Chasing the feel of watching Avengers: Endgame ? Here are the movies we recommend you watch after Avengers: Endgame (2019).
Like all great documentaries, Angry Inuk is about way more than its tagline. At first glance, it's about how anti-sealing activism has been harming Inuit communities since the 1980s, to the point of instituting the highest rates of hunger and suicide anywhere in the "developed" world. But beyond, it's about the complicity of the government of Canada. A crushed seal-based economy means that the Inuit have to agree to oil and uranium mining in the Arctic.
Angry Inuk is also about the corrupt behavior of animal rights organizations like Greenpeace: seals are actually not on the endangered animal list but NGOs focus on them because they make them money.
It's an infuriating but incredibly important documentary. One that is not about how Canada has a bad history, but about how Canada is harming the Inuit right now.
1985, a movie from 2018, was made like it was filmed during the year it’s about: it’s shot on gorgeous black-and-white Super 16mm film.
Not that it would be needed, but this minimalist setting puts a spotlight on the ensemble cast of this well-acted drama based on an award-winning short film.
In particular, the central one by Cory Michael Smith (Gotham, Camp X-Ray). He plays Adrian, a man visiting his conservative family in Texas from New York, so gently at times and explosively at others, it’s a sight to behold.
Adrian, estranged from his family for three years, visits them to find a way to tell them that he has AIDS.
“They called me uppity. Uppity n*****. And I loved it”. That’s how this excellent documentary, about the first professional black racing driver Willy T. Ribbs, starts. It summarizes the strong personality of a champion who excelled in tracks that were filled with confederate flags.
The documentary explains the details of the difficulties that Ribbs went through in the 70s and 80s, but also the people who supported him and recognized his talent. It’s by no way a sad movie, on the contrary, even when Ribbs is talking about people spitting wherever he walks or about the death threats escalating, his unharmed determination is at the center of the story.
This is an inspiring documentary about a character who never got his worth in the history books. I was full of shivers by the first half-hour mark.
Grounded by Lesley Manville and Timothy Spall’s powerhouse performances, this gut-wrenching family drama from Mike Leigh is an acting juggernaut. Penny and Phil are a working-class couple whose marriage is rapidly deteriorating and pushed to the brink when their son, played by a young James Corden, is hospitalized.
While Manville and Spall are centered as the leads, Leigh draws a staggering amount of depth from Corden as well as a young Sally Hawkins who plays a neighbor. Despite being one of Leigh’s grimmest films, there is still a profound sweetness lingering at the edges as the story teeters between despondency and hope.
This small movie set over one summer weekend is a tender and affecting coming-of-age drama.
Jack is a bullied adolescent who lives in a run-down small town. When his aunt falls sick, he has to take care of his cousin, a younger and even more vulnerable kid. Their relationship evolves in this sensitive drama that spans a quick hour and 15 minutes.
This mortifying stop-motion fairy-tale is inspired by the very real horrors of Chile’s Colonia Dignidad: a cult colony turned torture camp under the Pinochet regime. Presented as colony propaganda, the tale tells the story of Maria, a girl who runs away from the safety of the colony into the forest and takes refuge in a house with two pigs. What transpires is a gut-wrenching allegory for the rise of fascism, colonialism, and white supremacy.
The staggering animation which seamlessly shifts mediums from paper mâché to painted walls is a bewildering sight to witness. But it’s the synthesis of this boundary-pushing art and the underlying horrors it depicts, that make this stand as an unmissable cinematic event.
Light-hearted and compassionate, Raining Stones is one of Ken Loach’s lesser-known films. It’s also one of his funniest, telling the story of an unemployed chancer trying to raise enough money to buy his daughter her first Communion dress. Desperate for the cash, he falls foul of ruthless loan sharks.
As ever, Ken Loach is keenly attuned to the concerns of the working class, as he finds humour even in the most depressing of circumstances. The dialogue is natural, funny, and yes, profane. He also gets excellent performances from the non-professional actors in the cast, with club comedian Bruce Jones superb in the lead.
The Last Man on the Moon is a documentary about astronaut Eugene Cernan, Commander of the Apollo 17 lunar landing mission in 1972. Chronicled by Cernan himself as he reminisces on his life, the film follows his early career with the Navy, his recruitment and training as an astronaut, and his participation in 3 trips to space: Gemini 9A, Apollo 10 and eventually Apollo 17—the last of NASA’s six expeditions to the Moon. Cern also delves heartfully into his loss of friends as well as his regretfulness for missing out on so much family time while away. It’s a poignant and inspiring account, with Cern providing a fine lesson in the confidence and diligence in takes to pursue and accomplish one’s dreams
A young lawyer has to defend a murderer after passing the bar only three months prior in this satisfying German drama. To make matters worse, the victim happens to be his mentor, a wealthy and seemingly kind-hearted business man. As for the perpetrator, he refuses to say a single word. Caspar, the lawyer, is from a German-Turkish background, which is a hint to where the complexity of this legal drama lies: in Germany's history and racial legacy. The Collini Case is satisfying to a fault, but if you’re looking for substance-filled entertainment, this is some of the best you’ll get.
Chinese artist Ai Weiwei directs his attention towards the ongoing refugee crisis, the biggest displacement of people since World War II. His documentary is apolitical and tries to focus on the human side of the picture. It's not a news report or a commentary on the causes of the situation. Instead, it's a combination of heartfelt stories spanning 23 countries that showcase people's battle for dignity and basic rights. A truly epic movie complemented by impressive drone footage that's as impressive as it is sad.
A quiet documentary that was released to celebrate the British Royal Air Force's centenary, Spitfire tells the story of the famous plane that younger audiences might only recognize from movies like Dunkirk or Darkest Hour. It features gorgeous footage of the last remaining planes in service flying over the British coast, testimonies from pilots who are still alive and a reminder of the key role that this plane once served. It feels like an attempt to capture and archive the importance of the plane, but also of its pilots, who for the most part were young kids with little training, but who, with time, learned valuable lessons from warfare. A must for aviation fans and a great option for anyone looking for a quiet movie to watch with their family (grandparents included).
Ben du Toit (Donald Sutherland) is a patriarch of an upper-class white family insulated from the roiling protests and violence in their suburban household outside of Johannesburg. When his gardener’s son is arrested, du Toit’s complacency is tested and he becomes embroiled in the devastating political reality outside the comforts of his gated world.
Although it falls into the somewhat blemished category of films that center white protagonists when covering Black struggle, it does so with a piercing critical lens that confronts white denial and complicity. Euzhan Palcy’s direction is striking, depicting racism and violence with uncompromised clarity, while her unfettered dedication to getting this made even brought Marlon Brando out of retirement. Keep an eye out for him playing a beleaguered civil rights attorney - a role which notched him his final Academy Award nomination.
Never has evil been so darn fun to watch. Bridget (Linda Fiorentino) is such a captivating villainess, you'll actually find yourself rooting for her at times in this noirish take on..., I don't know what, but it involves drug money, double-crosses, lots of witty repartee and cat-and-mouse manipulation that will make your stomach hurt. The script is tight, the acting is all testosterone driven and crisp and you'll hear some choice words come from nice guy Bill Pullman (as Bridget's husband Clay) that you never imagined he could say. Peter Berg (Mike) is fantastic as the guy's guy determined to earn his Alpha-dog badge by subduing the fierce and wickedly intelligent heroine, Bridget. Fiorentino won a BAFTA award for her performance and was nominated, along with Director John Dahl, for several others. The movie did not qualify under Academy rules for the Oscars, but it would have been a strong contender.