A hot summer night, around 2 a.m. You’re outside talking with a close friend about life, happiness, and the human condition. That quality and depth of conversation, which you reach at best a couple of times a year is present throughout the 106 minutes of The End of the Tour.The film depicts the story of David Foster Wallace, played by Jason Segel, and his interactions with then Rolling Stone journalist David Lipsky, played by Jesse Eisenberg.It’s like being with two smart friends and discussing your life and theirs in the sense that it is deeply personal, very smart while being simple, and unpretentiously relevant.Performances are nothing short of perfect as Segel completely transforms into the character, and everything is authentically orchestrated with the deft hand of The Spectacular Now director James Ponsoldt. A rare and important film.
One of the most relevant movies to come out in the past years, Moonlight is a celebration of onscreen aesthetics and delicate screenwriting, acting and directing. In the poorer area of Miami, snippets of the life of a gay African-American man are shown in three different ages, states, and attitudes. Throughout the movie, and as you witness him progress and regress, you become almost enchanted by what is happening in front of you. You find yourself in a state of understanding and not understanding, of thinking you know what's going to happen in the next scene, but also of having no idea of what is to follow. Winner of the Best Picture Oscar, Best Supporting Actor (for Mahershala Ali who plays one of the main character's early role models), and Best Adapted Screenplay.
From countries like Finland to North Korea, this amazing documentary explores the most fascinating active volcanoes on our planet. But as it unfolds you realize that Into the Inferno is a movie as much about volcanoes as it is about the people obsessed with them. And who can be called obsessive more than the film’s own director, Werner Herzog, who, with such an explosive career had to eventually make a film about volcanos (bad pun intended). Beautiful scenery, interesting interviews, and Werner’s majestic delivery all make Into the Inferno both an interesting and satisfying documentary.
Probably the weirdest film you'll ever see. Paul Dano plays a borderline suicidal man who befriends a farting corpse that washed up from the sea as played by Daniel Radcliffe. It's an adventurous, witty and hilarious film yet it is filled with discreet and very deep lessons about society and norms. The soundtrack is so charmingly unique as well, it's a definite must-watch for anyone looking for a refreshing comedy.
The Look of Silence is an incredible documentary from Director Joshua Oppenheimer, a follow-up/companion piece to his award-winning documentary The Act of Killing. Both films focus on the Indonesian Genocide of 1965-66, where the military government systematically purged up to one million communists. In this film an optician named Adi Rukun meets with various members of the death squad that murdered his brother, under the guise of providing them eye examinations. As he questions them about their participation in the killings, they show little remorse and in fact provide lurid details to the many executions. It’s a stunning and provocative look at the legacy of historical violence, along with the insidious propaganda that provoked it then and continues to justify it to younger generations.
A unique movie about a near-future society obsessed with couples; viewing couples as the norm, as opposed to single people who are viewed as unproductive and undesirable. In that way, the film shows David (Colin Farrell), a newly single person who is transferred to the Hotel, a place where single people have just 45 days to find a suitable mate, and if they fail, they would be transformed into animals of their choice. While the film’s original premise may not be everyone’s cup of tea, The Lobster will prove a goldmine for people who are into a Kafkaesque, absurdist mentality, or anyone looking for an idea-driven experience.
Renton (McGregor), a Scottish twenty-something junkie, must choose to clean up and get out, or continue following the allure of the drugs and the influence of friends. Find out if he chooses life in this brutal yet entertaining Danny Boyle masterpiece. While definitely not for the faint of heart, Trainspotting still manages to be funny at times, and provides an overall very entertaining experience.
Elisabeth Moss is in it. Calling The One I Love a romantic-comedy, looking it up, or trusting anyone else about it -- especially my review, will ruin this film for you. Just watch it. If one's penchant is typically opposed to titles with 'love' in them, then it's for you. Just hit 'play', or 'start', or whatever. The initial wtf-ness that attracted me to it is compelled further by excellent acting. And Elisabeth Moss is in it.
Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.
This movie is a dramatic masterpiece and a tribute to loving middle-aged women everywhere. It is unparalleled in the way it portrays its characters and the subtlety with which it tells their stories. The events are centered around a 52-year-old Georgian woman who decides to leave her family home and live alone without much of a notice. She trades chaos and domestic disputes for solitude, and the prospect of sad old age for an opportunity to build a new life for herself. In other words, she trades being the secondary character to her mother, husband, and children, to being the hero of her own story. A genuine and beautiful film. If like me you grew up with a mother who sacrificed everything for you, this will hit very close to home.
This is a gripping and incredibly well-made documentary about the demise of the last two Brazilian presidents, Luiz Inácio “Lula” da Silva (2003-2011) and Dilma Rousseff (2011-2016). The first is now in prison, while the second was impeached.The Edge of Democracy is narrated in English by the filmmaker, Petra Costa, a renown Brazilian director. Costa intertwines her family history with Brazil’s, as her parents were activists who were sent to jail in the ‘70s (her mother was held in the same facility as ex-president Rousseff).This grounds the documentary and turns it into a personal story that illustrates the bigger political picture. The Edge of Democracy knows that you don’t know much about Brazilian politics, but makes that a source of suspense rather than a disadvantage. It’s a perfect instructive watch.