It’s no fun being plus-sized—or at least, that’s the message that we get everywhere, from tragic documentaries to self-help articles to shows that make weight the butt of every joke. Fat people are often perceived as inactive and sad and stubborn when those aren’t mutually exclusive with one’s size. In fact, there’s nothing inherently wrong with being big. 

In Shrill, our plus-sized hero Annie (played by the lovable Aidy Bryant) knocks down all those lazy myths with her sharp wit and buoyant charm. She goes on everyday adventures that prove she can be just as delightful (and exasperating) as any witty millennial writer trying to make it big in her city. Annie isn’t perfect, but the fun lies in seeing her grow (not transform) into a better person.

As classic children’s TV done in the same style as The Muppets, this reboot of Jim Henson’s Fraggle Rock manages to thread together wacky adventures, an environmental message, lots of music, and light satire about human behavior in less-than-30-minute chunks. This show is firmly for kids first, with the carefree, somewhat naive subterranean Fraggles meant to be childlike in nature as they learn how to accept others’ differences and their own complicated feelings through kindness and community. But parents who are at all interested in colorful variety shows should still find lots to enjoy, be it in the intricate craft of puppetry across various species of creatures, or in the genuinely catchy songs that range from innocent earworms to beautifully composed anthems straight out of the musical theater tradition.

There’s a classic male character trope of stoic guys that don’t seem to be fazed by anything. Play It Cool, Guys has an ensemble cast of four of these cool characters, but they aren’t quite put together as others might think. While on the outside, they seemingly handle setbacks easily, the show’s short vignettes and corresponding internal monologues reveal their relatable day-to-day clumsiness. The contrast makes these characters feel so endearing, more so as they get to know each other. As the show progresses with their friendship, the series feels like kind reassurance for all clumsy people out there.

In Reboot, a famous sitcom from the early 2000s is revived for a modern audience. While members of the cast attempt to rekindle their fame, the writers behind the show stir up endless debates about what constitutes “funny” in an age of political correctness. The hijinks and meta-humor that arise from this are admirable, but what really makes Reboot tick is its obvious love for the sitcom format. Underneath all the jokes is a commitment to TV comedies; like the most typical of them, Reboot switches from laugh-out-loud hilarity to tender moments of joy and sorrow. The only difference is that Reboot benefits from being self-aware—it’s unafraid to make fun of itself and all the people and shows that came before it. 

Based on a novel, A Perfect Story feels like a classic, straightforward romcom series. All of the elements are familiar to fans of the genre – running away from a wedding, bar meet-cutes, and fake relationships – but there’s a certain charm whenever these familiar elements show up. The show alternates between the timelines of Margot and David, taking its sweet time in the first episode before their timelines merge. And when they catch each other’s eye, it’s easy to root for these well-meaning characters looking for their match. While the story could be easily condensed into a film, the length allows the main duo to delve into a slowburn, friends-to-lovers romance.