Find the best sweet movies to watch, from our mood category. Like everything on agoodmovietowatch, these sweet movies are highly-rated by both viewers and critics.
An inspired by true events tale about an elderly Irish woman trying to find the child she was forced to give up many years earlier. Steve Coogan co-wrote the script and, though the base story is a tragic one, his special brand of very subtle, wry wit is apparent in the dialogue throughout. Judi Dench plays the mother who had kept her “sinful” past a secret for fifty years and, being Judi Dench, I don’t need to bother going on about her exemplary talent, suffice to say she’s charming beyond measure in the role. Steven Frears directs, as usual, deftly, and keeps the story compelling scene after scene, intensifying the emotions inherent to each, whether they be heart-warming, comedic, or outright enraging. Whoever decided to let Steve Coogan have his way with the script, it was a brave and wise choice and together this cast and crew have produced a wonderful and important piece of cinema.
A seven year old Bryce (Callan McAuliffe) moves to a new neighbourhood across the street from a very spirited little girl named Juli (Madeline Carroll). She falls in love at first sight much to the dismay of the shy young lad. For the next six years, Juli overwhelms Bryce with her affections until a series of events and misunderstandings leaves her heartbroken and angry at him. Fed up, Juli begins to ignore him. However, her absence triggers a change of heart as Bryce realizes his fondness of her. He will do anything to win her back. The whole film, set in the late fifties holds the warmth and charm of small town living. With a balance of passion and playfulness, the extraordinary young cast are brilliant in their roles. Based on the novel by Wendelin Van Draanen, this endearing story of young puppy love, will make your heart melt!
In Please Like Me, twenty-year-old Josh (Josh Thomas) navigates love and adulthood alongside his friends and immediate family. He's far from perfect, and his loved ones are far from always right, but the ups and downs they go through—as small-stakes as they may seem—are always familiar and relatable.
Please Like Me touches on modern issues and treats them both wryly and realistically so that the series never verges on either extreme. It's charming and sensitive and bold, and the whiny arrogance that often curses millennial shows is balanced here thanks to smart self-deprecating jokes and tender characterizations. Despite its pleading title, Please Like Me is very easy to watch and, as such, very easy to love.
This coming-of-age story based on the bestseller by the same name starts fun but veers towards darker territory. It's about a high-schooler who makes two older friends, played perfectly by Ezra Miller and Emma Watson. But as he gets closer to one of them, his anxieties and past trauma come to the surface. The impressive depth to which the makers of The Perks of Being a Wallflower were able to take it is what elevates it to greatness. It's the perfect mix between easy and challenging. If there is ever such a thing, it's this movie.
In Move to Heaven, a man and his son clean up after the dead—specifically, the dead who have no one else to look out for them. Believing that no one should be robbed of a respectable farewell, they piece together the deceased’s possessions and celebrate them postmortem. It’s a noble job, but its existence is threatened when the father passes away. It’s now up to the ruffian uncle with a heart of gold to continue the business and bond with his nephew, who himself struggles with Asperger's.
It’s easy for Move to Heaven to feel weighed down by all the important stories it tries to tackle; represented here are disabled people, depressed people, queer people, overworked people. But it breathes so much life into these stories that they hardly feel like the drag other shows and movies make them out to be. Tragedy here is expertly blended with humanity, and the result is a moving and compassionate series that stands out even in the saturated content space that is Netflix.
See, low budget films do work! Like Crazy schools other romantic films on what they should all be: cute and sweet but also frustrating and nerve-wracking. Felicity Jones is absolutely fantastic here, she stars as a British girl who falls in love with an American, Jacob, while in college. On a whim, she overstays her visa to be with him, and then return to England to face the consequences. The intimacy this film explores really distinguishes it from others and makes for an authentic experience, as it is based on its writer/director's own 8-year long-distance relationship. A great option if you're in the mood for the type of suspense that pulls at your heartstrings.
Us and Them follows two former lovers who reminisce and reassess their decade-long relationship over one night. They both seem to be in better places, certainly financially if anything else, but their shared wistfulness for the past threatens to prove otherwise.
The film was an immediate hit when it was first released in China, and it’s easy to see why. With just the right balance of realism, romance, and comedy, the movie makes for a simple but deeply moving and involving watch. You can’t help but root for the exes to get back together, even though you know as well as they do how minimal the chances of that happening are.
Narrated by the familiar voice of Jack Black, Apollo 10 ½ is a throwback story told with admirable specificity and imagination. Black plays a grown-up Stan, who looks back on his younger years with a mix of fondness and wonder: how did they get away with the things they did then? American suburbia in the 1960s was both loose and conservative, caught between a generation holding on to the reins of the earlier century and one eager to launch into the next.
Stan, as the youngest child of a big, rowdy family, gives us a charming look into the times, as well as a projection of his own fascination: Apollo 11 and the space age. He inserts himself in this monumental narrative and generously brings us along in his fantasy. Sometimes it’s hard to tell whether Stan’s recruitment by NASA is actually fact or fiction, but that’s part of the fun, especially since Stan himself doesn’t seem to mind at all.
Unlike in many films about old people on the doorstep of death, the titular grandmother in this movie is excited to leave for good. But when her town insists on celebrating her bid to be named the oldest in the world, unresolved conflict among her descendants begins to resurface. Quiet and unabashedly sentimental, Lola Igna offers a uniquely offbeat perspective on death—one that starts from a place of contentment, and only gets more conflicted as more characters reveal how much still has to be said and done. It has all the charm of a low-budget Filipino film, made all the more poignant by Angie Ferro's authentic and deceptively layered performance.
Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.
Prior to being defined by that fateful bombing in 1945, Hiroshima was like any other city outside of Tokyo; small but full, quiet but busy, and in the midst of a slow-but-sure journey to modernization. We experience the rich and intimate details of this life through the kind-hearted Suzu, who herself is stuck between the throes of old and new. She is an ambitious artist but also a dedicated wife; a war-wearied survivor and a hopeful cheerleader.
Set before, during, and after the Second World War, the film starts off charmingly mundane at first, but it quickly gives way to inevitable grief in the second half. One stark tragedy follows another as it becomes increasingly clear how much we lose our humanity in war.
In This Corner of the World is the rare film outside of the Hayao Miyazaki canon that captures the latter's heart for detail while still being graciously its own.
An innocent-fun movie, Always Be My Maybe is a lovely thing to turn your brain off to. Sasha and Marcus are high-school best friends who dated briefly and went their separate ways. 16 years later, they meet again - Sasha is a famous chef, and Marcus is still living with his dad.
What really makes this movie is the writing from Ali Wong and Randall Park, who also play the two leads. The dialogue is sharp, believable and smart - going as far as covering themes of gender and parenting. But also, because a rom-com about two Asians from San Francisco is not exactly a common occurrence, the characters are fresh, the jokes are fresh - everything is fresh.
Watch out for the character who plays Marcus' dad, he plays the character of an overly honest Korean dad perfectly. And also watch out for Keanu Reeves, he plays a crazy version of himself!