20 Movies Like Happy Together (1997)

Staff & contributors

Chasing the feel of watching Happy Together ? Here are the movies we recommend you watch right after.

Happy Together is a beautifully devastating tale about a gay couple, portrayed by Tony Leung Chiu-Wai and Leslie Cheun, who struggle with maintaining romance and fidelity in their relationship. Despite their efforts, they find the emotional distance growing between them, especially as they leave their home of Hong Kong for Buenos Aires.Filmed and set in the late 1990s, Happy Together explored the depths of queer love in a way most films hadn’t. Since its release, it has touched the souls of many and caused tears to be shed. It serves as a reminder that love isn’t perfect, but it’s always worth the effort.

It’s a testament to Agnès Varda’s remarkable ability to glean so much raw beauty and truth from the world that this autobiographical documentary is such a rewarding watch, even for people unfamiliar with her. The Beaches finds the pioneering director in reflective mode as she looks back at her work and life, but her artistic impulses are by no means stagnant: she approaches the past with the same — if not more of the — generous candor and youthful spirit that colored her career.

It’s also a testament to Varda’s inimitable artistic touch that she turns a usually-bleak subject — mortality — into something this life-affirming. The Beaches was made when she was 81, aware of her own ticking clock and still nursing the decades-long loss of so many loved ones (chiefly, husband Jacques Demy). Just as her grief-stricken reflections don’t overwhelm the film with sadness, the whimsical impulses she indulges here — like constructing a beach on the street in front of her office — don’t blunt the sharpness of her candor. The overall effect is bittersweet and profoundly inspiring: as with the mirrors she places in front of the tide in the film's first scene, she’s showing us it’s possible to face the inescapable with a twinkle in your eye.

Genre: Documentary, Drama

Actor: Agnès Varda, Gérard Depardieu, Harrison Ford, Jane Birkin, Mathieu Demy, Robert De Niro, Rosalie Varda

Director: Agnès Varda

Called a masterpiece by many and featured on many best-of-the-21st-century lists, Director Wong Kar-wei has created a thing of singular beauty. Every frame is an artwork (painted, as it were, with help of cinematographer Christopher Doyle) in this meticulously and beautifully crafted film about the unrequited love of two people renting adjacent rooms in 1960s Hong Kong. These two people, played by Tony Leung and Maggie Cheung, struggle to stay true to their values rather than give in to their desires, while they both suspect their spouses of extramarital activities. The flawless acting, stunning visuals, and dream-like beauty of In the Mood for Love perfectly captures the melancholy of repressed emotions and unfulfilled love. The cello motif of Shigeru Umebayashi's main theme will haunt you long after you finished watching.

Genre: Drama, Romance

Actor: Chan Man-Lei, Charles de Gaulle, Cheung Tung-cho, Chin Tsi-Ang, Joe Cheung, Joe Cheung Tung-Cho, Julien Carbon, Kelly Lai Chen, Laurent Courtiaud, Maggie Cheung, Mama Hung, Paulyn Sun, Ping Lam Siu, Rebecca Pan, Roy Cheung, Siu Ping-lam, Tony Chiu-Wai Leung, Tony Leung Chiu-Wai, Tsi-Ang Chin

Director: Wong Kar-wai

Rating: PG

Wong Kar-wai’s dreamlike masterpiece is a perfect portrayal of the wilderness of a city at night. A hitman trying to get his job done, a woman hunting the prostitute who stole her boyfriend, and a mute who loves his father's cooking: each of the characters in Fallen Angels is eccentric and interesting in their own way. Along the watch, you may find yourself overwhelmed by all the events taking place as each character fights to stay alive and satisfy their desire, but this is exactly where the beauty lies. A hazy view of Hong Kong is the backdrop for the characters' riveting stories, blending loneliness, lust, as well as missed opportunities. Fallen Angels is a remarkably balanced film that not only exposes the coldness of people in the city, but also their warmth.

Genre: Action, Crime, Drama, Romance

Actor: Benz Kong, Benz Kong To-Hoi, Chan Fai-Hung, Chan Man-Lei, Charlie Yeung, Johnnie Kong, Karen Mok, Karen Mok Man-Wai, Kwan Lee-Na, Leon Lai, Michelle Reis, Takeshi Kaneshiro, Toru Saito

Director: Kar-Wai Wong, Wong Kar-wai

Rating: R

Koreeda's troubled childhood often serves as the inspiration for his poignant Japanese dramas that deal with loss, the meaning of being a child, and of being parent. In Like Father, Like Son, Ryota Nonomiya (Masaharu Fukuyama), a hard-working architect, who is married to his work, comes home from work. He receives a call from the hospital where his son Keita was born and learns that he was switched at birth with their biological son Ryūsei. His wife and him are not only faced with the prospect of having to switch the two six-year-olds back, but also with the rickety family his 'real' son grew up in—and his aversion to what they stand for. But who is real and who isn't? Must they be switched back? The age-old question of nature vs. nurture and the relationship of love and biology is at the heart of the parent's struggle. As always with Koreeda's works, the result is soft-spoken, sensitive, and symphonically directed. Winner of the Jury Prize at Cannes.

