Find the best instructive movies to watch, from our mood category. Like everything on agoodmovietowatch, these instructive movies are highly-rated by both viewers and critics.
Like all great documentaries, Angry Inuk is about way more than its tagline. At first glance, it's about how anti-sealing activism has been harming Inuit communities since the 1980s, to the point of instituting the highest rates of hunger and suicide anywhere in the "developed" world. But beyond, it's about the complicity of the government of Canada. A crushed seal-based economy means that the Inuit have to agree to oil and uranium mining in the Arctic.
Angry Inuk is also about the corrupt behavior of animal rights organizations like Greenpeace: seals are actually not on the endangered animal list but NGOs focus on them because they make them money.
It's an infuriating but incredibly important documentary. One that is not about how Canada has a bad history, but about how Canada is harming the Inuit right now.
“They called me uppity. Uppity n*****. And I loved it”. That’s how this excellent documentary, about the first professional black racing driver Willy T. Ribbs, starts. It summarizes the strong personality of a champion who excelled in tracks that were filled with confederate flags.
The documentary explains the details of the difficulties that Ribbs went through in the 70s and 80s, but also the people who supported him and recognized his talent. It’s by no way a sad movie, on the contrary, even when Ribbs is talking about people spitting wherever he walks or about the death threats escalating, his unharmed determination is at the center of the story.
This is an inspiring documentary about a character who never got his worth in the history books. I was full of shivers by the first half-hour mark.
This incredible documentary is about the elusive Iranian artist Bahman Mohassess, whose work has the uniqueness of a Picasso or a Salvador Dalí.
But unlike his European counterparts, most of Mohassess’ work has been destroyed. Some in the aftermath of the Islamic Revolution in Iran but most, interestingly, by the artist himself.
After the revolution, he went into exile. For 40 years his whereabouts remained unknown — until an Iranian filmmaker based in Paris tracked him in a hotel in Rome.
Very early in the film, director Mitra Farahani points out that Mohassess died half an hour after one of their filming sessions.
The urgency of their conversations, the genius of Mohassess and his relationship to his art, and the uniqueness of the untold story of his life, all make this more than just another documentary. It’s a work of immeasurable historic value.
When filmmaker and actress Mélanie Laurent (Breathe, Inglorious Basterds) was pregnant with her son, she learned about a study that predicted that climate change would cause human civilization to crumble by 2050. Like many soon-to-be parents, she worried about what it means to bring a child to a world where that’s a scientific forecast.
Instead of despairing, she chose to make this movie about solutions. She traveled the world with an activist friend documenting how human ingenuity is getting in the way of the situation worsening. The documentary goes to 10 countries to investigate solutions on five levels: agriculture (food), energy, economy, education, and democracy.
Sunday Beauty Queen starts with a basic but startling fact: there are about 190,000 Filipina domestic workers in Hong Kong. They toil for six days a week, with little breaks in between, but on Sundays, the one day they are given rest, they choose to take part in a fabulous beauty pageant.
More than just a mere show, the pageant is a source of joy and relief for the migrant workers who, despite earning significantly more abroad than they would back home, are mired in a host of problems, including discrimination, loneliness, and underemployment. Because of the Philippines’ and Hong Kong’s stringent statutes, some helpers are also forced to go into hiding, unsure of who will protect them each time.
It’s to director Baby Ruth Villarama’s credit that the film feels both like a criticism and celebration of this migrant reality. She exposes the rotten system that forces these women to flee their country but doesn’t forget to highlight the humanity that keeps them going. This result of this deft balance is a story that is just as warm and exacting as any old home.
A quiet documentary that was released to celebrate the British Royal Air Force's centenary, Spitfire tells the story of the famous plane that younger audiences might only recognize from movies like Dunkirk or Darkest Hour. It features gorgeous footage of the last remaining planes in service flying over the British coast, testimonies from pilots who are still alive and a reminder of the key role that this plane once served. It feels like an attempt to capture and archive the importance of the plane, but also of its pilots, who for the most part were young kids with little training, but who, with time, learned valuable lessons from warfare. A must for aviation fans and a great option for anyone looking for a quiet movie to watch with their family (grandparents included).
Ben du Toit (Donald Sutherland) is a patriarch of an upper-class white family insulated from the roiling protests and violence in their suburban household outside of Johannesburg. When his gardener’s son is arrested, du Toit’s complacency is tested and he becomes embroiled in the devastating political reality outside the comforts of his gated world.
Although it falls into the somewhat blemished category of films that center white protagonists when covering Black struggle, it does so with a piercing critical lens that confronts white denial and complicity. Euzhan Palcy’s direction is striking, depicting racism and violence with uncompromised clarity, while her unfettered dedication to getting this made even brought Marlon Brando out of retirement. Keep an eye out for him playing a beleaguered civil rights attorney - a role which notched him his final Academy Award nomination.
This documentary is about the life of New York rapper Nas around the time of the release of his first album, Illmatic.
It spans a quick and summarized 74 minutes and, while embellished by the direction of street artist One9, it remains a great snippet of recent American history. Nas’s album was a reflection of many realities that characterized his upbringing, while the movie serves to further explore those very realities.