215 Best Warm Movies to Watch (Page 2)

Staff & contributors

Seeking that warm, fuzzy feeling? There’s a time and place for drama, but other times we just need stories that melt the heart. Here are the best heart-warming movies and shows to stream now.

You know you're in for a treat when you see Julia Louis-Dreyfus and James Gandolfini heading the cast of a sweet and slightly goofy comedy. Steadily going beyond his persona in The Sopranos, you see James Gandolfini playing a role that his fans have probably always imagined him playing: a nice, funny guy with an endearing personality. Directed by Nicole Holofcener, Enough Said almost has a sit-com feel to it: a divorced single parent and masseuse, Eva (Louis-Dreyfus), is looked up by a guy, she briefly met at a party, Albert (Gandolfini). Upon finding out they have much in common, the two start dating. At the same time, she meets Marianne (Catherine Keener), who she becomes friends with and who cannot stop talking ill of her apparently awful ex-husband. You guessed it: it's her new, promising date, Albert. Things get muddy and very funny as she starts to doubt, whether she has made a big mistake. Hilarious, romantic, and smart, it's very much like we expected: a real treat.

Genre: Comedy, Drama, Romance

Actor: Amy Landecker, Anjelah Johnson-Reyes, Barry Jenner, Ben Falcone, Catherine Keener, Christopher Nicholas Smith, Eve Hewson, James Gandolfini, Jessica St. Clair, Julia Louis-Dreyfus, Kathleen Rose Perkins, Lennie Loftin, Luke Grakal, Michaela Watkins, Phillip Brock, Rebecca Drysdale, Rick Irwin, Rob Mayes, Rob Steiner, Sarah Burns, Tavi Gevinson, Toby Huss, Toni Collette, Tracey Fairaway

Director: Nicole Holofcener

Rating: PG-13

Everybody loves a good coming-of-age movie, but they have their trappings. Their youthful characters are often cartoonish, or perfect, or insanely inept. This is where The Spectacular Now achieves something that is indeed spectacular: it feels incredibly real. The film features Miles Teller (from Whiplash) as a charming, but slightly lost, heavily partying high-school senior named Sutter Keely. After waking up on a strange lawn after a long night, he is awoken by Aimee, played by Shailene Woodley, whose performance is as spectacular as the depth of this movie's characters. What starts as a rebound fling for Keely eventually goes deeper and deeper, while his problems become more and more apparent to us, the viewers, to Aimee, and to his caring teacher, played by the incredible Andre Royo, who some of you might recognize as the iconic Bubbles from The Wire. If this premise sounds corny to you, think again, because this film has a deep respect for its characters and the journeys they must take. A sensitive drama with incredibly life-like performances.

Genre: Comedy, Drama, Romance

Actor: Alex D'Lerma, Andre Royo, Bob Odenkirk, Brie Larson, Christopher Nathan, Dayo Okeniyi, Dina Sherman, Doug Haley, E. Roger Mitchell, Gary Weeks, Jennifer Jason Leigh, Kaitlyn Dever, Karen Strassman, Keith Silverstein, Kyle Chandler, Levi Miller, Mary Elizabeth Winstead, Masam Holden, Mike Hickman, Miles Teller, Nico Ford, Shailene Woodley, Valerie Payton, Whitney Christopher, Whitney Goin

Director: James Ponsoldt

Rating: R

Directed and co-written by Craig Johnson (who made The Adolescents with Mark Duplass), The Skeleton Twins is a beautiful piece of drama, dealing with some dark themes. It does so with surprising success, given that the two main actors are seasoned comedians with little to no experience in the genre. And yet, it is precisely the two leads that turn this bleak comedy-drama into a somber, haunting, but beautiful watch. Bill Hader is amazing as the depressed and suicidal gay man, Milo, who is reunited with his estranged twin Maggie (Kristen Wiig) after a series of unfortunate events. Their attempts at repairing their fractured relationship also forces them to confront the trajectory of their own lives, while they rediscover their erstwhile childhood friendship and long-lost camaraderie. Again, don't expect a traditional comedy, but an honest display of the complexities of sibling relationships, mental health, and how conflict, compassion, and understanding fit into it all.