Genre: Drama, Family

Actor: Arata Iura, Hana Kino, Hiroshi Ôkôchi, Ichirō Ogura, Isao Natsuyagi, Jun Fubuki, Jun Kunimura, Kazuya Takahashi, Keiji Nakazawa, Keita Ninomiya, Ken Ochiai, Kirin Kiki, Kōichi Kitamura, Lily Franky, Machiko Ono, Maki Yoko, Masaharu Fukuyama, Megumi Morisaki, Meguri Hiroo, Natsuki Inaba, Pierre Taki, Rina Endou, Shogen Hwang, Tetsushi Tanaka, Tomomitsu Adachi, Tomoya Nakamura, Yamamoto Shuri, Yo Yoshida, Yoh Yoshida, Yôko Maki, Yuji Yoshimasu, Yuri Nakamura, 福山雅治

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: Not Rated

In 2009, Departures surprised everybody by winning the Academy Award for Best Foreign Language Film, instead of everyone's favourite, Ari Folman's Waltz of Bashir. This is even more surprising since this Japanese comedy almost never saw the light of day because many distributors refused to release it at first for its humorous treatment of a very human, but weirdly taboo subject: what happens when you die. Daigo Kobayashi (played by former boyband member Masahiro Motoki) just bought an expensive cello when he learns that his Tokyo-based symphony orchestra is going bankrupt. Daigo and his wife Mika, played by Ryôko Hirosue, decide to move back to his hometown, where he applies for an opening at what he thinks is a travel agency, hence the departures. You might have guessed by now that what he was applying for was, in fact, the job of an undertaker—a profession considered unclean in Japan. It's one of those rare movies that will make you laugh, to making you cry, and laugh again. It's dead-on!

Genre: Drama

Actor: Justin Lukach, Kazuko Yoshiyuki, Kimiko Yo, Maisie Williams, Masahiro Motoki, Nina Dobrev, Ryoko Hirosue, Ryosuke Otani, Sanae Miyata, Scott Wilson, Takashi Sasano, Taro Ishida, Tatsuo Yamada, Tetta Sugimoto, Tōru Minegishi, Tsutomu Yamazaki, Tyler Hoechlin, Yukari Tachibana

Director: Yōjirō Takita

Rating: PG-13

The apex of Abbas Kiarostami’s monumental filmography, Close-Up is a testament to the late directors’ ingenuity and humanism. Kiarostami documents the real-life trial of a man who impersonated fellow Iranian filmmaker Mohsen Makhmalbaf, and ingratiated himself to a family believing him to be the real deal. The courtroom drama and interviews are fascinating enough, but Kiarostami takes it one step further by having everyone involved reenact the events as they happened.

The result is an unparalleled piece of filmmaking that blurs the boundaries between documentary and narrative while posing vital questions about the exclusivity of cinema and the storytelling process. Despite its sophisticated constructions, Kiarostami’s direction is lucid and direct as it builds to a passionate and unforgettable conclusion.

Genre: Crime, Documentary, Drama

Actor: Abbas Kiarostami, Hossain Farazmand, Hossain Sabzian, Mohsen Makhmalbaf, Monoochehr Ahankhah

Director: Abbas Kiarostami

At nearly four hours long, A Brighter Summer Day is a sprawling, beautifully composed film that follows young Xiao Si’r and his eventual entanglements in nearly everything, from love to youth gangs to politics. While parts of the story, particularly its bone-chilling climax, are based on true events, the film is largely reconstructed from Edward Yang’s memories of the era he grew up in. As a result, the visuals feel crisp and true, tinged with just the right amount of nostalgia to balance the grittiness of its realism. 

As coming-of-age films go, A Brighter Summer Day is certainly more on the tragic side. It’s also seminal in its specificity and depth—an absolute must-watch for any and all filmgoers. 

