249 Best Lovely Movies to Watch (Page 7)

Staff & contributors

Sometimes we want to bask in drama, and other times all we want a movie to make us feel good. If you’re looking for a sweet and sincere watch, here are the best lovely-themed movies and shows to stream.

You’ll recognize more than a few faces in Uncle Frank. There are no mega-stars but the caliber of acting in this 70s story is truly impressive.

Beth is an 18-year-old in rural South Carolina who grew up admiring the family member she could relate to the most: her uncle, a college professor living in New York.

When she finishes high-school, she makes the move to the city her beloved uncle told her so much about. Once there, she discovers that he has been living a double life which he kept a secret from the family.

This is the perfect holiday movie for those looking for a story that’s not about the actual holidays. It’s sweet, often funny, and packs a heartfelt and genuine story without being too predictable.

Genre: Drama

Actor: Banks Repeta, Britt Rentschler, Burgess Jenkins, Caity Brewer, Christopher Speed, Cole Doman, Colton Ryan, Hannah Black, Jane McNeill, Judy Greer, Lois Smith, Margo Martindale, Michael Banks Repeta, Paul Bettany, Peter Macdissi, Sophia Lillis, Stephen Root, Steve Zahn

Director: Alan Ball

Rating: R

The Grand Seduction, a remake of 2003 French-Canadian film La Grande Séduction (2003), is a lighthearted comedy about the residents of the small fishing village of Tickle Head, Newfoudland attempting to convince a young doctor to become its long-term caregiver in order to secure a contract for a new petrochemical facility. Desperate to guide the town out of its impoverished conditions and lack of employment opportunities, the citizens band together to pull ever bit out of deceit and chicanery out of their hats (in often laugh-out-loud fashion) in order to sway the young doctor Paul (Taylor Kitsch) into believing that Tickle Head is where he belongs. It’s a lighthearted and funny story, despite undeniably familiar shades of The Shipping News, Doc Hollywood and Funny Farm. Brendan Gleeson is particularly good as the new mayor of town and Paul’s head “seducer”. He gives the film that extra bit of humanity and wry humor that lifts it above the familiar plot points and into “notable recommendation” territory.

Genre: Comedy

Actor: Brendan Gleeson, Cathy Jones, Gordon Pinsent, Kevin Lewis, Lawrence Barry, Liane Balaban, Margaret Killingbeck, Mark Critch, Mary Walsh, Matt Watts, Michael Therriault, Percy Hynes White, Pete Soucy, Peter Keleghan, Steve O'Connell, Taylor Kitsch

Director: Don McKellar

Rating: PG-13

Les Glaneurs et la Glaneuse (The Gleaners and I) is one of the late Agnès Varda’s great documentaries. The film follows “gleaners”—scavengers and collectors of discarded garbage or abandoned items—from the French countryside into the city. The first of Varda’s subjects recalls, “Gleaning, that’s the old way,” marking a clear distinction: old versus new, rural versus urban, wasted versus repurposed.

Fans of Varda will recognize the signature tenderness with which she approaches both her subjects and their objects. Those new to her work will be sure to find something familiar in this documentary: a film largely about loss, but which approaches its ideas of modernization and time with humor and lightness. Among the rubble, there is joy yet to be found—and in this documentary, there is a great comfort, too, to be gleaned.

Genre: Documentary

Actor: Agnès Varda, Agnès Varda, Bodan Litnanski, François Wertheimer, François Wertheimer

Director: Agnès Varda, Agnès Varda

Rating: 0, Not Rated

Documentaries about people suffering from dementia, Alzheimer's, or other neurodegenerative diseases will always occupy a bit of an uneasy space—how much consent can they really provide in their condition? At what point does presenting their struggles become exploitative? Maite Alberdi's The Eternal Memory doesn't entirely assuage these concerns, but it certainly knows better than to define its characters by the things that they lack. In fact, much of this film's romance comes from the image of Pauli and Augusto (who sadly passed away earlier this year) simply sharing space together, present in one another's routines even as the gap between their shared understanding grows. Their life is one populated by art and literature, which seems to act as both a cage and a liberating escape throughout their relationship.

In the times when Augusto's struggle with basic cognition is too severe, Alberdi doesn't look away, and the resulting footage is truly painful to watch. But it should be emphasized that Alberdi displays the same attentiveness to the couple's ordinary moments of quiet contemplation or married-life silliness without allowing them to be reduced into tragedy in retrospect. The film never tries to define their bond as either purely doomed or hopeful. For them, the mere possibility of love continuing to persist even in brief flashes is enough.

Genre: Documentary

Actor: Augusto Góngora, Gustavo Cerati, Javier Bardem, Paulina Urrutia, Pedro Lemebel, Raúl Ruiz

Director: Maite Alberdi

«When comedians get a bit older they do a movie with “emotions” in it. Here’s mine.» Flight of the Conchords’ Jemaine Clement on Twitter. People Places Things is exactly that, a funny yet heartfelt comedy. Will Henry, A New York City graphic novelist walks in on his girlfriend cheating on him at their kids’ birthday party. A year later, Will is struggling to define his new life as a single parent while still getting over his breakup. Smart, honest, and led by Jemaine Clement, this film will strike you in its simplicity but will hold you with its charm.

