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98 Best Well-acted Movies to Watch

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Director Noah Baumbach’s autobiographical film is a strikingly realistic take on divorce and the turmoil it sets on an already-dysfunctional family. Bernard (Jeff Daniels) is a selfish decadent writer who’s splitting with his unfaithful wife Joan (Laura Linney). Their two sons, Walt (Jesse Eisenberg) and Frank (Owen Kline), are taking different sides that reflect their personality. This separation only reinforces their insecurities as they quickly fall into depression and grow away from their friends. The parents, however, find unconventional lovers just as quickly, Bernard with a student of his, and Jane with her son’s tennis coach. The Squid and the Whale is a funny, emotional, and gripping story that finds a perfect balance in tone despite dealing with bitter divorce and troubled adolescence.

7.9

The Square is a peculiar movie about a respected contemporary art museum curator as he goes through a few very specific events. He looses his wallet, his children fight, the art he oversees is does not make sense to an interviewer... Each one of these events would usually require a precise response but all they do is bring out his insecurities and his illusions about life. These reactions lead him to very unusual situations. A thought-provoking and incredibly intelligent film that's just a treat to watch. If you liked Force Majeure by the same director, The Square is even better!

7.9

This is a star-packed movie about two brother assassins played by John C. Reilly and Joaquin Phoenix, and starring Jake Gyllenhaal. You might have read the book of the same name, and it is always hard to make a great film out of a great book but the brilliant director of A Prophet Jacques Audiard has done it (again). He is aided by a superb darkly comic script and fantastic acting from the entire cast. Audiard is French, but his take on the American Western is filled with epic violence but also witty dialogue, brotherly love, and male camaraderie.

7.9

Adapted from the Lionel Shriver novel of the same name, We Need to Talk About Kevin is the story of a mother (Tilda Swinton) that never quite bonds with her child, but not by her choice. The son grows up to do a heinous act that begs the question: nature or nurture? This film is an uncompromising view on the development of an unloved child. Silent pain gets voice. Feelings are shown by actions not emotions in an authentic, comprehensible and aesthetic manner. Great work.

7.9

At the same time a fun, crazy, and meaningful movie about Malcom and his friends, high school teenagers and proud geeks who suddenly find themselves immersed in the underground LA drug scene. It's a 2015 Superbad meets Boyz in the Hood. But in its essence it mostly resembles another beautiful film, Juno, in the way it evolves around a character played perfectly who you get to know, agree and disagree with, and ultimately learn from and relate to. Above all it's an outright enjoyable film, a smart one too, with a great soundtrack to boot.

7.9

Monster is a biographical depiction of Aileen Wuornos (Charlize Theron), a prostitute and serial killer who murdered seven men in Florida between 1989 and 1990. The film follows the burgeoning relationship between Wuornos and young Selby Wall (Christina Ricci, in a role based on Wuornos' real-life girlfriend Tyria Moore), as she grows increasingly desperate to provide for her young companion financially. Her desperation and her rage against men, brought on by years of both childhood and adult abuse, leads her down a dark path of murder and theft, even as she struggles to shield Selby from the horror of her crimes. The overwhelming highlight of the film is Theron’s mesmerizing performance as Wuornos—a role that won her a well-deserved Academy Award for Best Actress in 2004. She’s almost unrecognizable and altogether phenomenal as the volatile and increasingly unstable Wuornos, whose ferocity is interwoven with surprising affection for young Selby. This unexpected tenderness lends the film an air of tragic poignancy, and provides a bittersweet portrayal of a severely troubled woman. Very much intended for mature audiences only, Monster is a fascinating recreation of a disturbing yet compelling chapter in the annals of true crime in America.

7.8

There is a chance we will be known as the generation that perfected mixing the two mediums of movie and theater. Think Hateful 8, Horace & Pete, Wild Tales, and Fences! A movie not only packed with Broadway talent, it's also based on a Pulitzer-winning play by August Wilson. The play element is both strong and visible, the movie is dialogue packed, and takes place almost exclusively in the characters' house, not to mention most of the events happen within the span of a few days. The movie element comes through beautiful aesthetics and rich scenery, as well as some of Hollywood's best talent: Denzel Washington (who is also the director) and Viola Davis. They had both actually won Tony Awards for their performances reviving the play back in 2010. Denzel is a black garbage collector who was once a promising baseball player and a victim of racial discrimination. His psyche is as rich as it is determined and he is used to taking out his deep-rooted feelings of anger on his loved ones. His wife (Davis), his son, and his friends are the targets of this hurt and anger, but they also have a lot to deal with on their own. A beautiful if maybe slow play-movie. Do not watch it expecting "things to happen", but watch it to be mesmerized by the acting, the writing, and the underlying tensions it addresses.

7.8

An instant classic, Beast of No Nation is a unique and uniquely-paced war drama which ranges in patterns from explosive visual storytelling to calm character studies. A child joins a rebel group consisting almost entirely of children and led by a charismatic leader credited as Commandant. As you get to witness the conflict through the child’s eyes, his own development and his commander’s, the film unfolds as an exploration of the never ending state of war in Africa. It takes you to varying conclusions, most of which you will have trouble admitting you’ve reached. As Commandant, Idris Elba is transfixing, and the whole cast of almost entirely non-actors, as well as the deeply authentic staging by True Detective and Sin Nombre director Cary Fukunaga, are enthralling.

7.7

The film for which Kristen Stewart became the first American actress to win the César Award. The Twilight star turned indie prodigy plays next to another award favorite, Juliette Binoche, as her assistant. When rehearsing for the play that launched her career many years earlier, Binoche's character, Maria, blurs the line between fiction and reality, her old age and her assistant's young demeanor, and the romance story portrayed in the play and her own life. The movie itself is stylized as a play, adding another interesting layer of artistic creativity to the complex plot line. A film for film lovers.

7.7

Ever wondered how much your life will change when faced with the reality that death is about to come? That’s normal, and not nearly as life-altering as being told you only have a few more moments to live. Because of a terminal illness, Uxbal (Javier Bardem) is driven to this situation and tries to right his wrongs in the wake of modern Barcelona. This melodrama is supercharged by Bardem’s unearthly performance as the story’s only hero, demonstrating the selfless love of a destroyed and dying father to his children – paired with cinematography unlike any other, this film is exceptionally beautiful. Directed by González Iñárritu' (Babel, Birdman, The Revenant).

7.7