22 Movies Like CODA (2021)

Staff & contributors

Chasing the feel of watching CODA ? Here are the movies we recommend you watch right after.

CODA has all the trappings of a predictable, feel-good family drama. You’ll recognize immediately the talented teen, the family pulling her back, the cute love interest, the do-gooder mentor, and the swirl of coincidences that blend them all together in one sweet story. But CODA is so irresistibly heartfelt, well-acted, and vital (all the deaf characters are actually played by deaf actors), that you can’t help but be won by its charms. Aside from its big heart, the film’s decision to express itself mostly through ASL and music is an impressive technical feat as well. Altogether, these elements make for a refreshing, enjoyable, and simply heartwarming watch. 

The film opens with Julie in her early twenties, longing to pursue a career in medical school. But after briefly testing the waters, she switches over to psychology, only to drop completely out of school and transform her hobby of photography into a professional career. This indecisiveness carries over in most aspects of her life, including and especially in romance, where impulse and desire drive her to run after what she believes to be love. The movie follows Julie as she navigates adulthood in modern Oslo—at once a specific yet universally relatable story about the growing pains of growing up.

With The Worst Person in the World, Joachim Trier scores again with another life-changing Norwegian drama about longing, love, grief, and finding your place in the world. His films can be quite sad but amidst all the drama, moments of happiness and hope are scattered throughout, as it is in real life.

Genre: Comedy, Drama, Romance

Actor: Anders Danielsen Lie, Anna Dworak, Gisle Tveito, Hans Olav Brenner, Herbert Nordrum, Ine Jansen, Maria Grazia Di Meo, Marianne Krogh, Renate Reinsve, Ruby Dagnall, Sofia Schandy Bloch, Thea Stabell, Vidar Sandem

Director: Joachim Trier

Wise, superbly acted, and gorgeously put together, all of these apply to Nightmare Alley. In a world where remakes are more in vogue than needed, Guillermo del Toro shows us how it's done. A sumptuous tale of a man's rise and fall guarantees some spectatorial pleasure, but having both Bradley Cooper and Cate Blanchett in the same film (plus unsung genius Toni Collette and all-round-favorite Willem Dafoe) pushes us into talent overload, in the best possible way. In addition to its thrilling plot and studded cast, Nightmare Alley is also psychologically literate enough to make a carnival out of the human soul. It's no surprise that in 2022, it got four Oscar nominations, including Best Picture where it certainly would have had my vote.

Genre: Crime, Drama, Thriller

Actor: Bill MacDonald, Bradley Cooper, Caleb Ellsworth-Clark, Calvin Desautels, Cate Blanchett, Charles Langille, Clifton Collins Jr., Clyde Whitham, Dan Lett, Daniel Falk, Danny Waugh, David Hewlett, David Strathairn, Dian Bachar, Holt McCallany, James Collins, Jesse Buck, Jim Beaver, Lara Jean Chorostecki, Mark Povinelli, Martin Julien, Mary Steenburgen, Natalie Brown, Paul Anderson, Perry Mucci, Peter MacNeill, Richard Jenkins, Romina Power, Ron Perlman, Rooney Mara, Stephen McHattie, Tim Blake Nelson, Tim Post, Toni Collette, Troy James, Willem Dafoe

Director: Guillermo del Toro

Rating: R

In Drive My Car, a widowed artist travels to Hiroshima for his latest production. There he meets a young woman enlisted to drive him around the area. They forge an unexpected bond and soon share pithy observations and long-buried secrets, which culminate in a touching scene of catharsis and forgiveness.

Not a lot is said in this three-hour film, but when words (and signals) are shared, they are always underlaid with simple but transcendent truths. Drive My Car is a gripping film that explores love and loss in its own quiet way, at once intense and intimate.