Genre: Comedy, Drama, Romance

Actor: Aundrea Gadsby, Celia Au, Dionne Audain, Gia Gadsby, Jemaine Clement, Jessica Williams, Matthew Maher, Michael Chernus, Paul Castro Jr., Regina Hall, Stephanie Allynne

Director: Jim Strouse

Rating: R

An absolute delight of a gem starring a young Winona Ryder as well as an amazing cast. Arguably Jim Jarmusch's best film, it tells the story of 5 different places at night from the perspective of cab drivers and their passengers: Los Angeles, New York, Paris, Rome, and Helsinki. It's really hard to pick a favorite among the stories, from a messy tomboy having to deal with a busy businesswoman, to a blind woman in Paris making a frustrated driver from Ivory Coast go insane. But look out for Helmut and Yo-Yo, from the New York story. I've rarely seen anything in film as fun as their story.

Genre: Comedy, Drama

Actor: Armin Mueller-Stahl, Béatrice Dalle, Eija Vilpas, Emile Abossolo M'bo, Gena Rowlands, Giancarlo Esposito, Gianni Schettini, Isaach De Bankolé, Jaakko Talaskivi, Kari Väänänen, Klaus Heydemann, Lisanne Falk, Matti Pellonpää, Paolo Bonacelli, Pascal N'Zonzi, Richard Boes, Roberto Benigni, Romolo Di Biasi, Rosie Perez, Sakari Kuosmanen, Stéphane Boucher, Tomi Salmela, Winona Ryder

Director: Jim Jarmusch

Rating: R

Only a writer of Albert Brooks’ comedic and perceptive talents could turn the premise of an insecure middle-aged man having romantic trouble into something genuinely funny and poignant. Brooks appears as his signature brand of self-loathing boomer here: he plays John Henderson, a middling novelist who's recently gone through a second divorce. When he finds himself in the unenviable position of having to start afresh in his forties, John first decides he needs to get to the bottom of his recurring failures with women. In keeping with the neurotic preoccupations of his characters, Brooks has John take the psychoanalytic approach by going back to the source: his mother. 

To better get to the root of his hang-ups, John temporarily moves back in with Mrs Henderson, whom Debbie Reynolds plays as a hilariously blithe foil to her manic, insecure son. Brooks and Reynolds’ fractious rapport is tortuously true to life: John finds her petty habits maddening, while she doesn’t seem to understand his life or his work — an obliviousness that, it turns out, might run the other way, too. Cleverly turning the self-obsessions of its lead character on its head, Mother is a wry comedy full of insight and unexpected sweetness.

Genre: Comedy, Drama

Actor: Albert Brooks, Anne Haney, Debbie Reynolds, Greg Bronson, Harry Hutchinson, Isabel Glasser, James Gleason, Joey Naber, John C. McGinley, Kimiko Gelman, Lisa Kudrow, Matt Nolan, Paul Collins, Peter White, Richard Assad, Rob Morrow, Rosalind Allen, Spencer Klein, Vanessa Williams

Director: Albert Brooks

Rating: PG-13

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, 2017

With its detailed portraits of seven of Istanbul’s most adored felines, Kedi affirms what anyone who’s spent some time with a cat will know: they really do all have fully-fledged, complex personalities of their own. More than just a celebration of some supremely cute kitties, though, this documentary about the city’s teeming street cat population also presents a moving example of a way of living that embraces — rather than tramples over — our animal neighbors.

Immersive cinematography from the cats’ eye levels is weaved with interviews with the people who care for them, whether voluntarily or because the cats simply demand it. That independence emerges as a much-admired characteristic in the documentary; as one interviewee puts it, “Dogs think people are God, but cats don’t. They’re not ungrateful, they just know better.” It’s impossible not to read a wistful note in the interviewees’ odes — indeed, for many of the people featured here, cats are a point of spiritual and personal reconnection, a reminder of what life is really about underneath all the mind-numbing dross we’ve made up. The magic of Kedi is that it not only perceptively recognizes the healing effect that cats have on humans, but recreates it so that these 70-something minutes feel like therapy.

Genre: Documentary

Actor: Bülent Üstün

Director: Ceyda Torun

Rating: NR

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Ernest is an old bear and Celestine a young mouse; he lives above ground, while she lives underground. Their kinds fear one another, and borders are set in place so that they never intermingle, but despite all the odds, Ernest and Celestine form a bond—they share one similarity, after all, which is that they’re both outcasts. 

Ernest & Celestine is a classic buddy tale of outsiders finding their place in the world. The story and its messages of acceptance and equality are already charming and weighty on their own, but the hand-drawn and watercolored animation gives the film an extra rush of nostalgia and delight. Beautifully made and surprisingly relevant, it's a children’s film for all ages. It makes sense that it was nominated for Best Animation in the 86th Academy Awards (what doesn't is it losing to Frozen).  

