Icarus starts with director Bryan Fogel deciding to inject himself with doping substances and participate in a biking race undetected. By accident, he ends up in contact with a Russian scientist. This man transforms the movie from a personal experiment to a highly relevant political thriller. Dr. Grigory Rodchenkov, the scientist is at the center of accusations in Russia of a virtually impossible state-sponsored doping scheme. With links to the Russian president Putin himself, the movie keeps getting more and more interesting as the relationship between Fogel and Rodchenkov develops. Aside from all the madness that unfolds, Rodchenkov’s likeable personality makes the story more relatable and humane, and gives an insight into the pressures of working in the regulatory body in a country like Russia. You will be astonished by how much material this movie has. A must-watch.
Lion is the award-sweeping movie based on the true story of a kid in India who gets lost in a train and suddenly finds himself thousands of kilometers away from home. 25 years later, after being adopted by an Australian couple, he embarks on a journey through his memory and across continents to reconnect with his lost family. Dev Patel plays Saroo, and Nicole Kidman plays his Australian adoptive mother. Two truly amazing performances that will transport you to the time and place of the events, as well as its emotions spanning tear-jerking moments and pure joy. An uplifting, meaningful, and beautiful movie.
A hot summer night, around 2 a.m. You’re outside talking with a close friend about life, happiness, and the human condition. That quality and depth of conversation, which you reach at best a couple of times a year is present throughout the 106 minutes of The End of the Tour.The film depicts the story of David Foster Wallace, played by Jason Segel, and his interactions with then Rolling Stone journalist David Lipsky, played by Jesse Eisenberg.It’s like being with two smart friends and discussing your life and theirs in the sense that it is deeply personal, very smart while being simple, and unpretentiously relevant.Performances are nothing short of perfect as Segel completely transforms into the character, and everything is authentically orchestrated with the deft hand of The Spectacular Now director James Ponsoldt. A rare and important film.
Darren Aronofsky delivers yet another unforgettable allegory, starring Mickey Rourke as Randy "The Ram" Robinson, an aging professional wrestler long past his prime. He is struggling to retain a sense of identity, purpose and dignity. The audience can see in Rourke the story of all men, that we will one day grow old, regret mistakes that it's too late to fix, and mourn the end of our successes.
This is the type of famous movie that doesn't feel like one. So if you haven't yet seen it, avoid watching the trailer. Kate (Emily Blunt) is an FBI agent who is enlisted to aid in the war on drugs at the Mexican border. She is introduced to Alejandro (Benicio del Toro), a quiet and secretive agent working on the Mexican side. The reason you shouldn't watch the trailer is that Sicario is much more than just another crime action movie, which its marketing will lead you to believe. It's gorgeously made, with scenes that will catch your breath starting from the color composition to the amazing performances by Blunt and Del Toro. It's intense, intelligent and very realistic in its approach to action sequences. Directed by Denis Villeneuve (Prisoners, Incendies, etc.)
Bates Motel is a prequel to the 1960 Hitchcock cult classic Psycho. Need I say more? Set in modern-day Oregon, It portraits the unusual relationship between protagonists Norman (Freddie Highmore) and his mother Norma (Vera Farmiga) as they go about their lives inside the Bates Motel. While it is a great show in every way, nothing beats the premise, it’s wildly interesting to discover what Psycho’s Norman Bates’ teenage years would have looked like. You guessed it: Lots of murder, intrigue, and a healthy dose of psychopathic disorders.This psychological horror drama's clever writing and splendid performances do a great job of building tension and making the viewer feel uncomfortable, not to mention keeping you on the edge of your seat throughout its 5 seasons.
From Park Chan-wook (maker of Oldboy) comes The Handmaiden, a great movie in line with his now mastered style of portraying the beautifully weird. A rich Japanese lady isolated from the world accepts a new handmaiden, a shrewd young Korean girl with hidden motives. The men around them, full of greed and lust, complete the grand Victorian tale of deception, romance or lack thereof, and dark humor. You will find yourself at times screaming "what?", and at times bewildered by the general aesthetic of the film including clothes, traditions, and the stunning nature of both Korea and Japan. If you love cinema, you can't miss this movie. It's just too big of an achievement.
In The Salesman, Oscar-winning director Asghar Farhadi (A Separation, About Elly), tells the story of a happily married couple who live in Tehran: Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti). When they are forced to move to a new apartment, something about the previous tenant causes a sudden eruption of violence that turns their lives upside down, causing strain on their relationship. Farhadi does what he does best here: deliver on complex issues that characterize his society through ordinary events. Every scene is a privileged look into Iran's collective consciousness. And even with all that aside, the film still stands as an extraordinary drama, with a tense plot and amazing performances across the board.
One of the most relevant movies to come out in the past years, Moonlight is a celebration of onscreen aesthetics and delicate screenwriting, acting and directing. In the poorer area of Miami, snippets of the life of a gay African-American man are shown in three different ages, states, and attitudes. Throughout the movie, and as you witness him progress and regress, you become almost enchanted by what is happening in front of you. You find yourself in a state of understanding and not understanding, of thinking you know what's going to happen in the next scene, but also of having no idea of what is to follow. Winner of the Best Picture Oscar, Best Supporting Actor (for Mahershala Ali who plays one of the main character's early role models), and Best Adapted Screenplay.