Genre: Drama

Actor: Adriane Lenox, Bill Hader, Boyd Holbrook, Cliff Moylan, David Garelik, Eddie Schweighardt, Genevieve Adams, Ian Hyland, Jennifer Lafleur, Joanna Gleason, Kathleen Rose Perkins, Kristen Wiig, Luke Wilson, Paul Castro Jr., Sydney Lucas, Truck Hudson, Ty Burrell

Director: Craig Johnson

Rating: R

"Sometimes even the wrong train takes you to the right destination". In this thoughtful feature film debut by Ritesh Batra, we follow a lonely Indian housewife, Ila (Nimrat Kaur), as she tries to come to terms with a cheating husband, a stale relationship, and a dying father, while seeking love, attention, and appreciation through her cooking. One day, she sends out a special lunch to her husband, but her delivery goes to the wrong address. Spicy food is complemented with a spicy note and thus begins an unlikely and unique romance through the letters she packs in the lunchbox day after day. The man on the receiving end is Saajan, a middle-aged office worker, played by Bollywood star Irrfan Khan. With its delightful characters and beautiful acting, this was a huge success in India, but there is no reason to believe that this bittersweet, Mumbai-based story couldn't be a hit anywhere in the world.

Genre: Drama, Romance

Actor: Bharati Achrekar, Denzil Smith, Irrfan Khan, Kyeron Kandoria, Lillete Dubey, Nakul Vaid, Nasirr Khan, Nawazuddin Siddiqui, Nimrat Kaur, Shruti Bapna, Yashvi Puneet Nagar

Director: Ritesh Batra

Rating: PG

Sit back, relax, and wait for the feels. With amazing performances from an ensemble cast, including Julianne Moore, Mark Ruffalo, and Annette Bening, as well as excellent directing; The Kids Are Alright is a highly realistic yet entertaining take on families, growing up as children, and growing as parents. Moore and Bening play a gay LA couple, whose two kids meet their biological father, a goofy, laid-back sperm donor, portrayed perfectly by Ruffalo. Nominated for four Oscars and awarded with two Golden Globes, The Kids Are Alright is an arresting, authentic, and astute indie comedy-drama, and a pleasure to watch. Director Lisa Cholodenko and her talented cast have really created something special here!

Genre: Comedy, Drama

Actor: Amy Grabow, Annette Bening, Diego Calderón, Eddie Hassell, Eric Eisner, James MacDonald, Joaquin Garrido, Josh Hutcherson, Julianne Moore, Kunal Sharma, Mark Ruffalo, Mia Wasikowska, Rebecca Lawrence Levy, Sasha Spielberg, Stuart Blumberg, Yaya DaCosta, Zosia Mamet

Director: Lisa Cholodenko

Rating: R

Still Walking, Shoplifters, Broker), who generously allows up-and-coming directors to take the helm on certain episodes, The Makanai feels at once light and hefty, comforting and challenging. We're seeing mundane events unfold before us as if we were bystanders, but we also understand that there is so much more happening than what meets the eye. A prolonged gaze, a lovingly prepped meal, an especially sharp wing-eye, all of these have much to say about the state of mind of these girls. 

It’s a supremely gentle and culturally rich show with a tender heart; a truly great watch on all accounts.

Genre: Comedy, Drama

Actor: Ai Hashimoto, Aju Makita, Arata Iura, Jyo Kairi, Kairi Jo, Kanji Furutachi, Keiko Matsuzaka, Keiko Toda, Lily Franky, Mayu Matsuoka, Momoko Fukuchi, Nana Mori, Natsuki Deguchi, Ryota Suzuki, Takako Tokiwa, Toshinori Omi, Win Morisaki, Yukiya Kitamura

Director: Hirokazu Kore-eda, Hiroshi Okuyama, Megumi Tsuno, Takuma Sato

Rating: TV-14

A quirky and lovely coming of age film, the Kings of Summer celebrates the beauty and madness of adolescence and the sheer joy of long summer days. The plot follows three teenage friends, who, in the ultimate act of independence, decide to spend their summer building a house in the woods and living off the land. The house soon becomes a microcosm of their relationships with each other and the world at large, prompting conflict and mirroring their own transformations as they grow. Simple yet powerful, the Kings of Summer has a lot to say.