Genre: Crime, Drama, Romance

Actor: Alex Yang, Chang Chen, Chang Han, Chang Kuo-chu, Chen Chang, Chen Shiang-Chyi, Chen Yiwen, Chiang Hsiu-Chiung, Chin Tsai, Chuan Wang, Danny Deng, Dao Nan Wang, Elaine Jin, Emily Y. Chang, Feng Guoqiang, Han Chang, Hsi-Sheng Chen, Hsu Ming, Joyce Ni Shu-Chun, King Shih-Chieh, Kuo-Chu Chang, Lang Tsu-Yun, Lawrence Ko, Liang-Tso Liu, Lisa Yang, Ni Shu-Chun, Ru-Yun Tang, Stephanie Lai, Tan Chih-Kang, Tang Ru-Yun, Tsu-Yun Lang, Wang Bosen, Wang Chi-tsan, Weiming Wang, Yi-Wen Chen

Director: Edward Yang

Rating: Not Rated

Abbas Kiarostami delivers a tale of towering simplicity. A young boy mistakenly takes his friend’s notebook home and, knowing the friend faces expulsion without it, goes on a journey to bring it back. He visits the neighboring town but without a clue where his friend lives must rely on the kindness of strangers and overcome the stubbornness of adults who get in his way.

This adventure is both a loose moral parable as well as a striking portrait of life in rural Iran. More than this, it’s a testament to the capacity of children’s films to communicate depth when the filmmaker respects a child’s intelligence. The earnest young actors at its heart add an emotional immediacy that underscores Kiarostami’s empathetic direction.

Genre: Drama, Family

Actor: Ahmed Ahmed Poor, Biman Mouafi, Mohamed Hocine Rouhi, Mohammad Reza Nematzadeh

Director: Abbas Kiarostami

While the film adapts some of Shakespeare’s histories, you don’t need to know Shakespeare to appreciate My Own Private Idaho. In fact, instead of focusing on the Prince Hal character, Scott Favor (Keanu Reeves), the film centers on his narcoleptic friend Mike Waters (River Phoenix). Both of them are young street hustlers in Portland. However, unlike Favor, Waters has no reliable family, inheritance, or support system waiting for him to give up his job. Waters only has his body. Writer-director Gus Van Sant doesn’t really focus on the sex or the narcolepsy - these flash by us only as a state-of-mind experience, with time-lapses and freeze-frames to impart to us Waters’ detachment. Instead, Van Sant cares more about Waters’ seeking connection. It’s why the surreal shots speed by us so fast, and why the natural, lived-in scenes remain in our heads. It’s why Waters’ campfire confession, crackling under Phoenix’s earnest voice, feels so powerful. And it’s also why his later rejection feels so painful.

Genre: Comedy, Drama

Actor: Chiara Caselli, Eric Hull, Flea, Grace Zabriskie, Gus Van Sant, James Russo, Jessica Makinson, Jim Caviezel, Keanu Reeves, Mickey Cottrell, Pao Pei Andreoli, Pat Patterson, River Phoenix, Robert Egon, Rodney Harvey, Scott Patrick Green, Tom Troupe, Udo Kier, Vana O'Brien, William Richert

Director: Gus Van Sant

Rating: R

Forlorn longing envelops Days of Being Wild, where the act of dreaming is as valuable as its actual fulfillment. “You’ll see me tonight in your dreams,” Yuddy tells Su Li-zhen on their first meeting, and indeed, this line of dialogue sets the film’s main contradiction: would you rather trap yourself in the trance-like beauty of dreams or face the unpleasant possibilities of reality? Wong Kar-wai’s characters each have their own answers, with varying subplots intersecting through the consequences of their decisions. In the end, happiness comes in unexpected ways, granted only to those brave enough to wake up and dream again.

Genre: Crime, Drama, Romance

Actor: Alicia Alonzo, Andy Lau, Anita Mui, Carina Lau, Hung Ling-Ling, Jacky Cheung, Leslie Cheung, Maggie Cheung, Maritoni Fernandez, Rebecca Pan, Tony Leung Chiu-Wai

Director: Kar-Wai Wong, Wong Kar-wai

Rating: Not Rated

This slow-burning drama is set in an Indigenous reservation in South Dakota, where Johnny is a teenager who dreams of moving to L.A. with his girlfriend. He would have to leave behind his little sister, who is just grappling with the recent loss of their father. 

Director Chloé Zhao (The Rider, Nomadland) worked with amateur actors whose lives mirror the characters, often adapting the script to the actors' stories. She filmed 100 hours of footage that she then distilled into an hour and a half. 

