Penélope Cruz and Javier Bardem star in this mystery by Asghar Farhadi, the Iranian Oscar-winning director of A Separation and The Salesman.When Laura returns to her small Spanish hometown with her two daughters, she is greeted with the warm welcome worthy of someone who once was a loved member of the community.However, when an event concerning one of her daughters happens at a wedding, secrets come to the surface about her history that threaten the fabric of the whole village.Laura is masterfully played by Penélope Cruz, who seems to shift gears in this Spanish-language movie. Farhadi is outside of his usual territory, but he does what he does best: deliver a rich, thrilling family drama.
This crazy heist movie is told in a very original way. Because it's based on a true story, the movie (with actors and a story) is sometimes interrupted by the people it's about. The opening scene even reads: "this movie is not based on a true story, it is a true story".Two friends decide to rob their local library from rare books worth millions. They're driven by money but also by wanting something different than their monotonous everyday lives in Kentucky. The need for a change is a big theme in this movie, but the story and the way it's told never cease to be breathtakingly thrilling.American Animals stars amazing actors like Barry Keoghan (Dunkirk), Evan Peters (Kick-Ass), and many more; but perhaps equally as notable is the director: Bart Layton, who is fresh from his amazing 2012 sleeper-hit The Imposter.
There are far too many things that are worse in life than being on a journey with Danish super talent Mads Mikkelsen (Hannibal, The Hunt).And that is what this 98-minute movie is: an almost one-actor movie set in the arctic. Mikkelsen plays a man trying to survive a plane crash, which at some point becomes about deciding whether to embark on a dangerous journey or stay in the plane rubble and risk a slow death.It’s an extremely well-acted movie with nail-biting suspense. Bonus fact: it received a 10-minute standing ovation when it premiered at the Cannes film festival this year.
The Guardian’s lead critic said of Trapped:Seductive, involving, gripping...I am already, thoroughly, trapped.I’m quoting a publication to give some grounding to my overly excited claim: Trapped (or Ófærð) is one of the best TV shows ever made. I am obsessed with it. The plot is simple: a cop tries to solve a murder before a storm arrives, but the way it gets stretched is exceptional, and can only be compared to Scandinavian classics like The Hunt, The Guilty or Headhunters.And the fact that Trapped is from Iceland (not Norway or Denmark) adds a more chilling twist to the Scandinavian thriller genre. I don't want to say more and ruin the show for you, but this is an amazing binge.
A gritty and realistic thriller set in France’s notorious capital city of crime - Marseille. Zachary is released from Juvenile prison to learn that his mother has abandoned him. He finds kinship in an underage sex worker by the name of Shéhérazade. This seems like the set-up for a tough watch, but Shéhérazade plays like a romance when it’s slow, and a crime thriller when it’s fast (it’s mostly fast). Everything about the story and two leads’ relationship rings true. Added to the fact that it has no interest in emotionally manipulating you, the movie is more gripping and thought-provoking than sad.A great story, fantastic acting from the cast of first-timers, and outstanding direction give the feeling that Shéhérazade is bound to become a modern classic. If you liked City of God, you will love this.
Before you press play on this movie, I highly recommend you take deep, deep breaths. The suspense in it grows in such an incremental way that you will be out of breath before you know what happened. And it doesn’t use anything other than amazing acting and an amazing story to achieve all of this. One man, in the equivalent of a 911 police center in Denmark, and a room. That’s it. He receives a call that turns his night around and puts him in front of very important questions on his ethics and how far he can go to help the people that call him. This movie feels like it was made on a $100 million budget, but the reality was very far from that. It doesn’t even believe in budgets. Grab someone next to you and go watch it so that you can discuss it after.
This movie is like thriller-candy. It is full of twists, it is very atmospheric, and in nicely predictable fashion it will deliver that excitement rush we (most of us) love. Accused of murder, a wealthy entrepreneur hires the best witness preparation expert he can find. They have three hours before the trial to come up with the most solid, plausible defence. But ?, a new witness surfaces. Don’t expect anything overly original, but expect to be entertained.
Phenomenal and heartbreaking, Wind River is a true masterpiece by Taylor Sheridan, the man behind Sicario and Hell or High Water. In a Native American Reservation, a local girl is found dead and a young detective (Elizabeth Olsen) tries to uncover the mystery. She is accompanied by a tracker (Jeremy Renner) with his own dark history in the community. It’s not a very rewarding movie at first, so don’t expect an incredibly fast-paced story from the get-go. However, when everything unfolds, it’s not only action-packed, its reflections on indigenous communities are deep and poignant. How this remains a relatively known movie is shocking, it has to be one of the best mysteries of the past 20 years.
Icarus starts with director Bryan Fogel deciding to inject himself with doping substances and participate in a biking race undetected. By accident, he ends up in contact with a Russian scientist. This man transforms the movie from a personal experiment to a highly relevant political thriller. Dr. Grigory Rodchenkov, the scientist is at the center of accusations in Russia of a virtually impossible state-sponsored doping scheme. With links to the Russian president Putin himself, the movie keeps getting more and more interesting as the relationship between Fogel and Rodchenkov develops. Aside from all the madness that unfolds, Rodchenkov’s likeable personality makes the story more relatable and humane, and gives an insight into the pressures of working in the regulatory body in a country like Russia. You will be astonished by how much material this movie has. A must-watch.
This is the type of famous movie that doesn't feel like one. So if you haven't yet seen it, avoid watching the trailer. Kate (Emily Blunt) is an FBI agent who is enlisted to aid in the war on drugs at the Mexican border. She is introduced to Alejandro (Benicio del Toro), a quiet and secretive agent working on the Mexican side. The reason you shouldn't watch the trailer is that Sicario is much more than just another crime action movie, which its marketing will lead you to believe. It's gorgeously made, with scenes that will catch your breath starting from the color composition to the amazing performances by Blunt and Del Toro. It's intense, intelligent and very realistic in its approach to action sequences. Directed by Denis Villeneuve (Prisoners, Incendies, etc.)
In the crowded genre of Mafia movies, Gomorrah finds its originality in not romanticizing anything. It's authentically gripping, violent without being excessively violent, and something that can only be described as a masterpiece of Italian cinema. It follows different protagonists' entry into organised crime in Naples, with the two main ones taking their inspiration from American gangster characters. Just to give you a sense of how well-rooted this movie is, after it was done shooting, many of the characters (including the guy who plays the clan boss in the movie), were arrested. In his case, he was caught trying to collect "pizzo", otherwise known as mafia tax.