One of those movies which are actually good for your education; think of it as a book you can read in two hours. It is, however, a very well-cast and well-filmed book. Hotel Rwanda is brutal and disturbing, which is only reasonable since it tells the story of one of the most horrific times in recent history. Led by an astonishing performance from Don Cheadle, it is overwhelmingly sad but an absolute must-watch.
The Guardian’s lead critic said of Trapped: Seductive, involving, gripping...I am already, thoroughly, trapped. I’m quoting a publication to give some grounding to my overly excited claim: Trapped (or Ófærð) is one of the best TV shows ever made. I am obsessed with it. The plot is simple: a cop tries to solve a murder before a storm arrives, but the way it gets stretched is exceptional, and can only be compared to Scandinavian classics like The Hunt, The Guilty or Headhunters. And the fact that Trapped is from Iceland (not Norway or Denmark) adds a more chilling twist to the Scandinavian thriller genre. I don't want to say more and ruin the show for you, but this is an amazing binge.
A brilliant science fiction film from the writer of 28 Days Later (and 28 Weeks Later).It tells the story of a developer who is invited by a billionaire CEO to participate in a groundbreaking experiment and interact with a robot called Ava. Questions of trust and ethics soon collide with the protagonist’s personal views. It’s a cultural take on the debate between artificial and human intelligence.The visual effects are stunning and efficient, making Ex Machina feel just as casually futuristic as Her. In its emphasis on ideas, it is as daringly simple as a David Fincher production.
This is the perfect dark TV show. It’s no surprise that Julia Roberts’ performance is amazing here. She is the former director of a mysterious program for rehabilitating war veterans. She perfectly blends into her first ever TV show and the world created by the show’s director Sam Esmail (Mr. Robot). That is a world of dark colors and seemingly twisted motivations. Her supporting cast is nothing short of amazing. Shea Whigham is BRILLIANT as the sad but honest detective trying to get to the bottom of things. Bobby Cannavale is also great as Julia Roberts’s old boss, a busy and eager man. This show’s surprise star is newcomer Stephan James, who plays one of the war veterans. At around 30 minutes per episode, time goes by quickly and your hunger to figure out what’s happening increases with every episode.
Based on a beautiful premise, sprinkled with artistic vision, it is an intelligent sit back and relax movie. The film explores the life and times of Nemo Nobody, the last mortal man on earth, as he reflects on the important choices he’s made. Each of these choices are presented as branching pathways of what could have been, utilizing innovative non-linear cinematography. In addition to the film’s winning structure, its soundtrack is considered a masterpiece, perfectly fitting the plot via looping and trilling melodies. The film garnered 6 Magritte awards, and has slowly been developing into an indie cult classic.
Having only made its way to the U.S. 6 long years after its initial release, this is the long-awaited film from the Oscar-winning director of A Separation– and it is in every way extraordinary. It’s a movie stripped down of almost everything to keep only its humans in focus, it is honest and realistic beyond belief and quite simply a must-watch. A group of old friends and relatives reunite for vacation in northern Iran with one of them bringing a new person to the group, Elly, in hopes of her marrying one of the friends, Ahmad. When Elly vanishes without notice, the questions that follow expose the group to unexpected levels, and eventually pose subtle yet sincere questions about gender, politics, and the delicate balance modern-day Iranians live in.Thanks to the perfect performances and the director’s unparalleled talent, About Elly will feel interesting at times, thrilling and devastating at others, but above all, and because of it being so… human, it will feel familiar to you no matter where you are from.
The Salt of the Earth is a 2014 biographical documentary about famed Brazilian photographer Sebastião Salgado. Directed and narrated by Wim Wenders in collaboration with Salgado’s son, Juliano, the film tells Salgado’s life story from his childhood in northern Brazil, his early career as an economist, and ultimately the shift to photography that would lead him to over 120 countries as a world-renowned photojournalist. Shot in stunning black and white by Juliano and Hugo Barbier, The Salt of the Earth is a mesmerizing exhibition of one man’s lifelong dedication to capturing humanity and nature in remarkable states of peril, compromise and elegance. From the Brazilian gold mine of Serra Pelada to the Yali Tribe of Papua New Guinea to the war-ravaged people of Rwanda (to name just a few), the film follows Salgado’s career through his photography, accompanied by his personal accounts of his many encounters and impressions. It’s Salgado’s grace, empathy and kindness that shine the brightest—remarkable for a man who has seen (and photographed) the worst of humanity over the course of his lifetime. It’s an utterly enthralling experience, upsetting at times in its frank display of war and death, but it ultimately serves as an exemplary presentation of Salgado’s work and his intimate reflections upon a career dedicated to truth, awareness and beauty.
Before you press play on this movie, I highly recommend you take deep, deep breaths. The suspense in it grows in such an incremental way that you will be out of breath before you know what happened. And it doesn’t use anything other than amazing acting and an amazing story to achieve all of this. One man, in the equivalent of a 911 police center in Denmark, and a room. That’s it. He receives a call that turns his night around and puts him in front of very important questions on his ethics and how far he can go to help the people that call him. This movie feels like it was made on a $100 million budget, but the reality was very far from that. It doesn’t even believe in budgets. Grab someone next to you and go watch it so that you can discuss it after.
What happens when Banksy, one of the most famous ambassadors of street art, meets Mr. Brainwash, an egocentric aspiring French artist? Well, one of the funniest, interesting and exciting documentaries ever made about art, commercialism and the apparent gulf between them. But is it really a documentary? This confident and zany film will leave you guessing.
A delicate and profound exploration of loss, and an unbelievably well-made drama, Manchester By the Sea is a true triumph. Its focus on the characters, its timely unfolding of story elements, as well as its world class acting are only equal to the best European dramas. This deep and slow exploration of the human condition has rarely been successful in American cinema, if ever. The last best attempt was probably another movie by director Kenneth Lonergan, You Can Count on Me. Manchester by the Sea is where he unveils his full potential, and takes the viewer deep into the tensions and history of a building handyman, Lee Chandler (Casey Affleck). His angry but quiet life is interrupted by news that his brother suffered a heart attack, and upon going back to his hometown he finds that he is the only one left to take care of his teenage nephew. A truly amazing movie, not to be missed, and a huge success too. It grossed around $80 million on a budget of $8.5 million.