From the mastermind behind Netflix’s Kingdom, Kim Eun-Hee’s Signal is an exhilarating series that seamlessly weaves together gripping crime thriller elements with an intriguing touch of supernatural. With its unique premise of a mysterious walkie-talkie that connects the past and the present, the show follows a team of detectives from different eras as they collaborate to solve cold cases and unravel the secrets behind unsolved crimes. The superb writing and exceptional performances by the cast, including Lee Je-hoon, Kim Hye-soo, and Cho Jin-Woong, have made Signal a major hit among K-Drama fans. 

Produced by Ezra Klein’s Vox Media, an explanatory news site with liberal leanings, this may well be Netflix’s first successful attempt at a traditional weekly television show. And a news show at that. But as the title suggests, Explained doesn’t aim at updating you on current events, but takes short but in-depth looks at topics that tend to get overlooked in news cycles such as the racial wealth gap, monogamy, and the rise of cryptocurrencies. The idea is not unique. The only thing YouTube might have more of than make-up advice videos are explanatory monologues by self-declared Illuminati. However, those familiar with Vox Media’s previous outings on YouTube know to expect high production value, serious research, and digestible visual journalism at its best. Don’t watch it with your special uncle, though because he will start yelling at the television.

While this perspective on competitive sports is obviously unconventional, it makes perfect sense. Winners are boring. If you win, you win. The losers, however, have defeat to deal with. As the proverb goes, you learn little from victory, but a great deal from defeat. Director and creator of the show’s amazing animation, Mickey Duzyj, was inspired by a personal experience during a tennis tournament as a teenager. Each episode of this 2019 Netflix show tells a different story from a different sport. For starters, episode one looks at Michael Bentt, a world champion boxer who was forced into the sport by his abusive father. So, things do get dark, as could be expected, the storytelling is complex, but the message of Losers is as simple as it is wholesome. Like the characters and life stories it portrays, this show will pick you up when you are down!

The Netflix four-part miniseries Lost Ollie is a bit like if Toy Story was adapted into a live-action dramedy. You’ll recognize the premise immediately: lost toy comes to life and loyally sets out on a journey to find its kid. But stuffed in between those points are poignant moments and reflections about life, family, and being.

The film isn’t also afraid to touch on darker themes, so if you’ve always wished for a slightly more mature but still kid-friendly version of this narrative—and if you’re a fan of the likes of Paddington the Velveteen Rabbit—then you’ll enjoy Lost Ollie.

It’s amazing how shows fueled only by fast talk can feel as gripping as any thriller out there. The Diplomat is cerebral and heavy on geopolitical jargon, but somehow, it manages to feel genuinely exciting, each new episode impossible to not play next. Thanks is due in large part to Keri Russell who, fresh out of her incredible stint in The Americans, returns here as messy and intense and endearing as ever. 

On the one hand, The Diplomat is about the delicacy of diplomacy, about how every decision made at this level has ripples of consequences throughout the globe. But it’s also, amusingly, a marriage story. Russell plays a woman who has long been defined by her more renowned if a bit egotistical husband, played perfectly by Rufus Sewell. They have a complex relationship that is as much of a career partnership as it is a romantic one, and part of the show’s charm is blending this story arc with the main one. 

Fans of West Wing, Veep, and Homeland will find much to like in this series, not least of all are the informative takes and worthwhile performances. 

This World Can’t Tear Me Down is a timely release on friendship, punk, and anti-fascism. From the Italian cartoonist Zerocalcare, his second Netflix show shifts his musings over mental health to his experiences with regard to the country’s rising neo-Nazism. As xenophobia tears his friend group, it’s easy to feel the fear and self-doubt Zero’s cartoon counterpart feels. It’s easy as well to empathize with Sarah and Cesare, characters failed by the system around them. In many ways, they themselves feel like they haven’t met their potential. But the show suggests that perhaps status and achievement aren’t what being successful is all about– it’s about holding onto principles. Through punk soundtracks and shifts between stop motion and 90s cartoon style, This World Can’t Tear Me Down captures the millennial generation’s bewilderment, as well as their hope.

An amazing binge-worthy show that is a mix between a coming-of-age story, a romance, and a crime thriller. It tells the story of James, a 17-year-old who believes he is a psychopath (for some very convincing reasons). James decides he wants the victim of his first murder to be a new schoolmate, Alyssa.  He befriends her and keeps waiting for the perfect moment to kill Alyssa until he finds himself on a journey with her to escape her home. Somewhere near the middle of the show, and without you fully realizing it, it transforms from an original coming-of-age story or odd-boy-meets-odd-girl story to an intriguing view on adolescent insecurities and the role of parents into shaping them. It transforms from a mysterious, almost charming story to an interesting character study.  This is when the show will blow your mind.  It’s a fresh, smart, funny yet disturbing emotional thrill ride.

It starts off with a man failing at hanging himself from a fruit tree in a bleak-looking garden. Something this grotesque isn’t usually the stuff of sitcoms. This is unsurprising because Will Sharpe’s Flowers, produced for the British Channel 4, is not your usual sitcom. With a unique visual style, an extraordinary cast, and a dark, satirical script, it carves out a genre of its own. The always amazing Olivia Colman plays Deborah Flowers, the eccentric family’s matriarch, and a music teacher. The man trying to hang himself is her depressed and unfaithful husband Maurice (Julian Barratt), who is a children’s book author. They live in a ramshackle house with a Japanese butler, who barely speaks English, and their dysfunctional adult twins. Amidst all this glorious mess, Flowers is ultimately about mental illness and depression and is apt in pairing this disturbing reality with hilarity. Obviously, it is very dark. A bit too dark for comedy, and too mad for drama: truly original stuff.

Since the 1960s, Flint, Michigan, has experienced a series of shocks. When General Motors downsized their workforce by several 10.000, the town’s population nearly halved. Unsurprisingly, it later became known for being one of the most dangerous cities in the US and for off-the-charts crime statistics. Since 2014, Flint again rose to tragic fame for a public health emergency due to contamination of its local water supply. Flint Town homes in on this perpetual state of crisis through the eyes of the local police department, who had to grapple with this dire scenario, while losing more funding year over year due to the city’s deteriorating financial situation. The few officers that are left for policing are at breaking point. The result is a gripping and rich docuseries with a host of strong characters. But it is also a brutal and sobering account of the extent to which an American city is being allowed to fail.

The latest addition to the murder mini-series genre is the incredible thriller “The Staircase.” It originally aired in 2004, but the producers took the same director and allowed him to add new episodes in 2018 to complete the story. 

The plot: A famous American novelist’s wife is found dead, and he is accused of killing her. His life comes under scrutiny as everyone asks whether she died in an accident or was murdered. If you liked their other hit, “Making a Murderer,” you will love this. You should also definitely check out “The Keepers” or Netflix’s binge-worthy crime documentary, “Evil Genius.”