From Steven Spielberg, Munich is the sharp and thrilling depiction of Mossad agents on a mission to avenge the Munich Massacre, the killing of 11 Israeli Olympic team members at the 1972 Summer Olympics. Despite being based on real events, it’s a work of fiction. This allows the film to stand on clear yet nuanced grounds, focusing on the moral dilemmas that may rise for the secret agents and the perpetrators, now targets. The ensemble cast including Daniel Craig and Eric Bana allow Spielberg to deliver the film you can tell he wanted to make. A personal and striking effort.
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agoodmovietowatch.com/mood is a selection of unique tags manually picked for each of our 500+ movie & TV suggestions. All suggested movies are acclaimed by both critics and viewers.
From Park Chan-wook (maker of Oldboy) comes The Handmaiden, a great movie in line with his now mastered style of portraying the beautifully weird. A rich Japanese lady isolated from the world accepts a new handmaiden, a shrewd young Korean girl with hidden motives. The men around them, full of greed and lust, complete the grand Victorian tale of deception, romance or lack thereof, and dark humor. You will find yourself at times screaming "what?", and at times bewildered by the general aesthetic of the film including clothes, traditions, and the stunning nature of both Korea and Japan. If you love cinema, you can't miss this movie. It's just too big of an achievement.
Three half-Puerto-Rican, half-white boys grow up in suburban New York in this personal movie shot on stunning 16mm film.This movie follows the boys, often literally with the camera behind their backs, as their parents’ relationship goes through turmoil. The kids are often left unattended and have to fend for themselves. The beauty of We the Animals is illustrating how they grow-up swinging between the angry character of their father and the protective nature of their mother.This is one of the best movies I’ve seen in a long time, and I think I loved it so much because I was able to relate and feel for the main character (one of the boys). I really hope you will too.
Robert Downey Jr., Channing Tatum, and Shia LaBeouf star in this powerful drama about growing up in 80's Astoria, New York. It follows the memoirs of the author, director and musician Dito Montiel as he visits his ailing father after 15 years in Los Angeles, away from home. Told via flashback and present-day exposition, as well as several fourth-wall bending monologues, A Guide to Recognizing Your Saints is a coming of age film that leaves a deep impact, with two Sundance awards and heaps of nominations to its credit.
Taika Waititi’s follow-up to the (also great) What We Do in the Shadows, is a pure delight and the perfect antidote after a bad day or a steady diet of too many sad movies. "Bad egg" Ricky Baker has been bounced out of more foster care situations than he cares to remember until he's given his last chance with a couple living on a rural New Zealand farm. After tragedy strikes early in the film Ricky and his foster uncle (Hec) find themselves on the run in the bush while a nationwide manhunt is initiated on their behalf. Hip-hop enthusiast Ricky and crusty, cantankerous Hec make quite the inspired pairing; this is a very funny film full of the deadpan humor that has become emblematic of Waititi's work (Flight of the Conchords, Boy) but it is also oddly touching and full of heart.
Don’t worry.Adam Sandler doesn’t suck here.This is a beautiful family comedy directed by Noah Baumbach (Frances Ha, The Squid and the Whale). Sandler plays a recently divorced man (as he tends to do) called Danny (as he’s usually called). Danny moves in with his father, played by Dustin Hoffman, who himself is dealing with feelings of failure.Both of them are joined by other members of the family, including Danny’s half-brother, played by Ben Stiller. Their family dynamics are portrayed in a beautiful and sometimes moving way. Director Baumbach proves he’s so good, he can make even Adam Sandler sound and look genuine.
Authentic and filled with great performances, Mud is a beautiful tale of love, loss, and growth. While you had probably thought you couldn't be more impressed with him than in Dallas Buyers Club, Interstellar, or True Detective, Mathew McConaughey's performance here is probably his best, and is nothing short of a masterpiece. It takes the entire movie to an unprecedented level of authenticity and power as well as give his character's interaction with two young boys in the South the perfect balance between uneasiness and sorrow. The story is also very thrilling, and will keep you at the edge of your seat more times than not.
A young girl is looking for her father while struggling to care for her family. The film is bleak and slow but great performances from the cast, especially the lead, will keep you engaged throughout. The story has a very real, raw, and natural feeling to it, so natural in fact that at times, you will forget it is a movie. And in many ways, it feels that Winter's Bone is to Jennifer Lawrence what The Believer was to Ryan Gosling, as her performance is nothing short of perfect.
This movie is about Tim Lake who discovers that men in their family can time travel but can't change history, only their own lives. He uses this special ability to achieve the future that he envisioned. As one would imagine, there are a lot of what-ifs and cerebral moments in this movie. Great performance by the cast especially the lead roles (Rachel McAdams and Domhnall Gleeson). It'll make you laugh, cry, and fall in love. It will make you realize how important time is in our life and the consequences of every action we take. It's an amazing romcom movie. It gave me a movie hangover! The genius of About Time is that it is enjoyable yet at the same time offers an engaging story, and takes on interesting ideas. The phrase "pleasure to watch" may not apply to a movie more than it does for About Time, and I'm happy to say that it is way more than just that.
From the director of Shoplifters, Still Walking is a quiet movie about 24 hours in the life of a family gathering to remember the passing of a son. At the center of the story is the father, an emotionally distant man who commands respect both from his family and community. Opposite from him is the black sheep, the other son, who strives for his father’s validation. This dynamic is one of many depicted in this slice-of-life movie about how families deal with loss. It might seem like little is happening during the first stages, but the realism and subtlety with which the story is handled will gradually suck you into the beautiful atmosphere of Still Walking. And however distant the culture or setting in Japan may seem, you’re bound to recognize either yourself or your family in this movie.
