24 Best A-list actors Movies On Rokuchannel

Staff & contributors

When Hollywood actors select a role based on the strength of a script or director over blockbuster merit, it's often reflected in the movie and performance quality. Here are the top highly-rated, little-known movies featuring famous faces to stream now.

Find the best a-list actors movies to watch, from our mood category. Like everything on agoodmovietowatch, these a-list actors movies are highly-rated by both viewers and critics.

The bare bones of The Limey’s story — vengeful Cockney ex-con Wilson (Terence Stamp) flies to LA to investigate the suspicious death of his daughter Jenny — are gripping enough, but what Steven Soderbergh does with them elevates this neo-noir thriller into something utterly singular and stacked with layers upon layers of meaning. An icon of London’s Swinging ‘60s scene, Stamp is pitted against laidback symbol of ‘60s American counterculture Peter Fonda (as Jenny’s sleazy older boyfriend), giving their face-off grander cultural stakes. The extra-textual significance of the casting is deepened by Soderbergh’s ingenious references to the actors’ heyday: in flashbacks to Wilson’s happier past, for example, we’re shown the actual Stamp in his younger years (courtesy of scenes borrowed from 1967’s Poor Cow).

The Limey is also a brilliant showcase for editor Sarah Flack’s technical inventiveness: though the narrative is largely linear, the film cuts to and from scenes and sounds at unexpected points, giving the film an almost David Lynch-like sense of eerie fragmentation. Conjuring up a nightmare LA atmosphere isn’t all the editing does, either, as the film’s puzzle pieces are expertly reassembled to reveal an emotional gut-punch of an ending. In short, this high point in Soderbergh’s filmography is a must-see for any fan of cinema.

Genre: Crime, Drama, Mystery

Actor: Allan Graf, Amelia Heinle, Barry Newman, Bill Duke, Brandon Keener, Brooke Marie Bridges, Carl Ciarfalio, Carol White, Clement Blake, Dwayne McGee, George Clooney, Jim Jenkins, Joe Dallesandro, John Cothran, John Robotham, Johnny Sanchez, Lesley Ann Warren, Luis Guzman, Matthew Kimbrough, Melissa George, Michaela Gallo, Nancy Lenehan, Nicky Katt, Ousaun Elam, Peter Fonda, Rainbow Borden, Randy Lowell, Steve Heinze, Terence Stamp, Wayne Pére, William Lucking

Director: Steven Soderbergh

Rating: R

Kathryn Bigelow has a knack for action-packed scenes without compromising on the affective qualities of film style. It is precisely this combination that makes her a rare gem in American cinema, where the values of entertainment soar high. Point Break is one such example of controlled chaos, impeccable framing, and a convincing use of fast-paced editing to really get you as close to the action as possible. But what gives the film its flavour is how developed and synced the characters are and the Reeves-Swayze duo here belongs in the pantheon of equally hot frenemies, providing an apt, but subtle comment on the dangers of toxic masculinity. 

Genre: Action, Crime, Thriller

Actor: Anthony Kiedis, Anthony Mangano, Betsy Lynn George, Bojesse Christopher, Chris Pedersen, Christopher Pettiet, Daniel Beer, Dave Olson, Debra Lamb, Galyn Görg, Gary Busey, Gary Roberts, Gloria Mann, Jack Kehler, James Le Gros, Jared Chandler, Jeff Imada, John Apicella, John C. McGinley, John Philbin, Julian Reyes, Julie Michaels, Keanu Reeves, Lee Tergesen, Lori Petty, Michael Kopelow, Mike Genovese, Patrick Swayze, Peter Phelps, Ping Wu, Randy Walker, Raymond Forchion, Richard Grove, Sydney Walsh, Tom Sizemore, Vincent Klyn

Director: Kathryn Bigelow

Rating: R

A powerful but quiet movie directed by Paul Dano and based on a novel of the same name by Richard Ford. It stars Carey Mulligan and Jake Gyllenhaal as a couple who move to a new town with their only child during the 1960s. Their relationship transforms after Gyllenhaal's character loses his job as a butler and chooses to leave for a more dangerous profession, firefighting. This movie is about his wife's response to this event and the implications of both parents' behavior on their kid. There are no twists or turns, exciting action or plot; but Wildlife doesn't need any of that. This moving story about a decaying family unit is portrayed in the sadness that comes with such events. The only joy comes from watching the outstanding (but expected) performances of the cast.

