Jaane Jaan is one of those thrillers where you hope that the main characters would get away with murder. Based on the 2005 Japanese novel, the Hindi adaptation still has the cat-and-mouse dynamic between the relentless detective and math genius protecting the suspect, along with their elaborate chess-like mind games. However, the film changes a major plot point from the novel, and without spoiling too much, it turns the math teacher, now named Naren, into a less sympathetic character. Given today’s sensibilities, it’s easy to understand why the change was made. After all, just because someone’s a genius, it doesn’t mean that they’re someone to be admired. Jaane Jaan still keeps up the exciting thrills and suspense of the original novel, but in making its changes, it becomes unclear who the film is rooting for.

A heart-wrenching tribute to victims of natural disasters that is one of despair, suffering, and hope. And it wouldn’t be so damning if it weren’t based off a true story surrounding the tragedy that killed more than 230,000 people. Boxing Day 2004 was one of the most memorable dates for wedded couple, Henry (Ewan McGregor) and Maria (Naomi Watts, for an Oscar nominated performance). Just two days prior, they arrived at Orchid Beach Resort in Thailand to celebrate the Christmas holidays together with their three children. After a squabble with the crew regarding their room reservations, they are granted the privilege of staying in a peaceful villa and all seems to be well. Nature had other plans in mind, though, and facing it head-on is the bittersweet reality.

There are far too many things that are worse in life than being on a journey with Danish super talent Mads Mikkelsen (Hannibal, The Hunt).

And that is what this 98-minute movie is: an almost one-actor movie set in the arctic. Mikkelsen plays a man trying to survive a plane crash, which at some point becomes about deciding whether to embark on a dangerous journey or stay in the plane rubble and risk a slow death.

It’s an extremely well-acted movie with nail-biting suspense. Bonus fact: it received a 10-minute standing ovation when it premiered at the Cannes film festival this year.

In the Mexican film A Cop Movie, director Alonso Ruizpalacios mixes fact and fiction, documentary and narrative, to tell the tale of Teresa and Montoya, two police officers whose dreams are dashed by the corruption of their trade and who, eventually, find love and comfort in each other.

Ruizpalacios takes thrilling risks in structuring this genre-bending story—cutting stories into parts, jumping back and forth between the harrowingly real and captivatingly non-real. For all the experimental maneuvers he makes, however, the through-line is always Teresa and Montoya: particularly, their love for each other and for an institution that should have, in an ideal world, supported them and the people they vowed to protect. 

To its credit, instead of merely humanizing the controversial police force, A Cop Movie adds some much-needed nuance to the big picture. At the end of the day, they’re no different than any other underpaid laborers working desperately to make end meets. A Cop Movie doesn’t gloss over the fact that the police, like so many other workers, are stuck in a rotten system that’s long overdue for a major overhauling. 

Is an innocent child’s life worth millions of other civilian casualties? In a modern-day drone warfare led by Colonel Katherine Powell, played by the very versatile Helen Mirren, she is conflicted to order the target of the Somali terrorist organization when she spots Alia, a young girl who just happens to be selling bread within the premises of the Kill Zone. Her icy exterior, however, is a far cry from Lieutenant General Frank Benson’s profound sympathy, the portrayal of the late Alan Rickman in his last onscreen role being one of his most remarkable ones to date. Eye in the Sky is a thriller that will have you questioning your morals while gripping your seats in what appears to be a battle of the best choice and the only one. Do the ends always justify the means?

A chilling and dark movie to be especially appreciated by true suspense lovers. At the funeral of the family’s matriarch, no one is emotional except the granddaughter, whose grieving is disturbing, to say the least. When both grieving and not grieving are unsettling, you can tell what kind of family (and movie) this will be.

Kilo Two Bravo (Originally named Kajaki) is a must-watch for anyone who likes war dramas. It tells the true story of British soldiers in the Afghanistan war who find themselves trapped in a minefield during a mission, with their rescue team coming in a helicopter that might set off mines if it lands. It’s a slow, dialogue driven film that is interested in taking you to the war zone more than it cares about entertaining you. Ultimately, it becomes an essay on the horrors of war, and an anti-war war film. Because of this and given the blood and gore, this movie is definitely not for those who would feel nauseated at sight of blood. Great setting, good cinematography, realistic acting and script all do justice to the true story. It’s a film that will grip your senses and keep you at the edge of the seat throughout.

This is a really weird movie starring Colin Farrell and Nicole Kidman. They play a wholesome and well-off couple where Farrell is a heart surgeon. The movie starts with him taking care of a teenager called Martin, who’s not related to him or seems to have any real connection with him. It later turns out that Martin shares a special bond with the surgeon, a bond that will threaten his family in unexpected ways. The camera work and direction by Yorgos Lanthimos (The Lobster, The Favourite) offset the weirdness to offer an intriguing experience.

This historical drama opens with one of the most thrilling chase scenes in recent memory, as Higinio Blanco, the man at the center of the story, escapes government forces during the Spanish Civil War.

He goes into hiding that, without him realizing, would last 33 years. He would only emerge in a government amnesty in 1969, as would many like him across Spain.

Themes of love (Higinio was confined with his newlywed wife), solitude and fear are at the center of a story that remains thrilling even when it goes through the isolation years.

John Boyega, Algee Smith, and John Krasinski star in this difficult portrayal of the Detroit 1967 riots, the biggest civil unrest in American history before the 92 L.A. protests. A murderous cop, a band on the verge of breaking big, and a hard-working security guard find their fates intertwined by the events that took place that summer. Detroit blends real-life images with its storytelling. It would be a perfect movie if it wasn’t for a scene in which the police brutalize young Black men for finding them in a hotel with two White girls. This scene, while a necessary part of the story, is overstretched and feels almost sadistic, more so because the film was made by a White director, Kathryn Bigelow.