Genre: Drama

Actor: Ahn Hwi-tae, Ahn Hwitae, Hidetoshi Nishijima, Jin Dae-yeon, Masaki Okada, Park Yu-rim, Perry Dizon, Reika Kirishima, Ryo Iwase, Satoko Abe, Shoichiro Tanigawa, Sonia Yuan, Toko Miura, Toshiaki Inomata

Director: Ryusuke Hamaguchi

Rating: Unrated

Summer of Soul would already be remarkable if it was just a collection of some of the greatest live performances ever put to film. Boasting a roster that includes Stevie Wonder, Nina Simone, Gladys Knight, and Sly and the Family Stone, the nearly-forgotten 1969 Harlem Cultural Festival featured in the documentary was an all-star catalog of some of the biggest names in popular music, all at pivotal moments in their careers. Seeing them at the height of their powers, in front of a Black audience that meant so much to them, makes for an unexpectedly emotional experience.

But Summer of Soul also expands beyond the actual concert, using the Harlem Cultural Festival to represent a turning point in Black culture and history, especially after the death of Martin Luther King Jr. Through the film's pristine, electric editing and gorgeous archival restoration, music becomes a communal act of mourning, a rallying cry to face the uncertain future, and a celebration of a people and a heritage continuing to fight against erasure and persecution.

Genre: Documentary, Drama, History, Music

Actor: Abbey Lincoln, B. B. King, Chris Rock, David Ruffin, Fidel Castro, Hugh Masekela, Jesse Jackson, John F. Kennedy, John V. Lindsay, Lin-Manuel Miranda, Mahalia Jackson, Malcolm X, Martin Luther King Jr., Mavis Staples, Max Roach, Moms Mabley, Nina Simone, Questlove, Redd Foxx, Richard Nixon, Robert F. Kennedy, Sly Stone, Stevie Wonder, Walter Cronkite

Director: Questlove

, 2021

In the first few minutes of Mass, hushed tones, solemn movements, and awkwardly averted eyes hint at an unspoken tragedy that haunts everyone in the film. The four main characters discuss it during a sit-down, but even then it remains unspeakable; such is the dedication of first-time full-length director Fran Kranz in depicting the reality of tragic events. Not much is done in the way of plot twists and shocks, but in place of those, Mass makes clever use of close-up shots and unmoving settings to portray the privacy and paralysis of grief. For this reason, Mass often feels like a masterful play brought to life, but also more than that, a brilliant portrait of healing—or at the very least, coping with the everlasting aftermath of loss. 

Genre: Drama

Actor: Ann Dowd, Breeda Wool, Jason Isaacs, Martha Plimpton, Michelle N. Carter, Reed Birney

Director: Fran Kranz

, 2021

When Amin sits down for a tell-all interview about his troubling past, his memories come to life in vivid animation. Sometimes they are sweet and intimate, like when he recounts his time as a playful boy in a much freer Afghanistan. But often, they’re marred by the unbelievable horrors of refugee life. Now a successful academic and soon-to-be husband, Amin discovers the inescapability of his status and identity, the reality of which continues to threaten his safety to this day.

Relevant and vital, Flee sheds some much-needed light on an often-overlooked phenomenon. More than just displaying factoids and numbers, it relays the specific unease and constant vigilance that comes with fleeing one’s home. But as Amin’s story, it is also richly detailed and wonderfully personal; for all its harsh exposés, the film leaves enough room for Amin’s stirring realizations about love, identity, and sexuality.

Genre: Animation, Documentary

Actor: Behrouz Bigdeli, Belal Faiz, Daniel Karimyar, Fardin Mijdzadeh, Jean-Pierre Pernaut, Rashid Aitouganov, Tormod Ringnes

Director: Jonas Poher Rasmussen

Rating: PG-13

After 2019's The Souvenir—a drama about a toxic, suffocating relationship—director Joanna Hogg brings back her protagonist (played by a superb Honor Swinton Byrne) and sees her attempting to communicate the experience of this failed romance through her thesis film. Anybody with an interest in the production process of cinema should glean a ton of useful advice from The Souvenir Part II's mundane on-set interactions and difficult conversations about the line between compromise and practicality. And through increasingly surreal images of stages within stages and reflections within reflections, Hogg paints a complex, intelligent portrait of cinema as a place of ultimate self-examination.