Genre: Drama

Actor: Avery Bagenstos, Bill Camp, Blaine Maye, Carey Mulligan, Darryl Cox, Ed Oxenbould, Ginger Gilmartin, J. Alan Davidson, Jake Gyllenhaal, Jay Dee, John Walpole, JR Hatchett, Kaye Brownlee-France, Laurie Cummings, Lexi Anastasia, Marshall Virden, Michael Gibbons, Mollie Milligan, Paul Dano, Richard L. Olsen, Tom Huston Orr, Travis W Bruyer, Zoe Colletti

Director: Paul Dano

Rating: PG-13

This is a hilarious political comedy starring the ever-great Steve Buscemi. Set in the last days before Stalin's death and the chaos that followed, it portrays the lack of trust and the random assassinations that characterized the Stalinist Soviet Union. Think of it as Veep meets Sacha Baron Cohen's The Dictator. Although to be fair, its dark comedy props are very different from the comedy that comes out today: where there are jokes they're really smart, but what's actually funny is the atmosphere and absurd situations that end up developing.

Genre: Comedy, Drama, History

Actor: Adam Ewan, Adam Shaw, Adrian McLoughlin, Alla Binieieva, Andrea Riseborough, Andrey Korzhenevskiy, Andy Gathergood, Cara Horgan, Dan Mersh, Daniel Booroff, Daniel Chapple, Daniel Fearn, Daniel Smith, Daniel Tatarsky, Daniel Tuite, Dave Wong, David Crow, Dermot Crowley, Diana Quick, Elaine Caxton, Ellen Evans, Emilio Iannucci, Eva Sayer, Ewan Bailey, George Potts, Gerald Lepkowski, Henry Helm, James Barriscale, Jason Isaacs, Jeffrey Tambor, Jeremy Limb, Jonathan Aris, Jonny Phillips, June Watson, Justin Edwards, Karl Johnson, Leeroy Murray, Luke D'Silva, Michael Ballard, Michael Palin, Nicholas Sidi, Nicholas Woodeson, Oleg Drach, Olga Kurylenko, Paddy Considine, Paul Chahidi, Paul Ready, Paul Whitehouse, Phil Deguara, Richard Brake, Ricky Gabriellini, Roger Ashton-Griffiths, Rupert Friend, Sebastian Anton, Sheng-Chien Tsai, Simon Russell Beale, Steve Buscemi, Sylvestra Le Touzel, Tim Steed, Tom Brooke, Yulya Muhrygina

Director: Armando Iannucci

Rating: R

Even a director of William Friedkin’s caliber had his work cut out for him with this remake of the towering 1957 drama tracking a jury's fraught deliberations in an apparently open-and-shut murder trial. Wisely, he changes little: most of the incisive dialogue remains the same, and the film still only takes place in one sweltering room on New York’s hottest day.

There are some key differences, though: namely, in a few of the characters (most notably Mykelti Williamson’s ex-Nation of Islam member Juror #10, who helps update the story to the '90s) and the intensification of the ensemble’s star power. The all-star quality of the cast is never wielded to call attention to itself, though; everyone, from James Gandolfini and William Petersen to Tony Danza and Edward James Olmos is on fine character acting form here. Replacing the unforgettable Henry Fonda is Jack Lemmon (exuding warmth and good sense) as the principled lone dissenter who calmly wages a war of words with George C. Scott’s bigoted Juror #3 to give real justice a chance. The 1957 version is admittedly a timeless classic, but Friedkin's version isn't very far off from reaching its predecessor’s dazzling heft plus, this stands as a compelling argument that every era should have its own 12 Angry Men.

Genre: Crime, Drama, TV Movie

Actor: Armin Mueller-Stahl, Courtney B. Vance, Dorian Harewood, Douglas Spain, Edward James Olmos, George C. Scott, Hume Cronyn, Jack Lemmon, James Gandolfini, Mary McDonnell, Mykelti Williamson, Ossie Davis, Tony Danza, Tyrees Allen, William Petersen

Director: William Friedkin

Rating: PG-13

This is a star-packed movie about two brother assassins played by John C. Reilly and Joaquin Phoenix, and starring Jake Gyllenhaal. You might have read the book of the same name, and it is always hard to make a great film out of a great book but the brilliant director of A Prophet Jacques Audiard has done it (again). He is aided by a superb darkly comic script and fantastic acting from the entire cast. Audiard is French, but his take on the American Western is filled with epic violence but also witty dialogue, brotherly love, and male camaraderie.

