Craving mystery? This is the film for you. A writer (Ewan McGregor) is given the lucrative task of bringing to life the memoirs of Adam Lang, the former British Prime Minister. Lang, now retired in an island in America, was once one of the world's most influential politicians. When a scandal erupts about him, which reveals details about his approach to the relationship between America and Britain, the ghost writer finds himself in the possession of highly sensitive material and dealing with many interested parties.
Winner of an Oscar and a Golden Globe among endless accolades, A Separation is a movie about an Iranian couple faced with the decision of leaving the country for better opportunities or staying to take care of a sick parent. If you’ve ever been curious about the humans of Iran beyond the politics, and by cultural extension, humans of Middle-Eastern countries, watch A Separation. But hold it, “An interesting foreign movie” is not how A Separation should be viewed (it’s not Slumdog Millionaire). As someone who grew up in a middle-class Muslim family, this film may be the only one to thoroughly portray many integral aspects of my upbringing. It perfectly depicts the delicate interaction between high moral standards and the realities of underdevelopment: how many bad people are only good people running out of options, and how parents raise their children in a shell of protection from the outside world while struggling to also introduce them to it. On a separate level, it also portrays how people live ready to have every privilege they have ever had revoked and how the constant need to “man up” transforms people, as well as the role of religion in all this. A Separation is my movie, and so I am asking you to watch this film the same way I’d want you to come visit and get to know my home country.
Choose your seating position wisely because this angry thriller will keep you frozen until the credits roll. Supported by terrific acting, Hanna is also visually striking and filled with well developed action sequences. It's an action movie that takes fight choreography seriously and that's something we wholeheartedly appreciate.
In 1980s Dublin, a young Irish catholic-school boy, whose family is facing financial problems starts his own band with the sole objective of impressing a mysterious femme fatale. The film takes you on a beautiful and witty journey through the band’s path to success and our protagonist’s quest in conquering his love all to the rhythm of some of the biggest 80’s pop-rock hits and the band’s own original soundtrack. Without a doubt this film is the long awaited passion project of filmmaker John Carney (Once, Begin Again).
Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.