An English dub is available on most streaming platforms, but we highly recommend watching it in French, how it’s originally meant to be heard.

Genre: Adventure, Animation, Comedy, Drama, Family

Actor: Adeline Chetail, Anne-Marie Loop, Brigitte Virtudes, Colleen O'Shaughnessey, Dominique Maurin, Emmanuel LeMire, Féodor Atkine, Forest Whitaker, Jacques Ciron, Jennifer Fauveau, Lambert Wilson, Lauren Bacall, Léonard Louf, Mackenzie Foy, Maxime Bailleul, Michel Elias, Nathalie Homs, Patrice Dozier, Patrice Melennec, Paul Giamatti, Pauline Brunner, Perrette Pradier, Pierre Baton, Spike Spencer, Vincent Grass

Director: Benjamin Renner, Stéphane Aubier, Vincent Patar

Rating: PG

This charming documentary about one of the most brilliant, groundbreaking comedians alive strikes a delicate balance between accessible and deeply appreciative, making it both a great gateway for those yet to be uninitiated into the Albert Brooks fan club and a satisfying retrospective for us confirmed devotees. It’s directed and fronted by Rob Reiner, celebrated director himself and one of Albert Brooks’ oldest friends, and the choice is perfect: his rapport with Brooks is warm and easy, extracting real sincerity from the famously deadpan comedian-writer-actor-director.

Defending My Life features plenty of talking heads gushing about Brooks’ dazzling multi-hyphenate talents (among them Steven Spielberg and Sharon Stone), a standard convention for documentaries of this kind. But what elevates this into a portrait worthy of its subject are the scenes from a dinner shared by Brooks and Reiner, during which the former opens up about his childhood, reflects on his career, and divulges the autobiographical elements that informed his work. Their tete-a-tete flows with all the unforced rhythm of conversation between good friends; Reiner’s presence coaxes illuminating insight from Brooks, which makes watching the documentary feel as close to pulling up a seat at their table as you’d hope for. The 90 minutes just fly by.

Genre: Documentary

Actor: Alana Haim, Albert Brooks, Anthony Jeselnik, Ben Stiller, Brian Williams, Chris Rock, Conan O'Brien, David Letterman, James L. Brooks, Jon Stewart, Jonah Hill, Judd Apatow, Larry David, Neil deGrasse Tyson, Nikki Glaser, Rob Reiner, Robert De Niro, Sarah Silverman, Sharon Stone, Steven Spielberg, Tiffany Haddish, Wanda Sykes

Director: Rob Reiner

Rating: PG-13

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Even when it necessarily tackles the difficulties that are part and parcel of same-sex love in the 20th century, there’s something pleasant about the way A Secret Love is told. The documentary puts Terry and Pat’s love above all else, so even though we hear about how they had to tear the bottom pages of their letters to avoid getting caught, or how they had to split from close family members after coming out, things never feel too heavy or dire because at the end of the day, they’re still together, their decades-old companionship a beautiful example of how love wins. And aside from giving us an intimate look at this rare win for elderly closeted couples, A Secret Love serves as an insightful portrait of elderly life. Terry and Pat, with their perseverance and unyielding support, make aging look beautiful rather than scary. 

Genre: Documentary

Actor: Chris Bolan, Diana Bolan, Jack Xagas, John Byrd, Kim Donahue, Marge Summit, Pat Henschel, Tammy Donahue, Terry Donahue, Yvonne Zipter

Director: Chris Bolan

Rating: N/A

2005 was a banner year for British period dramas, apparently: first, there was Joe Wright’s Pride & Prejudice (still arguably the genre’s crowning achievement), and then came Under the Greenwood Tree, a delightful made-for-Christmas-TV romance loosely based on the eponymous Thomas Hardy novel. Anyone familiar with the author’s typically tragedy-tinged stories — think Tess of the D'Urbervilles and Far From the Madding Crowd — will find themselves surprised by the light, pleasant tone of this one, in which the closest anyone gets to violent revenge is sabotaging a church organ by pouring a flagon of cider into it.

The romance here is threefold: when Keeley Hawes’ spinster schoolteacher Fancy Day (genuinely her name) arrives in an English village, she ignites a rivalry between wealthy farmer Shiner (Steve Pemberton), haughty clergyman Parson Maybold (Ben Miles), and James Murray’s die-hard romantic Dick Dewy (again: the names in this are a choice). The trio’s simultaneous attempted courting of Fancy doubles as both the entertaining will-she-won’t-she stuff of romantic dramas and a conduit through which the movie explores the class dynamics in England during the 19th century. It’s this deft intertwining of satisfying romantic period drama tropes with genuine reflection on the historical period itself — all while remaining lighthearted — that makes this underseen adaptation worth watching.

Genre: Drama, Romance, TV Movie

Actor: Ben Miles, James Murray, Keeley Hawes, Richard Leaf, Steve Pemberton, Terry Mortimer, Tom Georgeson, Tony Haygarth

Director: Nicholas Laughland

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