Genre: Adventure, Comedy, Drama, Western

Actor: Aidan O'Hare, Aldo Maland, Allison Tolman, Andrew Litvack, Carol Kane, Creed Bratton, David Gasman, Diego Llano, Duncan Lacroix, Eric Colvin, Frédéric Siuen, Hugo Dillon, Ian Reddington, Jake Gyllenhaal, Jean-Marc Bellu, Joaquin Phoenix, Jochen Hägele, Jóhannes Haukur Jóhannesson, John C. Reilly, Kelda Holmes, Lenuta Bala, Lexie Benbow-Hart, Nick Cornwall, Patrice Cossonneau, Philip Rosch, Raymond Waring, Rebecca Root, Richard Brake, Riz Ahmed, Rutger Hauer, Sean Duggan, Theo Exarchopoulos, Trevor Allan Davies

Director: Jacques Audiard

Rating: R

Florence Pugh broke through with her powerhouse performance here as Katherine, a young woman who is “sold” into a coldly transactional marriage with a cruel and impotent merchant in 1800s Northern England. Lady Macbeth seems to begin as one thing — a gloomy period tale of oppression and feminist rebellion — but, on the strength of Pugh’s performance, pivots into an even bleaker subversion of that initial impression, the kind we haven’t really seen before.

When her disinterested husband takes a long leave of absence to tend to some business affairs, Katherine does more than just defy his command that she stay indoors: she begins an unabashed affair with one of her husband’s gruff groomsmen (Cosmo Jarvis), who ignites in her an obsessive passion that brings out her dark side. She’ll stop at nothing to remove any obstacles in the couple’s way — but, while her initial targets are arguably quite deserving of their fate, her scheme soon implicates the innocent. The creeping revelation that all the cruelty Katherine has been subjected to has brutalized her in turn comes as a shock, but this dramatic overturning of our expectations is made chillingly real by Pugh’s fierce, unfaltering performance.

Genre: Drama

Actor: Bill Fellows, Christopher Fairbank, Cliff Burnett, Cosmo Jarvis, David Kirkbride, Finn Burridge, Florence Pugh, Golda Rosheuvel, Ian Conningham, Kema Sikazwe, Naomi Ackie, Nicholas Lumley, Paul Hilton, Rebecca Manley

Director: William Oldroyd

Rating: R

In Ken Loach’s conspiracy thriller, an American human rights activist (Frances McDormand) and a no-nonsense UK police officer (Brian Cox) work tirelessly to uncover the truth behind a suspicious death — but this is no rousing triumph of good over evil, only a bitter pill about corruption and complicity. Human rights lawyer Paul (Brad Dourif) and girlfriend Ingrid (McDormand) are in Troubles-era Belfast wrapping up their report into the UK government’s shoot-to-kill policy when Paul is shot dead by mysterious assailants while on his way to speak to an informant. Police investigator Kerrigan (Cox) is flown in from England to look into the death; Cox plays him as a stickler for the rules and fierce agent of justice, inspired by a real-life official who was abruptly suspended from the police before he could deliver his findings into the UK government’s alleged death squad in Northern Ireland.

But the network of high-level corruption that Kerrigan and Ingrid uncover poses a direct challenge to those values, ultimately forcing him to choose between revealing the conspiracy — and risk destroying his life — or concealing the truth and betraying his ethics. A fascinating look at the slippery slope to complicity, this is a gripping, unabashedly ideological conspiracy thriller blending Hollywood polish with gritty reality.

Genre: Drama, Thriller

Actor: Bernard Archard, Brad Dourif, Brian Cox, Des McAleer, Frances McDormand, Ian McElhinney, Jim Norton, Mai Zetterling, Maurice Roëves, Michelle Fairley, Oliver Maguire, Paul Moriarty

Director: Ken Loach

Rating: R

Abel Ferrara's protagonists have always searched for higher meaning in a flawed, messed-up world of pain and violence. If 1992's Bad Lieutenant took Harvey Keitel to church for one of American indie cinema's most spectacular endings, Padre Pio doesn't offer such solace. Ferrara (who's been living and working in Rome for years now) teamed up with Italian screenwriter Maurizio Braucci to direct a period piece that brings together the real life of a Catholic Church saint (the titular Padre Pio) and the rise of socialism after WWI. What seems like a straightforward historical approach turns first gruesome and then profound to capture the contradictions at the heart of Italy as a nation. A character study that breaks free of its biographical chains, Padre Pio shows that Ferrara has still got it, 50 films in. 

