Snowpiercer is an under-the-rader post-apocalyptic thriller that offers the grittiness that many times only Asian cinema may achieve. South Korean director Joon-ho Bong forces audiences to forget that Chris Evans was ever a Marvel superhero, as he leads a revolt of his fellow “low-class” citizens against the self-appointed gentry in a train that contains all remaining members of the planet. With immersive environments and a layered script, this film melds together social commentary and moral discourse in a visually arresting and vastly entertaining package.
Chasing the feel of watching District 9 ? Here are the movies we recommend you watch after District 9 (2009).
A mother and her two children move from Colombia to Queens, New York to join the father. Once there, he abandons them and moves to Miami.
With no family to fall back on, barely speaking English, an inexistent social welfare system and two little kids who require care; the mother quickly runs out of options. At first, she tries to sell empanadas in the street, then tries to become a temporary worker, but a mixture of obstacles keeps getting in the way.
Entre Nos is about the precariousness of the immigrant experience: about how quickly things can go wrong. But it’s also about how survival instincts and motherly love can stand in the face of complete desperation.
Somehow an art house film, horror, and romance all in one, Let the Right One In explores the boundaries of its genres with unprecedented finesse, and offers a stunning alternative for those disappointed with recent vampire love stories. From its haunting minimalist imagery to its incredible score, it is persistently beautiful. The film follows twelve-year-old Oskar and Eli, drawing on numerous aspects of traditional undead lore, and still manages an impressive feat in feeling entirely fresh and devoid of cliche. Those in search of a terrifying movie might need to look elsewhere, but if what you're looking for is simply a great watch, don't pass this one up.
The secret weapon to this charming story of a cranky, aging father and his new robot companion is the near-total dryness of its humor. On paper, this might sound like a depressing movie, but thanks to director Jake Schreier's sensitive touch, its protagonist's fading memory and family drama takes on the spark of youth once more. It's sweet and low-stakes, with most of the tension not coming from any fear that Frank might get caught in his hijinks, but in the curiosity of seeing if he can get back to his thieving roots. A great cast including Frank Langella, James Marsden, and Jeremy Strong keep every emotion coming consistently.
One of the many good movies from director Edgar Wright - if you loved Shaun of the Dead, then this Buddy-Cop Homage will make you double over (and question humanity – or lack, thereof) just as much. Sandford is a small English village with the lowest crime and murder rates, so when overachieving police Nicholas Angel (Simon Pegg) gets sent there because he was so good he intimidated those around him, he just about loses it. From car-chasing, bone-thrilling, head-blowing action, he graduates to swan-calling, thrill-seeking, sleep-inducing madness. But all that’s about to change – for the worse? For the better? You decide. An obscenely funny flick that has an intriguing plot and an even greater set of characters, Hot Fuzz wasn’t named the best film of the Cornetto trilogy for nothing, clearly cementing Pegg and Nick Frost as the ultimate action duo of the genre.
One of those movies that even if you know all the jokes by heart, you'll still laugh at them whenever you see the movie. The chemistry between Simon Pegg and Edgar Wright is exceptional, and the jokes are spot-on. The movie starts with Shaun character trying to turn his life around by winning back his ex and reconnect with his mother. Only problem? Oh yeah, everyone is coming back from the dead.