for any sentient human being to shudder. On his daughter's birthday, the good-for-nothing Oh Dae-su (played by Choic Min-sik) gets drunk and is arrested by the police. A friend eventually bails him out and, while he is making a phone call, Oh Dae-su disappears. Not knowing why, he is held in the same room for 15 years for no apparent reason. Until, one day, he is released. That's all that can be revealed about this winner of the Grand Jury Prize at Cannes in 2004 without giving away too much. All we can add here is the way we recommend Oldboy to people admitting to not having seen it yet: “Watch Oldboy. You're welcome. We're sorry.” A crazy, twisted film that goes to extremes. A cult classic and a statement.

Genre: Action, Drama, Mystery, Thriller

Actor: Byeong-ok Kim, Choi Min-sik, Dae-han Ji, Dae-yeon Lee, Han Jae-duk, Hye-jeong Kang, Ji Dae-han, Ji-tae Yu, Jin-Seo Yoon, Jin-seo Yun, Kang Hye-jeong, Kang Hye-jung, Kim Byeong-Ok, Kim Byung-ok, Kim Su-hyun, Kwang-rok Oh, Lee Dae-yeon, Lee Seung-shin, Lee Young-hee, Min-sik Choi, Oh Dal-su, Oh Gwang-rok, Oh Kwang-rok, Oh Tae-kyung, Park Jae-Woong, Park Myung-shin, Seo Myeong-Seok, Seung-Shin Lee, Syd Lim, Yoo Il-han, Yoo Ji-tae, Yoo Yeon-seok, Yoon Jin-seo, Yoon Jin-yul

Director: Chan-wook Park, Park Chan-wook

Rating: R

, 2017

Named after a slur for people of Asian descent, this 2017 film put Justin Chon on the map as a director. More than that, he also starred as the main lead in this raw and uncompromising period drama about Asian-Americans and the LA riots in 1992. Shot completely in black and white, it tells the story of Eli, a scrawny Korean-American, who runs his family shoe store with his brother, Daniel (David So), in several vignettes. They strike up an unlikely friendship with Kamilla (Simone Baker), a black kid from around the way, whose family is not happy with her hanging out with the two brothers. Amidst the ubiquitous violence in LA at the time, the Rodney King riots as well as a tragic shooting of a black teenager by a Korean convenience store owner, it shines the light on America's intra-minority race relations and the more unseen stories behind them. A topic that has come back to haunt America in the 2020s. The film is fierce as it is funny, harsh as it is playful. Uplifting and unsettling.

Genre: Drama

Actor: Ben Munoz, Curtiss Cook Jr., David So, Isaiah Jarel, Justin Chon, Natalie Sutherland, Omono Okojie, Sang Chon, Simone Baker

Director: Justin Chon

Rating: Unrated

, 2009

A thirst for love, a thirst for recognition, a thirst for sympathy, a thirst for meaning, a thirst for life, and a thirst for blood. Director Park Chan-wook and actor Song Kang-ho, two of the biggest names in South Korean cinema, join forces for the first time in a modern take on the supernatural. In present day South Korea, Catholic priest Sang-hyun (Song) volunteers himself as a human experiment during the formulation of a vaccine against a deadly virus. When the experiment fails and he is thought to be dead, he resurrects as a conflicted vampire, one whose moral code continually goes against his intrinsic desires. Along with Song and long-time collaborator cinematographer Chung Chung-hoon, Park creates a riveting atmosphere that is both very scary and sad. By blending elements of horror and drama, he also achieves putting a fresh and unique spin on the time-honored vampire film.

Genre: Drama, Horror, Thriller

Actor: Choi Hee-jin, Choi Hui-jin, Choi Jong-ryul, Ériq Ebouaney, Hwang Woo-seul-hye, Jo Deok-jae, Jo Moon-ee, Kang-ho Song, Kim Hae-sook, Kim Hae-suk, Kim Ok-vin, Lee Hwa-ryong, Mercedes Cabral, Natallia Bulynia, Oh Dal-su, Park In-hwan, Ra Mi-ran, Seo Dong-soo, Shin Ha-gyun, Shin Ha-kyun, Son Jong-hak, Song Kang-ho, Song Young-chang

Director: Chan-wook Park, Park Chan-wook

Rating: R

In Drive My Car, a widowed artist travels to Hiroshima for his latest production. There he meets a young woman enlisted to drive him around the area. They forge an unexpected bond and soon share pithy observations and long-buried secrets, which culminate in a touching scene of catharsis and forgiveness.

Not a lot is said in this three-hour film, but when words (and signals) are shared, they are always underlaid with simple but transcendent truths. Drive My Car is a gripping film that explores love and loss in its own quiet way, at once intense and intimate.