Genre: Drama

Actor: Alessandro Cremona, Anna Ferrara, Asia Argento, Brando Pacitto, Cristina Chiriac, Ermanno De Biagi, Ignazio Oliva, Luca Lionello, Marco Leonardi, Martina Gatti, Roberta Mattei, Salvatore Ruocco, Shia LaBeouf, Stella Mastrantonio, Vincenzo Crea

Director: Abel Ferrara

Rating: R

Known for showcasing the grittier side of New York in his films, Martin Scorsese shifts to its upper echelons in The Age of Innocence. Based on the 1920 novel, the film follows society attorney Newland Archer (Daniel Day-Lewis) as he courts and marries the respectable May Welland (Winona Ryder), despite his desire for childhood friend Countess Ellen Olenska (Michelle Pfeiffer).

Undeniably gorgeous and impressively shot, what ultimately makes the film stand out among Scorsese’s work is how well the three leads embody the complex characters of the novel on multiple levels. Day-Lewis skillfully turns a corrupt, arrogant lawyer into someone who admirably refuses to be anything but himself, while Pfeiffer hides a stubbornness and frustration within Olenska. But it’s Ryder who best portrays her character's complexity, Welland’s wide-eyed gaze concealing secret manipulations. All of them drive this story that not only mourns for lost love, but acts as a mourning for a lost Golden Age.

Genre: Drama, Romance

Actor: Alec McCowen, Alexis Smith, Brian Davies, Carolyn Farina, Catherine Scorsese, Charles Scorsese, Cindy Katz, Clement Fowler, Daniel Day-Lewis, Domenica Cameron-Scorsese, Geraldine Chaplin, Howard Erskine, Joanne Woodward, John McLoughlin, Jonathan Pryce, June Squibb, Linda Faye Farkas, Martin Scorsese, Mary Beth Hurt, Michael Gough, Michelle Pfeiffer, Miriam Margolyes, Norman Lloyd, Pasquale Cajano, Patricia Dunnock, Richard E. Grant, Robert Sean Leonard, Siân Phillips, Siân Phillips, Stuart Wilson, Thomas Barbour, Thomas Gibson, Tracey Ellis, W.B. Brydon, Winona Ryder

Director: Martin Scorsese

Rating: PG

This anthology of 18 short films — directed by the likes of the Coen brothers, Gurinder Chadha, Wes Craven, and Olivier Assayas — is a cinematic charcuterie board. Each director offers their own creative interpretation of one north star: love in Paris. Romantic love is heavily represented, naturally, but in diverse forms: love that’s run its course, dormant love in need of rekindling, electric chance encounters, and, apt given the location, honeymoon love. Segments like the one starring Juliette Binoche and Alfonso Cuarón’s five-minute-long continuous take opt to focus on parental love instead, with the former also exploring love through the frame of grief. 

If this all sounds a little syrupy and sentimental, fear not: there are dashes of bubble-bursting humor from the Coens, whose short stars a silent Steve Buscemi as a stereotypically Mona Lisa-obsessed American tourist who commits a grave faux pas in a metro station. Instead of sightseers, some directors offer more sober reflections on the experience of migrants in the city, which help ground the film so it doesn’t feel quite so indulgent. Still, the limited runtime of each vignette (sub-10 minutes) doesn’t let any one note linger too long, meaning the anthology feels like a series of light, short courses rather than a gorge of something sickly.

Genre: Drama, Romance

Actor: Aissa Maiga, Alexander Payne, Axel Kiener, Barbet Schroeder, Ben Gazzara, Bob Hoskins, Bruno Podalydès, Catalina Sandino Moreno, Cyril Descours, Elijah Wood, Emily Mortimer, Fanny Ardant, Florence Muller, Gaspard Ulliel, Gena Rowlands, Gérard Depardieu, Hervé Pierre, Hippolyte Girardot, Javier Cámara, Joana Preiss, Julie Bataille, Julien Béramis, Juliette Binoche, Leila Bekhti, Leonor Watling, Lionel Dray, Ludivine Sagnier, Maggie Gyllenhaal, Margo Martindale, Marianne Faithfull, Miranda Richardson, Natalie Portman, Nick Nolte, Olga Kurylenko, Paul Putner, Rufus Sewell, Sara Martins, Sergio Castellitto, Steve Buscemi, Thomas Dumerchez, Wes Craven, Willem Dafoe, Yolande Moreau

Director: Alexander Payne, Alfonso Cuarón, Bruno Podalydès, Christopher Doyle, Daniela Thomas, Ethan Coen, Frédéric Auburtin, Gérard Depardieu, Gurinder Chadha, Gus Van Sant, Isabel Coixet, Joel Coen, Nobuhiro Suwa, Oliver Schmitz, Olivier Assayas, Richard LaGravenese, Sylvain Chomet, Tom Tykwer, Vincenzo Natali, Walter Salles, Wes Craven

Rating: R

Clive Owen stars as a struggling writer who reluctantly accepts a lucrative offer to work as a croupier at a London casino. His characteristic aloofness, hatred of gambling, and sharp observational skills allow him to remain uncompromised and able to catch any attempt at cheating within his field of vision. But when a savvy professional gambler he shares an attraction with asks him to participate in a heist in an uncompromised way, he’s forced to consider playing the angles. Owen’s coolly detached performance is a marvel, and the depiction of the London casino scene is detailed and gritty, both of which make for compelling British noir.

