The brainchild of Lisa Hanawalt (one of the creative forces behind Netflix's BoJack Horseman), Tuca & Bertie departed from that other show's no-holds-barred look at addiction and depression to focus on the freewheeling adventures of two best friends in the wacky city of Birdtown. The series wears its silliness like a badge of honor and takes pride in portraying adult women as weird, insecure, sexual beings who are still fully capable of anything. And while it mostly plays as a manic romcom (with an incredible Steven Yeun playing Bertie's boyfriend, Speckle), there are enough moving moments sprinkled throughout that remind you this is all rooted in authentic emotion.
127 Best Feel-Good Movies to Watch (Page 6)
Find the best feel-good movies to watch, from our mood category. Like everything on agoodmovietowatch, these feel-good movies are highly-rated by both viewers and critics.
This fun comedy-drama is about Bridget, a 34-year-old who hasn't quite got it all figured out, but at least she’s trying: after terminating an accidental pregnancy, she gets herself a summer gig as a nanny for a fearless six-year-old by the name of Frances.
Tackling a myriad of "taboo" topics including abortion, menstruation, and depression, the movie visually normalizes human experiences that remain underrepresented in mainstream cinema. And writer Kelly O’Sullivan, who also plays Bridget, has a screenplay that manages to do it all without feeling didactic.
This lovely comedy-romance from Ireland is about a closeted gay teen and his lesbian schoolmate who pretend to be in a relationship to avoid being bullied at their school.
This premise makes Dating Amber an original story in a genre in which that's increasingly rare. This is added to the setting, in 1995 rural Ireland, which is executed to gorgeous perfection in everything from the clothes to the music.
Dating Amber ends up being more coming-of-age than a comedy-romance. It's a tale of friendship and self-acceptance.
New Zealand comic Rose Matafeo directs, writes, and stars in this charming series about a regular woman who unwittingly spends the night with a film star. What was supposed to be a one-night stand hilariously evolves into something quite serious, with both leads learning to navigate the messy contours of modern love (think Notting Hill but with the roles reversed).
With only six episodes per season, each running at less than 30 minutes, this British romantic comedy series is a sweet and easy gulp; you'll find yourself alternating between sobs and chuckles throughout the inevitable binge.
Mo is the semi-autobiographical tale of creator and star Mo Amer, whose tricky bouts with immigration, interfaith relationships, and growing up Arab-American all figure in the show. It's a bittersweet series that brings the Palestinian and immigrant experience to the forefront—a tricky act that's dealt with deft ease here. The series may be rife with social, cultural, and political issues, but there's a big and heartfelt message at the center of it, and Amer tells it with genuine warmth and humor without ever being too self-serious and preachy, making Mo a breezy but meaningful watch.
Without focusing on just one team, career, or fateful game, Bull Durham avoids every sports movie cliche—using Minor League baseball as a way into the complicated relationships between a rookie, a veteran, and a longtime fan. By stripping away our expectations of there needing to be a winner and a loser, writer-director Ron Shelton allows these characters to blossom in their own unique ways, allowing us to observe how each of them views life from their stubborn, little boxes. Kevin Costner and Susan Sarandon are sex appeal personified, while never smoothing over the thorniest parts of their characters. And Tim Robbins takes what could have been a two-dimensional caricature and gives him real depth.
After being held captive his whole life, a man sets out to finish the only show he's ever seen. Thoughtfully written with a creative cast; it is not a film you would expect to laugh at and enjoy so thoroughly with such an unconventionally dark premise. However, it is a hilarious, wholesome, and loving film that will leave your heart feeling warm.
Jenna is a young woman living a rather unhappy life in a town in the American South. The highlight of her days is inventing and baking pies at the diner where she works, giving them names like the “I Hate My Husband Pie”. Her life, however, seems to have hit an unpleasant dead-end: as her pie suggests, she no longer loves her chauvinistic pig of a husband and, as if that wasn’t enough, she’s pregnant with his child.
Waitress is about one woman’s determination to dig through the sourness of life in the hopes of finding a layer of sweetness underneath. Premiering only months after lead actress Adrienne Shelly’s tragic death at the age of 40, Waitress features wonderful performances that make for a delicious film, with the right ingredients to hold everything together.