Genre: Comedy, Drama

Actor: Alison Brie, Angela Trimbur, Austin Abrams, Brady Novak, Brian Sacca, Christine McBurney, Craig Cackowski, David Gragg, Derick Mayes, Eric Frank, Erin Moriarty, Eugene Cordero, Gabriel Basso, Gillian Vigman, Hannibal Buress, Jeffrey Grover, Joel Thingvall, Kumail Nanjiani, Lili Reinhart, Logan Fry, Marc Evan Jackson, Maria Laskowski, Mary Lynn Rajskub, Megan Mullally, Michael Cipiti, Moises Arias, Nathan Keyes, Nick Offerman, Nick Robinson, Nick Rutherford, Nicole Tubbs, Peter Karinen, Priscilla Kaczuk, Taylor Nelms, Theresa Wylie, Thomas Middleditch, Tony Hale

Director: Jordan Vogt-Roberts

Rating: R

After third-grader Ali loses the only pair of shoes his sister Zahra owns, the siblings agree to share Ali's sneakers for school. Zahra uses the tattered, ill-fitting footwear in the morning, and in the afternoon, she hands them over to Ali, who then races to get into school in time. The siblings wait for things to get better at home before they mention anything to their already-burdened parents, but in the meantime, they persevere, scooping up every bit of silver lining they find, whether it's popping soap bubbles or taking in the city's ultramodern sights. 

In this way, Children of Heaven is neither cynical nor cheesy. It presents the harsh reality of Tehran's poor without robbing them of hope and agency, giving the movie the right amount of self-aware and feel-good that elevates it into a classic. Thanks to this masterful balance, plus many awe-inspiring shots and lines, it should come as no surprise that Children of Heaven is the first Iranian film to be nominated for Best Foreign Language Feature at the Oscars.

Genre: Drama, Family, Kids

Actor: Amir Farrokh Hashemian, Bahare Seddiqi, Kamal Mirkarimi, Mohammad Amir Naji, Reza Naji

Director: Majid Majidi

This bittersweet little documentary about a Parisian newsstand will change the way you look at a kiosk forever: they’ll no longer seem like transitory stops on the way to somewhere, but a destination themselves. Director Alexandra Pianelli, whose family has run this particular newsstand for four generations, shoots from inside the tiny cabin, from where she and her mother dispense newspapers, magazines, directions, and friendly conversation with anyone who stops by.

Anyone who’s seen Agnès Varda’s Daguerréotypes — her fond portrait of the traditional shopkeepers of Rue Daguerre, the street she lived on — will recognize the same warmth and humane curiosity in The Kiosk, which documents a quickly fading way of life and the community that clings to it. As Pianelli movingly shows us, the kiosk is an invaluable fixture in the lives of an assortment of locals: regular customers (particularly elderly ones, who perhaps visit more for the company than the magazines), a big-hearted homeless man, and fellow vendors like Islam, a Bangladeshi asylum-seeker and fruit-seller who uses the kiosk to hide his merchandise so that French police don’t confiscate it. The decline of printed material that the film documents isn’t just a threat to the family business, then, but the very concept of a truly joined-up society itself.

Genre: Documentary

Actor: Aliénor de Nervaux, Damien Fourmeau, Gérard Jacq, Marcel Cierniak, Marie-Laurence Fay

Director: Alexandra Pianelli

, 1995

Like a long, slow drag of a cigar, Smoke is a patient pleasure. Adam Holender’s leisurely lingering camera and the film’s relaxed editing allow us to savor the actors’ performances and the thoughtful script uninterrupted, trusting in their ability to captivate us. And captivate us is exactly what novelist Paul Auster’s screenplay and the film’s superlative ensemble do.