Genre: Drama

Actor: Ahn Hwi-tae, Ahn Hwitae, Hidetoshi Nishijima, Hiroko Matsuda, Jin Dae-yeon, Masaki Okada, Park Yu-rim, Perry Dizon, Reika Kirishima, Ryo Iwase, Satoko Abe, Shoichiro Tanigawa, Sonia Yuan, Toko Miura, Toshiaki Inomata

Director: Ryusuke Hamaguchi

Rating: Unrated

After you've watched a few films by Hong Sang-soo, you should know the general outline of what to expect: long, unbroken shots of long, unbroken conversations between characters (who are probably drinking alcohol), with very minimal movement on screen, a few recurring character types, and probably actress Kim Min-hee. But where a number of Hong's films tend to make excuses for its burdened, self-righteous artist characters, The Novelist's Film expresses not just a self-awareness of Hong's usual perspective but a sincere willingness to imagine something beyond himself. With one of the strongest screenplays he's had in a long time, unexpected new touches to his usual style, and a powerful lead performance by Lee Hye-young, the film manages to infuse a newfound sense of vitality and vulnerable emotion into tis familiar beats. There's plenty of humor and light tension to be found in the film's many conversations about the purpose of art—boiling things down to the most foundational reasons for why we make and respond to creative works in the first place. Whether you're a longterm fan or longterm skeptic of Hong's work, The Novelist's Film adds something undeniably new to his oeuvre.

Genre: Drama

Actor: Gi Ju-bong, Kim Min-hee, Kwon Hae-hyo, Lee Hye-young, Park Mi-so, Seo Young-hwa

Director: Hong Sang-soo

Rating: NR

Poetry is a masterpiece from one of South Korea's most cherished movie directors, Lee Chang-dong. The simple story follows the everyday life of a grandmother, Mija, who works as a caretaker for a living. To fill her inner emptiness, she decides to join a poetry club with other grandmothers in her neighborhood. Meanwhile, as Mija deals with her own financial and health problems, she struggles to connect with her teenage grandson — only to find out that he is keeping a dark secret. If you are familiar with Lee Chang-dong works, then you know that the movie will tug at your heartstrings. But if you aren't, prepare to be moved.

Genre: Drama

Actor: Ahn Nae-sang, Chang Hyae-jin, Eun-yeong Kim, Hee-ra Kim, Jang Hye-jin, Jeong-hie Yun, Kim Eun-yeong, Kim Hee-ra, Kim Ja-young, Kim Jong-goo, Kwon Hyuk-soo, Lee Da-wit, Min Bok-gi, Park Hyun-woo, Park Myung-shin, Yoon Jeong-hee

Director: Chang-dong Lee, Lee Chang-dong

Rating: TV-PG

The concepts of roads not taken and domino effects have received plenty of cinematic attention in their showier forms by way of multiverse comic book movies and dimension-hopping films like Everything Everywhere All At Once. But, though there’s no hint of sci-fi in Past Lives, Celine Song’s gentle film can count itself as one of the best treatments of that universe-spawning question: “what if?”

When her family moves from Seoul to Canada, teenage Na Young bids a loaded farewell to classmate Hae Sung and changes her name to Nora. Years later, they reconnect online and discover the spark still burns between them. This is no idealistic romance, though: Past Lives is told with sober candor. Song acknowledges real obstacles standing in the way of a relationship between the two — those pragmatic (distance) and, more painfully, personal (evolving personalities, American husbands).

Those two threads — unrealized romance and the transmutation of identity that so often takes place after migrating — are expertly entwined in Past Lives to produce a sublime, aching meditation on memory and time, practical love and idealistic romance, and all the complex contradictions that exist in between. That Song communicates so much and so delicately in only her first film makes Past Lives all the more stunning.

Genre: Drama, Romance

Actor: An Min-yeong, Chang Ki-ha, Chase Sui Wonders, Choi Won-young, Emily Cass McDonnell, Federico Rodriguez, Greta Lee, Hwang Seung-eon, Isaac Powell, Jack Alberts, Jane Yubin Kim, John Magaro, Jojo T. Gibbs, Kristen Sieh, Moon Seung-a, Moon Seung-ah, Seo Yeon-woo, Teo Yoo, Yim Seung-min, Yoon Ji-hye

Director: Celine Song

Rating: PG-13

Riceboy Sleeps looks like a fairy tale. Taken in 16mm and colored to pastel-grain perfection, it’s a captivating picture that moves like a happy memory. And occasionally, the action matches the air. Mother So-young (Choi Seung-yoon) and son Dong-hyun (Ethan Hwang) share a fierce, us-against-the-world bond as they strive to make it in a Canadian suburb without a lick of help. 

The film is beautiful that way, but it also importantly doesn't spare us from the harsh-edged realities of immigrant life. There are assimilation attempts, cultural divides, and on Dong-hyun’s part, a perpetual longing to know about an unknowable past. It’s a lovely picture, to be sure, but it’s also a tear-jerker, as heartbreaking as it is heartwarming. 

Coupled with writing and performances that are resonant but restrained (they never verge on melodrama), Riceboy Sleeps makes for a powerful debut and a truly unforgettable watch.

Genre: Drama

Actor: Aiden Finn, Anthony Shim, Bryce Hodgson, Choi Jong-ryul, Eric Keenleyside, Ethan Hwang, Hunter Dillon, John Cassini, Kendra Anderson, Lee Yong-nyeo, Ryan Robbins, Sean Poague, Vanessa Przada

Director: Anthony Shim