Genre: Drama

Actor: Alice McMillan, Amber Anderson, Amrou Al-Kadhi, Ariane Labed, Ben Hecking, Charlie Heaton, Chris Dickens, Crispin Buxton, Frankie Wilson, Harris Dickinson, Honor Swinton Byrne, Jack McMullen, James Fox, Jaygann Ayeh, Joe Alwyn, Lydia Fox, Richard Ayoade, Tilda Swinton, Tom Burke, Tosin Cole, Yasmin Paige

Director: Joanna Hogg

The culture of propaganda and cover-ups that kicked off the pandemic is the subject of this compelling documentary by award-winning director Nanfu Wang (One Child Nation). Wang, who traveled with her family to China in January 2020, saw and filmed the pandemic firsthand, and wrote to major newspapers like The New York Times to convince them to write about it. They never did. 

Media and government in both China and the U.S. played down the threat, and this documentary asks how different everything would have gone otherwise. More dauntingly, it's an examination of how the Communist Party in China managed to use the event to its advantage. 

Genre: Documentary, Drama

Director: Nanfu Wang

Belfast stars Outlander’s Caitríona Balfe as the mother of a working-class Northern Irish family during The Troubles. Religious tension and the lack of opportunities put the family in a difficult position: they're the first in many generations to think about leaving the city of Belfast. They all have to navigate so many difficult questions on belonging, religion, and identity.

The story,  based on the director’s own childhood, is packaged in a noise-canceling black and white format. Also stars Judi Dench.

Genre: Drama

Actor: Bríd Brennan, Caitriona Balfe, Ciarán Hinds, Colin Morgan, Conor MacNeill, Elly Condron, Gerard Horan, Gerard McCarthy, Jamie Dornan, John Sessions, Josie Walker, Jude Hill, Judi Dench, Lara McDonnell, Mairéad Tyers, Mark Hadfield, Michael Maloney, Olive Tennant, Oliver Savell, Orla McDonagh, Sid Sagar, Turlough Convery, Vanessa Ifediora, Victor Alli

Director: Kenneth Branagh

If Steven Spielberg had just decided to do a straightforward cover version of West Side Story, it still would have been a wonder of music, movement, and color. But more than the lush camerawork and impassioned performances from Rachel Zegler, Mike Faist, and Oscar winner Ariana DeBose, this adaptation is most memorable for its renewed focus on the senselessness of its central turf war. Here, New York City exercises absolute power over the Jets and the Sharks, rendering all this gang violence as a futile attempt to hold on to outdated values in the face of economic desolation. Spielberg might not be able to do much about the story's weaker Romeo and Juliet-inspired parts, but he still finds a way to let this often ridiculed tragic romance serve a greater purpose.

Genre: Crime, Drama, Music, Romance

Actor: Ana Isabelle, Andrea Burns, Andy Powers, Annelise Cepero, Ansel Elgort, Ariana DeBose, Ben Cook, Bert Michaels, Brian d'Arcy James, Chryssie Whitehead, Corey Stoll, Curtiss Cook, David Alvarez, David Guzman, Denia Brache, iris menas, Jamie Harris, Jamila Velazquez, Jeff Ward, Joe Lanza, José Ramón Rosario, Josh Andrés Rivera, Kevin Csolak, Kyle Allen, Maddie Ziegler, Mike Faist, Mike Massimino, Myles Erlick, Nadia Quinn, Paloma Garcia-Lee, Patrick Noonan, Paul Niebanck, Rachel Zegler, Rene Ojeda, Ricky Garcia, Rita Moreno, Ryan Woodle, Shade Rupe, Talia Ryder, Victor Cruz, Yassmin Alers

Director: Steven Spielberg

Nelly is a concentration camp survivor who undergoes reconstructive facial surgery, and comes back to question whether her husband (unable to recognize her) was the one who betrayed her to the Nazis. Heavy, heavy stuff. But in Phoenix you will also see something else, as the story takes you beyond the subject matter to become almost a celebration of film: elements of Hitchcockian cinema intertwine with the realism of the likes of David Ayer are added to perfect performances to create a stunning, compelling, and exceptional film.

