Tom Hardy channels (and transcends) his inner Colin Farrell with this film which takes place inside of a BMW SUV in its entirety. A mature drama that pays homage to anyone battling internal demons, Locke is an 85 minute road trip in which the viewer acts as the passenger. Intricately constructed with a series of intense phone calls and conversations, the film will reward you with an immersive experience with palpable anxiety that has moments that at times feel all too real.
Chasing the feel of watching Birdman or ? Here are the movies we recommend you watch after Birdman or (The Unexpected Virtue of Ignorance) (2014).
Probably the weirdest film you'll ever see. Paul Dano plays a borderline suicidal man who befriends a farting corpse that washed up from the sea as played by Daniel Radcliffe. It's an adventurous, witty and hilarious film yet it is filled with discreet and very deep lessons about society and norms. The soundtrack is so charmingly unique as well, it's a definite must-watch for anyone looking for a refreshing comedy.
Ever wondered how much your life will change when faced with the reality that death is about to come? That’s normal, and not nearly as life-altering as being told you only have a few more moments to live. Because of a terminal illness, Uxbal (Javier Bardem) is driven to this situation and tries to right his wrongs in the wake of modern Barcelona. This melodrama is supercharged by Bardem’s unearthly performance as the story’s only hero, demonstrating the selfless love of a destroyed and dying father to his children – paired with cinematography unlike any other, this film is exceptionally beautiful. Directed by González Iñárritu' (Babel, Birdman, The Revenant).
Jim Jarmusch’s latest film is the story of a pair of vampires, Adam and Eve (Tom Hiddleston and Tilda Swinton), married for thousand of years and living thousands of miles apart, subsequently reunited in modern-day Detroit to find Hiddleston in state of disrepair and depression. Their lives are shaken up by the sudden appearance of Swinton’s wayward young vampire sister Ava (Mia Wasikowska) that sets their lives into tumult. It's the type of evenly-paced and wryly amusing dramedy that only Jarmusch could craft. I loved the atmosphere and sensibility of this film, not to mention the various literary allusions along with the dark, somber soundtrack. Less of a narrative and more of a modern-day-vampire-slice-of-life, this is one of those films that gets under skin and stays awhile (and not in a bad way).
Filmmaker Petra Costa tells the story of moving to New York from Brazil to follow her dream, the same one her mother once followed, of becoming an actress.
She carries memories of a third person who made the same move, a sister called Elena. Elena left her when she was seven-years-old, and after intermittent calls and messages, disappeared.
This documentary is a tale of three women: of their feelings separation, longing, and ambition. It’s made to be a visual poem of their story.
Demian Bichir was nominated for an Oscar for his role in this movie where he plays an illegal immigrant and father. You might be wondering "who is that?", but trust me you won't after watching this movie. The kindness, complexity, and authenticity he brings to this story are unparalleled.
A Better Life is about the illegal immigrant experience, about the line between the fear of being caught and the aspiration for a better future. It's an excellent and important movie.
A Ken Loach type of vibe drives The Selfish Giant to be an interesting mix between anger, desperation, and the beauty and humor often found in tough circumstances (think I, Daniel Blake but with kids as main characters). This sort of contemporary fable tells the story of two friends who skip school and hustle for work from a local scrap-dealer. As they get more and more involved with him and his entourage, the grim realities of what once seemed a way out start to cast a shadow over their lives. The script is based on a short story by Oscar Wilde, it's a beautiful, ultimately sad portrayal of the British underclass.
Elisabeth Moss is in it. Calling The One I Love a romantic-comedy, looking it up, or trusting anyone else about it -- especially my review, will ruin this film for you. Just watch it. If one's penchant is typically opposed to titles with 'love' in them, then it's for you. Just hit 'play', or 'start', or whatever. The initial wtf-ness that attracted me to it is compelled further by excellent acting. And Elisabeth Moss is in it.
This is one of those movies people should watch without any prior knowledge. But if you must, it's about a small town priest (Brendan Gleeson) who is threatened with horrible events by a mysterious member of his perish. Dealing with the threat, the priest is also faced with both the various and never ending problems of his church as well as issues with his own family. Excruciatingly beautiful and extremely well-written.
Lauren Greenfield’s film follows the Siegel family’s decline from opulent abundance to gaudy ruin. Mega wealth, delusions of grandeur, and grotesquely opulent taste—the Siegel family were the perfect subjects for the film, which sets out to document their most lavish expense: their Versailles home, a mansion sprawling more than 85,000 square feet and modeled after the Palace of Versailles.
The Siegels, no doubt, are entirely out of touch with reality. David Siegel, the owner of one of the world’s largest timeshare developers, married Jackie, a former Mrs. Florida who is 30 years younger. The Versailles home is to be Jackie’s castle, an enormous home for her eight kids and numerous pets.
But the 2008 recession does not spare the Siegels, and their company is devastated. After layoffs and desperate attempts to recover financially, the family struggles to pay back the banks. Construction halts. The Versailles home remains vacant and unfinished.
While the film does not sympathize with the Siegels, Greenfield creates a space where pity is possible as well as criticism. And from there comes the universal: desperation, longing, hope for better, if not also more, more, more.
Jeremy Renner (The Hurt Locker, The Town, Arrival) plays Gary Webb, a journalist in investigating the American government’s possible involvement in cocaine trafficking in Latin America. Based on a true story, it’s in the same vein as other recent movies on investigative journalism. Jeremy Renner’s performance is the main reason to watch this movie. Even as the story spins into deeper levels of complexity, he remains a coherent, steady point of reference. It was his chance to prove to directors that he can carry a big-budget movie and he nailed it.