Icarus starts with director Bryan Fogel deciding to inject himself with doping substances and participate in a biking race undetected. By accident, he ends up in contact with a Russian scientist. This man transforms the movie from a personal experiment to a highly relevant political thriller. Dr. Grigory Rodchenkov, the scientist is at the center of accusations in Russia of a virtually impossible state-sponsored doping scheme. With links to the Russian president Putin himself, the movie keeps getting more and more interesting as the relationship between Fogel and Rodchenkov develops. Aside from all the madness that unfolds, Rodchenkov’s likeable personality makes the story more relatable and humane, and gives an insight into the pressures of working in the regulatory body in a country like Russia. You will be astonished by how much material this movie has. A must-watch.
In Bruges is a dark comedy about two Irish assassins in a 'boring' continental European city. The dark crimes that haunt them and their ineffably vulgar manner of speech contrast gloriously with the quiet beauty of the Flemish architecture and order, like a knife fight in a dollhouse. More endearingly, the relationship between the two killers constantly swings between endearment and distaste. If you liked Four lions or dark comedies in general, then you will love In Bruges.
This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.
This is the follow-up film by the director of the (also) excellent and intense Blue Ruin. Like that film, Green Room often subverts genre expectations. The basic premise: a lefty punk band winds up taking a show at a skinhead club because they are desperate for cash. The show goes well, but afterward the band accidentally witnesses something they shouldn’t have and are trapped in the club’s green room. This film is brutal and intense, especially because you actually care about what happens to the characters. Bonus: Sir Patrick Stewart plays the leader of the skinhead organization, and gives a subtle yet effectively sinister performance. While some truly horrific acts of violence occur (especially in the back-half of the film) they really do serve the story. Still, there are a handful of scenes that may require more sensitive viewers to cover their eyes. You have been warned.
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