6 Best True-story-based Movies On Mubi India

Staff & contributors

They say art imitates life, especially in the case of movies that are based on a true story. Whether you're interested in historical events or iconic biopics, here are the best true story-based movies and shows to stream now.

Find the best true-story-based movies to watch, from our mood category. Like everything on agoodmovietowatch, these true-story-based movies are highly-rated by both viewers and critics.

In both documentaries and films, adoptees meeting their biological parents for the first time is an event often painted in a sweet light. Never mind the child’s mixed feelings about it or the tragic reality that caused the split in the first place—it’s a reunion between family members, so it must be unequivocally special. In Return to Seoul, director Davy Chou doesn’t just debunk that myth, he subverts it by making the adoptee, Freddie, as unapologetically complex and emotionally enigmatic as possible. She resists affection but wallows in loneliness. She craves reinvention but stays in the same place for years. She’s in constant motion while being absolutely stuck in life. In other words, she’s a realistic embodiment of a person struggling to find some semblance of home. Chou displays an intimate understanding of the foreign experience, and he couples it with captivating cinematography, a rousing soundtrack, and fantastic performances across the board to make a daring, inventive, and thoroughly exciting film. 

Genre: Drama

Actor: Guka Han, Hur Jin, Kim Dong-seok, Kim Sun-young, Louis-Do de Lencquesaing, Oh Gwang-rok, Oh Kwang-rok, Yoann Zimmer

Director: Davy Chou

Rating: R

There are a striking number of similarities between Priscilla and director Sofia Coppola’s earlier offering, Marie Antoinette: both revolve around 14-year-old girls hand-picked to be partners to more powerful men in long-unconsummated relationships, and both girls are emotionally cut adrift and forced to live in gilded cages. But where Coppola’s Barbie-pink historical biopic is punkily anachronistic and riotous, Priscilla is a far more muted affair. There are no wild parties at Graceland as there were at Versailles; instead, Priscilla’s emotional isolation, thousands of miles away from her family, is made disconcertingly clear in shots of the infatuated teenager (played by Cailee Spaeny) anxiously ruminating alone in endless lavish rooms while the decade-older King (Jacob Elordi) plays away. Elvis’ emotional manipulation of Priscilla is conveyed subtly but inescapably — and the full sickening, insidious effect comes to the fore thanks to Spaeny’s astonishing performance. Based on Priscilla Presley’s own memoir, this is a bubble-bursting biopic, and it’s so compelling and painfully immersive that we never feel, even for a moment, like we’re watching the B side — instead, Spaeny and Coppola convincingly assert that this was the real story all along.

Genre: Drama, Romance

Actor: Alanis Peart, Ari Cohen, Cailee Spaeny, Conni Miu, Dagmara Domińczyk, Dan Abramovici, Dan Beirne, Deanna Jarvis, E. Fegan DeCordova, Gwynne Phillips, Jacob Elordi, Jorja Cadence, Josette Halpert, Kamilla Kowal, Kelaiah Guiel, Kelly Penner, Luke Humphrey, Lynne Griffin, Mary Kelly, Olivia Barrett, R Austin Ball, Rodrigo Fernandez-Stoll, Sarah Dodd, Stephanie Moore, Stephanie Moran, Tim Dowler-Coltman, Tim Post

Director: Sofia Coppola

Rating: R

We’ve heard of films within a film, but it’s crazy how many layers Through the Olive Trees operates in. Writer-director Abbas Kiarostami completes his metanarrative journey in the Koker trilogy through a slice-of-life comedy about a couple in the periphery of the previous installment And Life Goes On. As the young man Hossein repeats his plea for marriage to Tahereh, casted as his wife, the insistence can be slightly grating, but in doing so, the everyday dealings of the Iranian village hint at what’s underneath– the earthquake from four years ago that still shapes their lives, the socioeconomic and culture barriers, and the mirrored struggle of creating the artistic vision of the film within the film.

Genre: Drama

Actor: Abbas Kiarostami, Farhad Kheradmand, Hossein Rezai, Jafar Panahi, Mohammadali Keshavarz, Tahereh Ladanian, Zarifeh Shiva

Director: Abbas Kiarostami

This slow Italian drama tells the true story of Mafia boss Tommaso Buscetta, who became the highest-profile Mafia informant at the time of his arrest in the 1980s.

Tommaso, while supervising a criminal network in Sicily, moved to Rio de Janeiro in Brazil to attempt a more legal and quieter life. His role catches up with him and he is quickly arrested.

As a biopic, it rarely depicts violence or glorifies organized crime. Instead, it attempts to document the life of a Mafia boss more realistically: a life of always looking over one's shoulder and of constant loss. Eventually, the movie focuses on what it would take for a man like Tommaso to flip, and what that would cost him.

The Mafia topic might feel overdone, but watching this, it's startling to realize how few thorough character studies have come out in film.

Genre: Crime, Drama, Thriller

Actor: Alessio Praticò, André Lamoglia, Antonio Orlando, Bebo Storti, Bruno Cariello, Cinzia Susino, Claudio Collovà, Dino Santoro, Domenico Gennaro, Elia Schilton, Fabrizio Ferracane, Fabrizio Romano, Fausto Russo Alesi, Francesco Emanuele Chinnici, Giovanni Calcagno, Giovanni Vettorazzo, Goffredo Maria Bruno, Jonas Bloch, Luciano Quirino, Ludovico Caldarera, Luigi Lo Cascio, Marco Gambino, Maria Amato, Maria Fernanda Cândido, Maria Fernanda Cândido, Michelangelo Cicirello, Nicola Calí​, Nicola Calì, Nicola Siri, Nunzia Lo Presti, Pier Giorgio Bellocchio, Pierfrancesco Favino, Pietro Pace, Raffaella D'Avella, Raffaella Lebboroni, Rainer Cadete, Sergio Pierattini, Tommaso Buscetta, Vincenzo Ferrera, Vincenzo Pirrotta

Director: Marco Bellocchio

Rating: R

In Waltz with Bashir, director Ari Folman grapples with the trauma and dehumanization of war by examining the role he played in the 1982 Invasion of Lebanon. But his memories are fractured, so in an attempt to piece them back together, he visits his comrades and has them recall the events for him. The result is both poignant and painful, a horrific tell-all of what happens on both sides of the battleground. The film is a documentary, chillingly honest and straightforward, but it's also an animation gem that continues the legacy that Persepolis started and Flee continues. By combining the harshness of war with the lightness of animation, all three films effectively deliver their anti-war message with a much-needed human and personal touch. 

Genre: Animation, Documentary, Drama, War

Actor: Ari Folman, Mickey Leon, Ori Sivan, Yehezkel Lazarov

Director: Ari Folman

Rating: R

Dedicated to his father, director Christopher Honoré’s most recent film contemplates the loss of a parent. This endeavor is a deeply personal one. Honoré’s approach acknowledges this– he starts and interjects throughout the whole film with scenes of Lucas confessing his dark emotions. After all, losing one’s father is a difficult theme to talk about, let alone losing one who hasn’t fully expressed their acceptance of your sexuality. It’s easy for Lucas to fall into despair, but Honoré clearly respects the grief of his young protagonist. Even in Lucas’ more risky behavior, the camera is set with a non-judgmental eye. However, Honoré focuses more on hope here. The hope of familial support, of having another tomorrow, and of having a true friend… These are the hopes that await Lucas. These are the promises Honoré makes for those who lost their father.

Genre: Drama

Actor: Anne Kessler, Christophe Honoré, Juliette Binoche, Pascal Cervo, Paul Kircher, Vincent Lacoste, Wilfried Capet

Director: Christophe Honoré