This crazy heist movie is told in a very original way. Because it's based on a true story, the movie (with actors and a story) is sometimes interrupted by the people it's about. The opening scene even reads: "this movie is not based on a true story, it is a true story".Two friends decide to rob their local library from rare books worth millions. They're driven by money but also by wanting something different than their monotonous everyday lives in Kentucky. The need for a change is a big theme in this movie, but the story and the way it's told never cease to be breathtakingly thrilling.American Animals stars amazing actors like Barry Keoghan (Dunkirk), Evan Peters (Kick-Ass), and many more; but perhaps equally as notable is the director: Bart Layton, who is fresh from his amazing 2012 sleeper-hit The Imposter.
Jeremy Renner (The Hurt Locker, The Town, Arrival) plays Gary Webb, a journalist in investigating the American government’s possible involvement in cocaine trafficking in Latin America. Based on a true story, it’s in the same vein as other recent movies on investigative journalism. Jeremy Renner’s performance is the main reason to watch this movie. Even as the story spins into deeper levels of complexity, he remains a coherent, steady point of reference. It was his chance to prove to directors that he can carry a big-budget movie and he nailed it.
David O. Russel (Silver Linings Playbook, American Hustle) is one of those directors who the more you dig into his past, the more you are rewarded. I Heart Huckabees is a great example of this, as is The Fighter (both are must-watch if you haven't seen them). But it is Three Kings that truly presented him as someone who can give great substance to big-budget movies. It stars George Clooney, Mark Wahlberg, Ice Cube, and even director Spike Jonze (Her, Adaptation), in other words, a festival of talent at its peak. And it follows three soldiers who want use the end of the Gulf War as an opportunity to get rich. Their journey through a devastated and uncertain Iraq is a thrilling one, as Three Kings is action-packed. But the purpose of this movie lies somewhere between political satire around American interventionism and social criticism of the main characters. However, none of that stands in the way of this movie being an entertaining and exhilarating movie.
It’s hard to pin point exactly what makes this movie so good. It’s an all-around “movie” movie. I think it can be called a buddy comedy because it is about two best friends who are also movers. It’s about their day-to-day, their families and their relationships. They’re both from the underclass of Oakland, and one of them is black, the other is white. And that’s where it stops being a comedy and becomes a more hard-hitting film. It illustrates gentrification better than any other movie I’ve ever seen. It has relevant and striking commentary on the main characters’ race, upbringing, and identity. But at the end of the day, it has a great plot, and for the most part it’s an easy-flowing movie. It’s half entertainment, half social commentary, and both parts are equally well-done. It’s like movie unicorn, and it’s perfection. One of the two friends is played by Daveed Diggs, who you might know from Hamilton.
Phenomenal and heartbreaking, Wind River is a true masterpiece by Taylor Sheridan, the man behind Sicario and Hell or High Water. In a Native American Reservation, a local girl is found dead and a young detective (Elizabeth Olsen) tries to uncover the mystery. She is accompanied by a tracker (Jeremy Renner) with his own dark history in the community. It’s not a very rewarding movie at first, so don’t expect an incredibly fast-paced story from the get-go. However, when everything unfolds, it’s not only action-packed, its reflections on indigenous communities are deep and poignant. How this remains a relatively known movie is shocking, it has to be one of the best mysteries of the past 20 years.
A 40 minute, often jaw-dropping movie about an innocent man accused of killing a teenage girl and the attempt to clear him from the murder. The man in question is Juan Catalan, a young father of two who had had a fair share of interactions with the law. His brother had recently been convicted for another murder case, and the witness to his brother's trial was the girl that Juan Catalan would be accused of killing. The fight to prove that he is innocent goes through different phases, one of which amazingly includes Curb Your Enthusiasm and Larry David himself. It's a crazy story told in a very straightforward manner. Don't expect the impact of Making a Murder or anything like that - but if you're in it for the story, you will not be disappointed.
A delicate and profound exploration of loss, and an unbelievably well-made drama, Manchester By the Sea is a true triumph. Its focus on the characters, its timely unfolding of story elements, as well as its world class acting are only equal to the best European dramas. This deep and slow exploration of the human condition has rarely been successful in American cinema, if ever. The last best attempt was probably another movie by director Kenneth Lonergan, You Can Count on Me. Manchester by the Sea is where he unveils his full potential, and takes the viewer deep into the tensions and history of a building handyman, Lee Chandler (Casey Affleck). His angry but quiet life is interrupted by news that his brother suffered a heart attack, and upon going back to his hometown he finds that he is the only one left to take care of his teenage nephew. A truly amazing movie, not to be missed, and a huge success too. It grossed around $80 million on a budget of $8.5 million.
Every once in a while there are movies that expand the definition of quality film-making. This is one of those movies.Here is an incredible, yet delicate film that follows three children from poor families who are stuck living in subpar motels. Their lives and friendships are portrayed with honesty and precise aesthetics. It’s a story that at first seems as plot-free as life itself.It succeeds in capturing an innocence that is usually reserved to a child’s imagination: a precarious living condition full of adventures and fun. It’s hard to describe it beyond that; it’s the kind of film that must be seen to be fully understood.And it ends on a very high note.