Genre: Drama

Actor: Claudia Geisler, Claudia Geisler-Bading, Daniela Holtz, Eva Bay, Felix Romer, Imogen Kogge, Jeff Burrell, Kathrin Wehlisch, Kirsten Block, Max Hopp, Megan Gay, Michael Maertens, Nikola Kastner, Nina Hoss, Nina Kunzendorf, Ronald Zehrfeld, Trystan Pütter, Trystan Putter, Uwe Preuss, Valerie Koch

Director: Christian Petzold

Rating: PG-13

, 2021

This offbeat drama is about a Syrian refugee who gets sent to a remote island in northern Scotland. “There was a better signal in the middle of the Mediterranean,” another refugee tells him when he arrives. Omar is as the title suggests stuck: until his asylum request is processed he can't work or continue his journey onwards. His situation is frustrating and difficult, but it's also full of absurdities, as Omar is stuck around some very weird people.

Limbo perfectly portrays the duality between sad and nonsensical in the refugee experience. In the entrance to the isolated and rundown facility that houses Omar, a handmade sign said "refugees welcome". The next day a "not" is added between "refugees" and "welcome", in the exact same paint. 

If you like Finnish director Aki Kaurismäki's work, this has a similar brand of dark humor to his also refugee-themed 2017 drama The Other Side of Hope.

Genre: Comedy, Drama

Actor: Amir El-Masry, Amir ElMasry, Cameron Fulton, Ellie Haddington, Grace Chilton, Kais Nashif, Kenneth Collard, Kwabena Ansah, Lewis Gribben, Ola Orebiyi, Qais Nashif, Sanjeev Kohli, Sidse Babett Knudsen, Sodienye Ojewuyi, Vikash Bhai

Director: Ben Sharrock

Rating: R

Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.

Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.

This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.

Genre: Drama

Actor: Andy Roy, Daewon Song, Danny Glover, Finn Wittrock, Isiain Lalime, Jamal Trulove, Jello Biafra, Jimmie Fails, John Ozuna, Jonathan Majors, Mari Kearney, Mike Epps, Rob Morgan, Thora Birch, Tichina Arnold, Tonya Glanz

Director: Joe Talbot

Rating: R

This lovely comedy-romance from Ireland is about a closeted gay teen and his lesbian schoolmate who pretend to be in a relationship to avoid being bullied at their school.

This premise makes Dating Amber an original story in a genre in which that's increasingly rare. This is added to the setting, in 1995 rural Ireland, which is executed to gorgeous perfection in everything from the clothes to the music. 

Dating Amber ends up being more coming-of-age than a comedy-romance. It's a tale of friendship and self-acceptance.

Genre: Comedy, Drama, Romance

Actor: Ally Ni Chiarain, Anastasia Blake, Arian Nik, Barry Ward, Corey Millar, Emma Willis, Eva O'Connor, Evan O'Connor, Fionn O'Shea, Fionn O'Shea, Ian O'Reilly, Ian O'Reilly, Karl Rice, Lauryn Canny, Lola Petticrew, Peter Campion, Sharon Horgan, Shauna Higgins, Simone Kirby, Tara Flynn

Director: David Freyne

Mike Mills has always had an obsession with childhood and parenthood, often honing in on the beautiful, frustrating, and inevitable mess that comes with them. C’mon C’mon is no exception, but here, Mills blurs the lines between the two even more. Sometimes the kid acts more like an adult, and the adult more like a kid; sometimes the uncle acts as a surrogate mother, and the mother (unsurprisingly) takes on the role of an everywoman, attempting to be breadwinner, caretaker, and friend all at once. 

C’mon C’mon has no allegiances; it simply shows us the dynamics between one family and mirrors what we already know about ours. Shot in black and white, grounded in simple conversations, and interwoven with moving essay excerpts and real interviews, C’mon C’mon feels at once personal and universal; a moving feat of a film.

Genre: Drama

Actor: Brandon Rush, Callan Farris, Cooper Jack Rubin, Deborah Strang, Elaine Kagan, Gabby Hoffman, Gaby Hoffmann, Gita Reddy, Jaboukie Young-White, Joaquin Phoenix, Kate Adams, Keisuke Hoashi, Mary Passeri, Molly Webster, Scoot McNairy, Woody Norman

Director: Mike Mills

Rating: R