A delicate and profound exploration of loss, and an unbelievably well-made drama, Manchester By the Sea is a true triumph. Its focus on the characters, its timely unfolding of story elements, as well as its world class acting are only equal to the best European dramas. This deep and slow exploration of the human condition has rarely been successful in American cinema, if ever. The last best attempt was probably another movie by director Kenneth Lonergan, You Can Count on Me. Manchester by the Sea is where he unveils his full potential, and takes the viewer deep into the tensions and history of a building handyman, Lee Chandler (Casey Affleck). His angry but quiet life is interrupted by news that his brother suffered a heart attack, and upon going back to his hometown he finds that he is the only one left to take care of his teenage nephew. A truly amazing movie, not to be missed, and a huge success too. It grossed around $80 million on a budget of $8.5 million.
A thoughtful drama about the financial crisis, Margin Call is gripping. Seriously, even something as convoluted as the 2008 global economic meltdown is not only accessible and understandable, but it's gripping. Margin Call transports you to the heart of Wall Street, both the financial institutions and the street, literally. It is exciting, well-acted and informative. Uh, also: Kevin Spacey.
A unique movie about a near-future society obsessed with couples; viewing couples as the norm, as opposed to single people who are viewed as unproductive and undesirable. In that way, the film shows David (Colin Farrell), a newly single person who is transferred to the Hotel, a place where single people have just 45 days to find a suitable mate, and if they fail, they would be transformed into animals of their choice. While the film’s original premise may not be everyone’s cup of tea, The Lobster will prove a goldmine for people who are into a Kafkaesque, absurdist mentality, or anyone looking for an idea-driven experience.
The Look of Silence is an incredible documentary from Director Joshua Oppenheimer, a follow-up/companion piece to his award-winning documentary The Act of Killing. Both films focus on the Indonesian Genocide of 1965-66, where the military government systematically purged up to one million communists. In this film an optician named Adi Rukun meets with various members of the death squad that murdered his brother, under the guise of providing them eye examinations. As he questions them about their participation in the killings, they show little remorse and in fact provide lurid details to the many executions. It’s a stunning and provocative look at the legacy of historical violence, along with the insidious propaganda that provoked it then and continues to justify it to younger generations.
You've probably watched and heard about enough Holocaust films to expect a formula, but you might want to put all that aside going into The Boy in Striped Pajamas. Bruno, the son of a WWII Nazi commandant forms an unlikely friendship with a Jewish kid his age in his father's concentration camp. The film is World War II told through Bruno's eyes, and while you might not get why this movie is so highly praised in its first scenes, the twisting and profound second half will have you recommending it to everyone in need of a moving story well executed, or quite simply a good cry.
Emma, a free-spirited girl with blue hair, influences Adele’s life dramatically, teaching her how to be honest with herself and discover her true desires about love. The film beautifully and realistically portrays Adele’s evolution, from a high-school girl to a grown-up woman. The spirit Emma lights up in her never dies. Blue Is the Warmest Color or La Vie d’Adèle is an honest, intense, and charming picture, prepare not to blink and have your face glued to screen from start to finish.
Set in Victorian London, it’s about a guy who sets out on a mission to find his missing family. He is helped by a mysterious medium played by the ever-amazing Eva Green.If you make it to the second season, I genuinely think it’s the better watch. The first season is good, so it won’t be that hard to get there. (Side note: This super cool show pays tribute to some familiar fictional characters like Dr. Frankenstein, Dracula and, Dorian Gray. )
Russel Crowe, Nicole Kidman and Lucas Hedges (Manchester By the Sea) form an amazing pack of talent in this excellent drama. Crowe plays the father, a priest, and Kidman the mom, a religious person as well. When their son comes out as gay, they decide more or less with his acceptance to send him to a conversion therapy center. The movie is about the experience of the center but it's also about the family dynamic as a whole. Also stars Joel Edgerton, who also adapted the screenplay (a true story) and directed the movie.
At the risk of being cliché, I'm going to state that only the French could have made a movie about racial issues and the troubles of youngsters in the suburbs and still make it elegant. I've tried looking for other adjectives, but I couldn't find one that better describes those long takes shot in a moody black and white. But despite the elegance of the footage, the power of the narrative and the acting makes the violence and hate realistic as hell, dragging you into the story and empathizing with the characters until you want to raise your arm and fight for your rights. Aside from this unusual combination of fine art and explicit violence, the most shocking thing about La Haine is how much the issues it addresses still make sense right now, even though the movie was released 20 years ago.
Darren Aronofsky delivers yet another unforgettable allegory, starring Mickey Rourke as Randy "The Ram" Robinson, an aging professional wrestler long past his prime. He is struggling to retain a sense of identity, purpose and dignity. The audience can see in Rourke the story of all men, that we will one day grow old, regret mistakes that it's too late to fix, and mourn the end of our successes.
A flawless Daniel Day‑Lewis stars in this thought-provoking romance. He plays a successful dressmaker in post-second-World-War London who falls for a waitress while on an excursion to the countryside. It's hard to tell you what this movie is about without ruining the story for you but I can tell you how it made me feel: it kept me guessing the whole time. Day-Lewis' character is so masterfully played that I felt that every move he made was calculated and that every line meant something. Plus, expect stunning dresses, beautiful country-side sequences, and an all-around gorgeous aesthetic experience.