The film kicks off in Auggie Wren’s (Harvey Keitel) Brooklyn smoke shop, where myriad customers linger to chat and unexpected friendships form. The serendipitous network around which Smoke revolves unfurls gradually, like a curling wisp of smoke: Auggie’s patron Paul (William Hurt), a writer's block-struck novelist grieving the violent death of his pregnant wife some years ago, has his life saved by Harold Perrineau’s Rashid, the estranged 17-year-old son of a struggling mechanic (Forest Whitaker). Ashley Judd and Stockard Channing also feature in Auggie’s portion of the film, one of its five loose vignettes (although the film flows much more fluidly than a chapterized structure suggests). Auster’s contemplative, dialogue-driven screenplay — along with the film’s unhurried editing and luxuriating cinematography — make Smoke a gorgeous example of the art of savoring, which is exactly what you want to do with this wonderful movie.

Genre: Comedy, Drama

Actor: Ashley Judd, Baxter Harris, Clarice Taylor, Deirdre OConnell, Erica Gimpel, Forest Whitaker, Giancarlo Esposito, Harold Perrineau, Harvey Keitel, Jared Harris, José Zúñiga, Malik Yoba, Mary B. Ward, Mel Gorham, Michelle Hurst, Murray Moston, Stephen Gevedon, Stockard Channing, Victor Argo, William Hurt

Director: Wayne Wang

Rating: R

A seven year old Bryce (Callan McAuliffe) moves to a new neighbourhood across the street from a very spirited little girl named Juli (Madeline Carroll). She falls in love at first sight much to the dismay of the shy young lad. For the next six years, Juli overwhelms Bryce with her affections until a series of events and misunderstandings leaves her heartbroken and angry at him. Fed up, Juli begins to ignore him. However, her absence triggers a change of heart as Bryce realizes his fondness of her. He will do anything to win her back. The whole film, set in the late fifties holds the warmth and charm of small town living. With a balance of passion and playfulness, the extraordinary young cast are brilliant in their roles. Based on the novel by Wendelin Van Draanen, this endearing story of young puppy love, will make your heart melt!

Genre: Comedy, Drama, Romance

Actor: Aidan Quinn, Anthony Edwards, Ashley Taylor, Callan McAuliffe, Cody H. Carolin, Cody Horn, Inga R. Wilson, Israel Broussard, John Mahoney, Kevin Weisman, Madeline Carroll, Matthew Gold, Michael Bolten, Morgan Lily, Patricia Lentz, Penelope Ann Miller, Rebecca De Mornay, Ryan Ketzner, Shane Harper, Stefanie Scott, Wallace Bridges

Director: Rob Reiner

Rating: PG

Of all the Christmas-set films to have come out over the last couple of months that were, inexplicably, about grief and regret (you'd be surprised by how many there are), The Holdovers easily outdoes its contemporaries by being confident enough to just sit with its characters. Like the best of director Alexander Payne's other films, there are no melodramatic crescendos or overcomplicated metaphors; there are only flawed individuals going about their lives, occasionally noticing the things that bind them together. Payne's gentle touch means the characters (and the audience) aren't forced to "solve" their grief, but allowed to come to terms with it in their own way, with each other.

Payne evokes the film's 1970s setting through a muted color palette and analog—almost tactile—sound design, giving warmth to this New England despite all its snow and chilly interiors. It's understandable that these characters are similarly cold to each other on the surface at first, but they manage to thaw the ice simply by taking the chance to listen to each other's pain. It's the kind of film in which relationships develop so gradually, that you hardly notice until the end how much mutual respect has formed between them when they return from their dark nights of the soul back to their status quo.