The result is a film shot from the outside but which is grounded in local stories. And these stories are rough, sad, complex - but so important to listen to and understand. It's an incredible feat to make an observational film that's so grounded in reality - only a genius could: that's Chloé Zhao, and this mature work is -somehow- her first feature film.

Genre: Drama

Actor: Derrick Janis, Eléonore Hendricks, Irene Bedard, Jashaun St. John

Director: Chloé Zhao

Rating: Not Rated

In his last film, American Serb film historian Peter Bogdanovich celebrates silver screen legend Buster Keaton. The subject alone is compelling to watch. It would be easy to pull clips from Keaton’s works, dig through the headlines, pull in some celebrity interviews, and call it a day. However, in Bogdanovich’s hands, this documentary handles Keaton with respect. Instead of focusing on the scandals, Bogdanovich focuses on Keaton’s brilliant work. Instead of reciting facts, Bogdanovich highlights how his bits influenced film today. Excellent editing - cuts, structure, and scoring - helps us glide through Keaton’s work. The film truly understands Keaton’s life and exactly why he’s brilliant. Comprehensive yet very focused, this documentary honestly feels better than film school.

Genre: Comedy, Documentary, Drama

Actor: Ben Mankiewicz, Bill Hader, Bill Irwin, Buster Keaton, Carl Reiner, Cybill Shepherd, Dick Van Dyke, Eleanor Keaton, French Stewart, James Karen, Johnny Knoxville, Jon Watts, Leonard Maltin, Mel Brooks, Nick Kroll, Norman Lloyd, Orson Welles, Paul Dooley, Peter Bogdanovich, Quentin Tarantino, Richard Lewis, Tom Holland, Werner Herzog

Director: Peter Bogdanovich

Rating: Not Rated

"California Dreamin'" by the Mamas and the Papas. You will fall in love with that song (if you haven't already) after watching this movie. Two stories, entangling into one; both about Hong Kong policemen falling in love with mysterious women. It was recommended by my friend after I said I loved Frances Ha. I don't know whether you can call this as offbeat romance.. but to me it was, and it's well worth the watch.

Genre: Comedy, Drama, Romance

Actor: Brigitte Lin, Chen Jinquan, Faye Wong, Jimmy Wong Chi-ming, Kwan Lee-Na, Lee-na Kwan, Liang Zen, Lynne Langdon, Piggy Chan Kam-Chuen, Rico Chu, Rico Chu Tak-On, Songshen Zuo, Takeshi Kaneshiro, Tony Chiu-Wai Leung, Tony Leung Chiu-Wai, Valerie Chow, Vickie Eng, Wong Chi-Ming, Zhiming Huang

Director: Kar-Wai Wong, Wong Kar-wai

Rating: PG-13

Once banned by Chinese censors, Suzhou River depicts love and obsession amidst the gritty, urban underbelly of Shanghai. As the film is portrayed through an anonymous videographer, seen only by his hands, it’s easy to fall in love as he does, with the mesmerizing Meimei (Zhou Xun), performing as a mermaid in a dive bar. However, he can’t seem to trust her, as she flits in and out of his life, with no clear notice. Likewise, the tragic romance told by motorcycle courier Mardar can’t be trusted, given that the river’s inhabitants warped it into folklore. Faces can’t even be trusted, especially with the double casting of actress Zhou Xun as Meimei and as innocent rich daughter Moudan. Because of these contrasts and its ambiguity, Suzhou River sweeps us into an alluring, mysterious tale, but reminds us not to get caught by the current.

Genre: Drama, Romance

Actor: Jia Hongsheng, Nai An, Yao Anlian, Zhou Xun

Director: Lou Ye

Eat Drink Man Woman takes place in Taipei, Taiwan in the mid-1990s. It tells the story of an aging father and his three daughters, all of whom are navigating different phases of adulthood while embracing new relationships. The family uses cooking and eating together as a way to communicate their love.

Food as a love language wasn’t a new concept in 1994, when the film was released, however it is impeccably explored in Eat Drink Man Woman. 

Genre: Comedy, Drama, Romance

Actor: Chen Chao-jung, Chi-Der Hong, Chin-Cheng Lu, Gin-Ming Hsu, Gua Ah-leh, Huel-Yi Lin, Kuei-Mei Yang, Lester Chan, Lester Chit-Man Chan, Lung Hsiung, Lung Sihung, Shih-Jay Lin, Sihung Lung, Sylvia Chang, Wang Yu-wen, Winston Chao, Wu Chien-Lien, Ya-lei Kuei, Yang Kuei-Mei, Yu Chen, Yu-Wen Wang, 张艾嘉

Director: Ang Lee

Rating: Not Rated