11 Movies Like Burning (2018) On Netflix

Staff & contributors

Chasing the feel of watching Burning ? Here are the movies we recommend you watch after Burning (2018).

Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience. Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story. Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.) This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against. Two worlds clash, poor and rich, in a movie that’s really three movies combined into one - a character-study, a romance, and a revenge thriller.

While quite testing for viewers, this is one of the craziest, most high-energy movies you'll ever watch. In this incredible German drama, child actor Helena Zengel plays Bernadette aka Benni, a traumatized 9-year-old child who tends to lash out and has been repeatedly suspended from every school she went to. Benni is a so-called “Systemsprenger” (which is the original German title). A system crasher is a child so uncontrollable and aggressive that, over time, she falls through the grid of special schools, foster care, and social work facilities. Despite the best efforts of her designated social worker, Frau Bafané, played by Gabriela Maria Schmeide, she is turned down by everyone, testing the patience of her surroundings, wherever she goes. A trip with Micha (Albrecht Schuch), a tough boxer and anger-management trainer, turns out to be the last resort. Directed by Nora Fingscheidt, System Crasher is intense, punky, and wild with an almost eerie sense of authenticity. Its devastating effect is helped along by its unique, hyperactive camerawork. Much like the social workers themselves, you might have a hard time keeping professional distance to all this. This intense drama will stay with you for a long time.

Leave No Trace is the amazing new movie from the director of Winter's Bone, Debra Granik. It's the story of a father and his daughter who live completely off the grid in a national park in Portland, and their quiet quest to not be separated and remain off the grid. It's not the sensational, tear-jerker story that you'd expect something with this premise to be. Rather, and like Winter's Bone, it chooses a humane and realistic approach to the subject matter. The decision to live outside society is almost irrelevant to this movie. More so, its inevitability for certain people with certain mindsets is what is interesting. A stunningly quiet movie, really well-acted too.

This documentary starts with Alex Lewis, who gets into a motorcycle accident and wakes up in the hospital not knowing who he is. He doesn’t remember anything (not even what a bicycle or a TV is, or who his mother or father are), but he remembers his twin brother, Marcus. When Alex gets back into his childhood home, he’s full of questions, and Marcus is full of answers. However, slowly, Marcus realizes his power to reshape Alex’s version of their past. Marcus leaves one important detail from Alex’s life that makes this documentary (as if it wasn’t already) such an insane story. I know I said it’s a sad movie, but it’s also fascinating and, ultimately, humanizing of the brothers’ experience.

A powerful but quiet movie directed by Paul Dano and based on a novel of the same name by Richard Ford. It stars Carey Mulligan and Jake Gyllenhaal as a couple who move to a new town with their only child during the 1960s. Their relationship transforms after Gyllenhaal's character loses his job as a butler and chooses to leave for a more dangerous profession, firefighting. This movie is about his wife's response to this event and the implications of both parents' behavior on their kid. There are no twists or turns, exciting action or plot; but Wildlife doesn't need any of that. This moving story about a decaying family unit is portrayed in the sadness that comes with such events. The only joy comes from watching the outstanding (but expected) performances of the cast.

Three half-Puerto-Rican, half-white boys grow up in suburban New York in this personal movie shot on stunning 16mm film.

This movie follows the boys, often literally with the camera behind their backs, as their parents’ relationship goes through turmoil. The kids are often left unattended and have to fend for themselves. The beauty of We the Animals is illustrating how they grow-up swinging between the angry character of their father and the protective nature of their mother.

This is one of the best movies I’ve seen in a long time, and I think I loved it so much because I was able to relate and feel for the main character (one of the boys). I really hope you will too.

All the synopses going around the internet won’t fail to let you know that The Falls takes place at the height of the COVID-19 crisis. The film is certainly marketed that way, with commercial posters featuring the leads in ubiquitous face masks, socially distanced from the blurred crowd. 

But interestingly, The Falls is not just a situational, pandemic-era story. More than anything else, it tells the story of Pin-wen and Xiao Jing, mother and daughter who, despite previously living a life of comfort, are now dealt with unfavorable circumstances (exacerbated but not entirely caused by the pandemic). Now, they are forced to navigate life with only each other, and it’s in the isolation they instate from the rest of the world do they forge a genuine and heartwrenching bond any and all family members will immediately recognize and perhaps even sympathize with. 

Set in 1970s Italian countryside, this is a quirky movie that’s full of plot twists.

Lazzaro is a dedicated worker at a tobacco estate. His village has been indebted to a marquise and like everyone else, he works without a wage and in arduous conditions.

Lazzaro strikes a friendship with the son of the marquise, who, in an act of rebellion against his mother, decides to fake his own kidnapping. The two form an unlikely friendship in a story that mixes magical realism with social commentary.

British filmmaker extraordinaire Andrea Arnold (Fish Tank) draws the perfect portrait of two young American drifters who fall in love.

Star (Sasha Lane) runs away with Jake (Shia Laboeuf), a traveling magazine salesman with more experience on the road. The freedom is tempting at first, especially given her difficult situation at home, but Star is quickly confronted with the risks that come with running away.

American Honey is shot in a succession of moments that take place almost entirely during golden hour, as if to say that the best part of the day comes right before dark.

This slow romance is set in a Seoul bakery during the 1990s. A boy fresh out of juvenile detention and a part-time employee fall for each other while working there. For a while, their existence is joyful and quiet as they sell bread and bond. However, the Asian financial crisis of 1997 forces the bakery to close. This makes them seek different jobs away from each other. As a romance, Tune in for Love is not original but it doesn’t need to. It’s just easy and enjoyable.

This atmospheric 82-minute French drama is set between 1995 and the present time, between a shy and lonely teenage version of the main character, Jonas, and an extroverted, chain-smoking one. The common thread between the two is a night gone wrong at a local gay bar.

I Am Jonas is a detailed portrait of a troubled, self-loathing character, and an exploration of the long-lasting impact of trauma experienced young.

A poetic and peculiar movie from Senegal about a girl who is forced to marry a wealthy businessman instead of her love interest. The latter, a poor construction worker, embarks on a risky journey across the sea to Europe. The story takes a supernatural turn thereafter, one that is unlike anything seen before in stories around immigration, but one which makes sense. Still, the excellent acting and the long takes that immerse you in what life is like in Senegal, both in and out of the margins of society, are the reasons to watch here. Atlantics' characters are believable and will capture your interest throughout the usual and unusual parts of the movie. They provide rare insight into narratives that most of us have never been exposed to.