Short Term 12 is exactly like being injured in a part of your body where you didn't think it was possible to get injured before. It will hurt but it will make you care. Natural and understated by budget and by purpose, it is powered by perfect performances that will take you on an emotional roller coaster ride you will never forget. It is at times sweet, at times depressing and at times hilarious. The thing is, without even taking into consideration its small budget or the importance of the issues it talks about - we would still consider Short Term 12 as one of the best movies of the past 20 years.
Winner of an Oscar and a Golden Globe among endless accolades, A Separation is a movie about an Iranian couple faced with the decision of leaving the country for better opportunities or staying to take care of a sick parent. If you’ve ever been curious about the humans of Iran beyond the politics, and by cultural extension, humans of Middle-Eastern countries, watch A Separation. But hold it, “An interesting foreign movie” is not how A Separation should be viewed (it’s not Slumdog Millionaire). As someone who grew up in a middle-class Muslim family, this film may be the only one to thoroughly portray many integral aspects of my upbringing. It perfectly depicts the delicate interaction between high moral standards and the realities of underdevelopment: how many bad people are only good people running out of options, and how parents raise their children in a shell of protection from the outside world while struggling to also introduce them to it. On a separate level, it also portrays how people live ready to have every privilege they have ever had revoked and how the constant need to “man up” transforms people, as well as the role of religion in all this. A Separation is my movie, and so I am asking you to watch this film the same way I’d want you to come visit and get to know my home country.
A heart-breaking examination of a decaying shell of a once-bright marriage, this sad yet erotic-seeming story mixes happy flashbacks of attraction and desire with the grim reality of a dull life. It boosts an electrifying performance from Michelle Williams and Ryan Gosling, who seamlessly combine tenderness, rage, lust and sadness. This is a guaranteed tear-jerker, so make sure you've brought your Kleenexes!
The Look of Silence is an incredible documentary from Director Joshua Oppenheimer, a follow-up/companion piece to his award-winning documentary The Act of Killing. Both films focus on the Indonesian Genocide of 1965-66, where the military government systematically purged up to one million communists. In this film an optician named Adi Rukun meets with various members of the death squad that murdered his brother, under the guise of providing them eye examinations. As he questions them about their participation in the killings, they show little remorse and in fact provide lurid details to the many executions. It’s a stunning and provocative look at the legacy of historical violence, along with the insidious propaganda that provoked it then and continues to justify it to younger generations.
Emma, a free-spirited girl with blue hair, influences Adele’s life dramatically, teaching her how to be honest with herself and discover her true desires about love. The film beautifully and realistically portrays Adele’s evolution, from a high-school girl to a grown-up woman. The spirit Emma lights up in her never dies. Blue Is the Warmest Color or La Vie d’Adèle is an honest, intense, and charming picture, prepare not to blink and have your face glued to screen from start to finish.
A gritty and realistic thriller set in France’s notorious capital city of crime - Marseille. Zachary is released from Juvenile prison to learn that his mother has abandoned him. He finds kinship in an underage sex worker by the name of Shéhérazade. This seems like the set-up for a tough watch, but Shéhérazade plays like a romance when it’s slow, and a crime thriller when it’s fast (it’s mostly fast). Everything about the story and two leads’ relationship rings true. Added to the fact that it has no interest in emotionally manipulating you, the movie is more gripping and thought-provoking than sad.A great story, fantastic acting from the cast of first-timers, and outstanding direction give the feeling that Shéhérazade is bound to become a modern classic. If you liked City of God, you will love this.
The Tragically Hip was a deeply beloved band from Ontario that peaked in the 90s with hits like Grace, Too or Nautical Disaster.The Hip, as their fans refer to them, had just finished recording their latest album in 2015 when the lead singer was diagnosed with a fatal disease.This movie is about them deciding to go on one last tour to say goodbye to their fans and country. Mostly, it’s about the singer, Gord Downie, and how his personality and love for the music shined through his illness.Picture someone who is giving an immaculate performance despite being a few weeks away from death, and a packed stadium of people singing along in tears - this is this movie.It’s truly an incredible story of human ambition, empathy, and the bond that music can create between an artist and a whole nation.
A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.
Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.