2 Movies Like (500) Days of Summer (2009) On Netflix France

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More simply called La Vie d'Adèle in its native language, this French coming-of-age movie was hugely successful when it came out and was probably one of the most talked-about films of the time. On the one hand, the usual puritans came to the fore, criticizing the lengthy and graphic sex scenes. On the other hand, Julie Maroh, who wrote the source material that inspired the script, denounced Franco-Tunisian filmmaker Abdellatif Kechiche for directing with his d*ck, if you don't mind me saying so, while also being an on-set tyrant. Whatever you make of this in hindsight, the only way to know is to watch this powerfully acted drama about the titular Adèle (Adèle Exarchopoulos), and her infatuation with Emma, a free-spirited girl with blue hair, played by Léa Seydoux. The film beautifully and realistically portrays Adele's evolution from a teenage high-school girl to a grown, confident woman. As their relationship matures, so does Adèle, and she slowly begins to outgrow her sexual and philosophical mentor. Whatever your final verdict on the controversial sex scene, Blue Is the Warmest Color is without doubt an outstanding film as are the performances from Exarchopoulos and Séydoux.

Genre: Drama, Romance

Actor: Adèle Exarchopoulos, Alain Duclos, Alika Del Sol, Alma Jodorowsky, Anne Loiret, Aurélien Recoing, Aurelie Lemanceau, Aurélien Recoing, Baya Rehaz, Benjamin Siksou, Benoît Pilot, Benoît Pilot, Bouraouïa Marzouk, Camille Rutherford, Catherine Salée, Catherine Salée, Éric Paul, Fanny Maurin, Halima Slimani, Jérémie Laheurte, Jérémie Laheurte, Judith Hoersch, Justine Nissart, Karim Saidi, Klaim Nivaux, Léa Seydoux, Maelys Cabezon, Maud Wyler, Mona Walravens, Quentin Médrinal, Salim Kechiouche, Samir Bella, Sandor Funtek

Director: Abdellatif Kechiche

Rating: NC-17

This adaptation of a tragedy by Pulitzer Prize-winning playwright August Wilson might retain the mostly minimal setting of its source material — two rooms in a Chicago recording studio — but the searing performances at its heart more than warrant the translation to the big screen. A ferocious Viola Davis plays the titular ‘Mother of the Blues’, a fiery artist whose diva-ness is powerfully revealed to be a matching of the same transactional energy with which she’s treated by her white managers. 

On a steamy day in the roaring 1920s, one of Ma’s recording sessions morphs into a tinderbox of debate on art, race, and these exploitative power dynamics that exist at their intersection. As her band awaits her characteristically late arrival, its members tease, and then bicker, and finally erupt at one another. The youngest musician, Levee (Chadwick Boseman), is the most hot-headed — in his older band-mates’ eyes, he’s an arrogant young upstart with delusions of grandeur, but Levee’s ambitions are powered by real pain, as revealed in a blistering monologue. The film is unabashedly stagy in many respects, a quality that can work both ways — but, ultimately, the crackling current that runs through Davis and Boseman’s acting gives the movie all the blazing, goosebump-inducing immediacy of a live performance.

Genre: Drama, Music

Actor: Chadwick Boseman, Colman Domingo, Daniel Johnson, Dusan Brown, Glynn Turman, Jeremy Shamos, Jonny Coyne, Joshua Harto, Michael Potts, Quinn VanAntwerp, Taylour Paige, Viola Davis

Director: George C. Wolfe

Rating: R