Genre: Comedy, Drama

Actor: Alexander Cook, Andrew Garman, Brady Hepner, Carrie Preston, Carter Shimp, Cole Tristan Murphy, Colleen Clinton, Da'Vine Joy Randolph, Dakota Lustick, Dan Aid, Darby Lee-Stack, David J. Curtis, Dominic Sessa, Dustin Tucker, Gillian Vigman, Ian Dolley, Ian Lyons, Jim Kaplan, Joe Howell, Kelly AuCoin, Kevin Daigneault, Kevin Fennessy, Melissa McMeekin, Michael Malvesti, Michael Provost, Naheem Garcia, Oscar Wahlberg, Osmani Rodriguez, Pamela Jayne Morgan, Paul Giamatti, Rena Maliszewski, Stephen Thorne, Tate Donovan

Director: Alexander Payne

Rating: R

A young bisexual woman attends a shiva, caught between her parents and their expectations, her ex, and her sugar daddy. Rachel Sennott’s Danielle is yet to find her path in life and everyone is determined to remind her of that. Taking place almost entirely in real-time, the film’s sharp wit is contrasted with constant anxiety, complemented by Ariel Marx’s horror-like score, full of discordant pizzicato that sounds like every last bit of sanity snapping. 

It’s a sex-positive take on 20-something life, treating bisexuality as wholly unremarkable and passing no judgment on Danielle’s sugar daddy income. Its specificities about Jewish customs and traditions are non-exclusionary, while its social claustrophobia is achingly universal. It’s comforting in the way it portrays the social horrors we all face, the feeling that everyone but you has life figured out, and that – ultimately – those who matter will pull through, eventually. One of 2021’s best.

Genre: Comedy, Drama

Actor: Ariel Eliaz, Cilda Shaur, Danny Deferrari, Deborah Offner, Dianna Agron, Fred Melamed, Glynis Bell, Jackie Hoffman, Molly Gordon, Polly Draper, Rachel Sennott, Richard Brundage, Rita Gardner, Sondra James, Ted Seligman

Director: Emma Seligman

Rating: Unrated

Riceboy Sleeps looks like a fairy tale. Taken in 16mm and colored to pastel-grain perfection, it’s a captivating picture that moves like a happy memory. And occasionally, the action matches the air. Mother So-young (Choi Seung-yoon) and son Dong-hyun (Ethan Hwang) share a fierce, us-against-the-world bond as they strive to make it in a Canadian suburb without a lick of help. 

The film is beautiful that way, but it also importantly doesn't spare us from the harsh-edged realities of immigrant life. There are assimilation attempts, cultural divides, and on Dong-hyun’s part, a perpetual longing to know about an unknowable past. It’s a lovely picture, to be sure, but it’s also a tear-jerker, as heartbreaking as it is heartwarming. 

Coupled with writing and performances that are resonant but restrained (they never verge on melodrama), Riceboy Sleeps makes for a powerful debut and a truly unforgettable watch.

Genre: Drama

Actor: Aiden Finn, Anthony Shim, Bryce Hodgson, Choi Jong-ryul, Eric Keenleyside, Ethan Hwang, Hunter Dillon, John Cassini, Kendra Anderson, Lee Yong-nyeo, Ryan Robbins, Sean Poague, Vanessa Przada

Director: Anthony Shim

Despite the amusing specificity of its title, this lovely documentary from director Les Blank is really for all of us. Through the example of gap teeth — a physical feature many of the participants here report being made to feel self-conscious about — the film makes a rallying call to embrace ourselves and all of our physical “flaws.”

A big part of what makes this film so heartening is that so many of the women featured here (including model Lauren Hutton) have come out on the other side of loathing their gap teeth, giving us a tangible example of what it looks like to love yourself in spite of other people’s opinions about your body. What’s more, even within a limited runtime, Blank finds space to devote to exploring other aspects of the featured women’s lives — their art, professions, religious practices — and thereby quietly expands the film’s focus from physical beauty and onto the myriad beauties of life itself. It’s an ironic pleasure that Gap-Toothed Women ultimately refuses to define its subjects by the very feature described in its title, and instead gives us this life-affirming shot of wisdom for the ages.

Genre: Documentary

Actor: Lauren Hutton, Lauren Moore, Sandra Day O'Connor

Director: Les Blank