Four college freshmen from different parts of the country come together as roommates to earn their bachelor’s degree, sure, but more than that, to explore their newfound independence, experiment with each other, and establish a sense of self that they can truly be proud of. In other words, they’re out to get an education, in every sense of the word. This is The Sex Lives of College Girls, a ten-episode series that delivers everything the title promises and more.
More than just a raunchy show (although it’s exciting in that regard too), The Sex Lives of College Girls is an earnest and charming account of what it’s like to navigate that murky, undefined space between youth and adulthood. This gives way to honest and sometimes brutal experiences, but they’re always balanced with the kind of fun, flirtatious hilarity that has long defined showrunner Mindy Kaling’s work (Never Have I Ever, The Mindy Project). Hilarious, relatable, and incredibly breezy, The Sex Lives of College Girls is one perfect binge.
Even if it seems like nothing really "happens" for much of The Secret Garden, its characters paint quite the moving picture of neglected children and their indomitable capacity to find hope in the world. Director Agnieszka Holland tells this story with just the right amount of whimsy: at times it's spooky and magical, but everything is grounded in the charming performances of the film's young actors, who are allowed to be difficult, smart, and sorrowful whenever they need to be. It may be old-fashioned, but watching it in this new decade—when we're all trying to guard our kids from sickness and death—makes it feel all the more relevant.
This uplifting Canadian sports drama is based on a true story set in the remote Nunavut town of Kugluktuk. The small community has the highest teen suicide rate in North America, as it suffers from intergenerational trauma, and the resulting alcohol and drug abuse. A new young history teacher who is sent by the government is shocked by the state of the school and the lives of the teenagers. He realizes that he can't engage the kids with history, and turns to his passion for Lacrosse to try to ignite change.
The teacher and director of the movie are both white, which, added to the story, raise red flags about white savior tropes. But thanks to First Nation producers who made sure the kids had time to develop their characters, The Grizzlies narrowly misses disaster. Instead, it gives a voice to communities that are rarely heard from.
Unlike the many courtroom films of its time, My Cousin Vinny forgoes theatrics and drama for true-blue comedy. It stars Joe Pesci as the titular Vinny, a newly minted New York attorney who's taking on a murder trial in Alabama as his first case, while Marisa Tomei plays Vinny's fiancée, Mona Lisa Vito, in an Oscar-winning turn. The loudmouthed couple are decidedly out of place in Alabama, supplying the film with many comedic gems, but they're also unexpectedly clever. Along with its humor and memorable characters, My Cousin Vinny has come to be known for its legal accuracy and flair.
In 2003, NASA launched twin rovers Oppy (short for Opportunity) and Spirit into Mars expecting them to last for only 90 days. But equipped with almost human-like perseverance and personality, the rovers lasted for years, tracing terrain and reporting extraterrestrial findings back to Earth until Oppy’s final goodbye in 2018.
Good Night Oppy follows the rovers and the team who made their journeys possible, discovering warmth and emotion in the daunting task that is finding life on Mars. It’s as informational as it is inspirational, a gratifying watch on all accounts.
What can you expect from a series about a former girl group that comes together for a second chance at pop success? At the hands of co-executive producer Tina Fey (30 Rock, Unbreakable Kimmy Schmidt), it can only be razor-sharp and absurdly funny.
Girls5Eva, both the show and the group it names, are rife with nostalgia and comic observations about the middle-age condition. Throwbacks to the early aughts, when Girls5Eva first found fame, highlight the silliness of the era, while commentaries about their 40-something lives give the show a realistic edge. The series also has a lot to say about the sexism that continues to haunt female pop stardom.
Has the music industry learned from its mistakes and is it now better primed for Girls5Eva's more honest and mature work? That's the question the show tries to answer throughout its run, and it does so in endlessly entertaining and thoughtful ways.
Cloudburst is the very funny and heartwarming story of two old ladies, Stella (played by Academy Award winner Olympia Dukakis) and Dotty (played by another Academy Award winner, Brenda Fricker) who escape their nursing home and drive to Nova Scotia, Canada to get married. Along the way, they meet Prentice, a hitchhiker on his way home to Nova Scotia as well. Cloudburst is the story of their road trip. Dotty is lascivious and loving. Expect to be shocked by Stella's potty mouth. The whole film is a great love story about devotion, acceptance and living life to the fullest.