Genre: Drama, Thriller

Actor: Alex Kingston, Alexander Morton, Barnaby Kay, Clive Owen, David Hamilton, Eddie Osei, Gina McKee, Kate Hardie, Nicholas Ball, Nick Reding, Ozzie Yue, Paul Reynolds, Rhona Mitra, Sheila Whitfield

Director: Mike Hodges

Rating: Unrated

Far from feeling like English literature homework, this version of Shakespeare’s romantic comedy of errors fizzes with vitality and wit. Kenneth Branagh directs and stars in his own sumptuous adaptation, which also features a banquet of dashing talent in their prime, including Emma Thompson and a winning Denzel Washington.

Even amongst the film’s superlative ensemble (which also features a melodramatically villainous Keanu Reeves and Michael Keaton as a farcically inept policeman), Thompson stands out for her instinctive grasp of Shakespeare’s genius and easy ability to lift it off the page and give it sparkling life. As Beatrice, she deals out wry cut-downs of Branagh’s vain Benedick, all while trying to suppress the roiling romantic tension that nevertheless persists between them. It might not be set to the music of ABBA, but with Patrick Doyle’s radiant score, an intoxicatingly beautiful Tuscan setting, and an infectious, non-stop party vibe, the joyous Much Ado About Nothing feels more akin to Mamma Mia than any of cinema’s other Shakespeare adaptations.

Genre: Comedy, Drama, Romance

Actor: Alex Lowe, Andy Hockley, Ben Elton, Brian Blessed, Chris Barnes, Conrad Nelson, Denzel Washington, Edward Jewesbury, Emma Thompson, Gerard Horan, Imelda Staunton, Jimmy Yuill, Kate Beckinsale, Keanu Reeves, Kenneth Branagh, Michael Keaton, Patrick Doyle, Phyllida Law, Richard Briers, Richard Clifford, Robert Sean Leonard

Director: Kenneth Branagh

This moving biopic is about Maud Lewis, the legendary Canadian painter who suffered from arthritis. In the film, Maud gets away from her controlling family by finding a job as a live-in housekeeper for a local fish peddler. It is there where she begins to paint, before marrying the fish peddler in spite of their different personalities. Sally Hawkins, who plays Lewis, brings undeniable spark and soul to the role, for which she had to undergo an astonishing physical transformation.

Maudie is a beautiful and uncomplicated film that challenges the conventions of marriage and relationship roles, while at the same time celebrating Maud Lewis’ paintings and life’s simple pleasures.

Genre: Drama, Romance

Actor: Billy MacLellan, Brian Marler, David Feehan, Ethan Hawke, Gabrielle Rose, Greg Malone, Kari Matchett, Kate Ross, Lawrence Barry, Marthe Bernard, Nik Sexton, Sally Hawkins, Zachary Bennett

Director: Aisling Walsh

Rating: PG-13

Starring Ryan Gosling, Emily Mortimer, Paul Schneider, Kelli Garner and Patricia Clarkson. Lars and the Real Girl is a funny and thought-provoking look at the psychology of loneliness and the healing power of love. I rented this a few years back because of Ryan Gosling - he had just blown me away in Fracture so I was trying to catch up on his other movies. It was an unexpected gem. One of the sweetest movies I have ever seen - it was kind of like a fairy tale. With a blow-up doll. Yes, that's right.

Genre: Comedy, Drama, Romance

Actor: Alec McClure, Angela Vint, Annabelle Torsein, Arnold Pinnock, Aurora Browne, Billy Parrott, Boyd Banks, Doug Lennox, Emily Mortimer, Joe Bostick, Joshua Peace, Karen Robinson, Kelli Garner, Lauren Ash, Liisa Repo-Martell, Lindsey Connell, Liz Gordon, Maxwell McCabe-Lokos, Nancy Beatty, Nicky Guadagni, Patricia Clarkson, Paul Schneider, R.D. Reid, Ryan Gosling, Sally Cahill, Tannis Burnett, Tommy Chang, Torquil Colbo

Director: Craig Gillespie

Rating: PG-13