In rural Korea a policeman starts to investigate peculiar and violent events that most of the people in his village attribute to the arrival of a new Japanese resident. As the occurrences keep multiplying, and different perspectives in the film are shown, you start to lose touch with reality in the face of what can only be described as genius film-making. As critic Jada Yuan puts it, the film operates on a level “that makes most American cinema seem clunky and unimaginative”. For this reason, and while The Wailing is a true horror flick with a great premise, it’s also more than just that: it boosts a mind-boggling, interesting plot that will have you thinking about it long after the credits roll. Protip: grab the person next to you and make them watch this movie with you so you can have someone to discuss it with after!
Six vignettes that test the limits of psychotic human extremes are masterfully woven with layers of irony and satire. Each story begins in a relatable situation, but the characters propel themselves into an incomprehensible circumstance. Lovers of dark comedy will be delighted, shocked, and awed by this emotional thrill ride all while laughing their asses off. Truly, nothing more needs to be said about this film, so sit back and let the insanity ensue.
A stylish and whimsical yet delicate look at breakups in particular and relationships in general. It stars Jim Carrey as Joel Barish and Kate Winslet as Clementine Kruczynski. Instead of going to work one morning, Joel takes an unlikely route and that's when he meets Clementine, together they realize they share a special connection without really knowing how that connection came to be. A tale of memory and regret, love and loss, it's such a beautiful movie and a beautiful journey. You can't miss it. If you've watched it when it came out you should watch it again - you'll see the film differently. And if you haven't watched yet, well, I envy you.
The Look of Silence is an incredible documentary from Director Joshua Oppenheimer, a follow-up/companion piece to his award-winning documentary The Act of Killing. Both films focus on the Indonesian Genocide of 1965-66, where the military government systematically purged up to one million communists. In this film an optician named Adi Rukun meets with various members of the death squad that murdered his brother, under the guise of providing them eye examinations. As he questions them about their participation in the killings, they show little remorse and in fact provide lurid details to the many executions. It’s a stunning and provocative look at the legacy of historical violence, along with the insidious propaganda that provoked it then and continues to justify it to younger generations.
One of the most original time-travel thrillers since 12 Monkeys. A brilliant subversion of the Time Paradox trope, with enough plot twists to keep you entertained until well after the movie is finished. Predestination is an amazing movie with great performances from Ethan Hawke and Sarah Snook. It's a movie that will feel like Inception, when it comes to messing with your mind and barely anyone has heard of it. It is highly underrated and unknown, sadly.
Adapted from the Lionel Shriver novel of the same name, We Need to Talk About Kevin is the story of a mother (Tilda Swinton) that never quite bonds with her child, but not by her choice. The son grows up to do a heinous act that begs the question: nature or nurture? This film is an uncompromising view on the development of an unloved child. Silent pain gets voice. Feelings are shown by actions not emotions in an authentic, comprehensible and aesthetic manner. Great work.
A brilliant science fiction film from the writer of 28 Days Later (and 28 Weeks Later).It tells the story of a developer who is invited by a billionaire CEO to participate in a groundbreaking experiment and interact with a robot called Ava. Questions of trust and ethics soon collide with the protagonist’s personal views. It’s a cultural take on the debate between artificial and human intelligence.The visual effects are stunning and efficient, making Ex Machina feel just as casually futuristic as Her. In its emphasis on ideas, it is as daringly simple as a David Fincher production.
The impossibly true story of a mysterious Frenchman who claims to be the 16 year old son of a family from Texas that went missing three years prior. This movie is shot so well with a story so unbelievable that I had to look it up to believe that it was a real documentary instead of a fiction film played as true. Expect twists and turns at every corner, with brilliant storytelling from the real life people that lived through the whole thing. If Christopher Nolan created a 48 hour story, it would pale in comparison to this film.
An Academy Award nominated documentary about the genocide committed against nearly a million "communists" in Indonesia in 1965. Still in power, the paramilitary of Indonesia commonly known as the gangsters, call themselves "free men" and glorify their acts of government-sanctioned blatant extortion and heinous cruelty while the film cleverly juxtaposes them against the nation's scarred history. The corruption, fear and violence that characterizes the figures of authority in the Indonesian military government are revealed in a raw manner in the film.As its name suggests, the film will take you through the actual act of forcing a human to die. The gangsters that committed all those murders speak about and recreate the gruesome details of the circumstances, methods and experience of taking a life. Even more interestingly, they explore whether they believed it to be the right thing and how their conscience copes with the aftermath.In its dark and abstract ways, it will have you question what you know not only about war crimes and government corruption, but on a much grander plane, about the treatment of the truth in history.
Ida, the 2015 Academy Award for Best Foreign Language Film, is a stark black & white drama set in the early 60’s about a young Polish nun-to-be and her bawdy Aunt Wanda searching for the truth behind her family’s demise at the hands of the Nazis. What initially comes off as a painfully slow sleep-inducer pretty quickly evolves into a touching and lively contrast between the two lead characters; one virtuous and pure, the other boorish and hedonistic. Their journey is equal parts amusing, insightful and heartbreaking, with Ida’s personal exploration of self playing out as a remarkably humanistic affair. The cinematography by Lukasz Za and Ryszard Lenczewski is particularly striking, each shot a work of art in it’s own right. Logging in at just 82 minutes, the entire story whizzes by in a flash. The kind of film that will stay with you long after you’ve watched it.
Jim Jarmusch’s latest film is the story of a pair of vampires, Adam and Eve (Tom Hiddleston and Tilda Swinton), married for thousand of years and living thousands of miles apart, subsequently reunited in modern-day Detroit to find Hiddleston in state of disrepair and depression. Their lives are shaken up by the sudden appearance of Swinton’s wayward young vampire sister Ava (Mia Wasikowska) that sets their lives into tumult. It's the type of evenly-paced and wryly amusing dramedy that only Jarmusch could craft. I loved the atmosphere and sensibility of this film, not to mention the various literary allusions along with the dark, somber soundtrack. Less of a narrative and more of a modern-day-vampire-slice-of-life, this is one of those films that gets under skin and stays awhile (and not in a bad way).