21 Movies Like Joker (2019) On Netflix France

Staff & contributors

Do you keep re-watching Superbad when you're hungover? Next time you are, try the film that has been praised as 'the female Superbad”: the amazing Booksmart. Yes, it's coming-of-age comedy, but, like Superbad, it tried something a little different. Like its two main characters, one could say it's a bit smarter than Greg Mottola's seminal bromedy. Molly (Beanie Feldstein, incidentally, Jonah Hill's younger sister) and Amy (Kaitlyn Dever) are best friends, class presidents, and academic overachievers. Nice girls, too. With excellent grades in their pockets, they head off to college only to find that the same in-crowd from high school that was doing nothing but partying, now goes to the same college as them. Why, oh why, did they choose academic success over partying, when, clearly, they could have had both? On their last day in high school, now here's a trope, they decide to make up for all the years of lost partying on one night. This sets off a raucous, raunchy, and wildly entertaining ride. And with a feminist twist!

Genre: Comedy

Actor: Adam Krist, Austin Crute, Beanie Feldstein, Ben Harris, Billie Lourd, Billie Lourde, Christopher Avila, David Horton, Deb Hiett, Diana Silvers, Eduardo Franco, Ellen Doyle, Jason Sudeikis, Jessica Williams, John Hartman, Kaitlyn Dever, Kyle Samples, Lisa Kudrow, Mason Gooding, Maya Rudolph, Michael Patrick O'Brien, Mike O'Brien, Molly Gordon, Nico Hiraga, Noah Galvin, Skyler Gisondo, Stephanie Styles, Victoria Ruesga, Will Forte

Director: Olivia Wilde

Rating: R

A gritty and realistic thriller set in France’s notorious capital city of crime - Marseille. 

Zachary is released from Juvenile prison to learn that his mother has abandoned him. He finds kinship in an underage sex worker by the name of Shéhérazade. 

This seems like the set-up for a tough watch, but Shéhérazade plays like a romance when it’s slow, and a crime thriller when it’s fast (it’s mostly fast). Everything about the story and two leads’ relationship rings true. Added to the fact that it has no interest in emotionally manipulating you, the movie is more gripping and thought-provoking than sad.

A great story, fantastic acting from the cast of first-timers, and outstanding direction give the feeling that Shéhérazade is bound to become a modern classic. If you liked City of God, you will love this. 

Genre: Drama, Romance, Thriller

Actor: Dylan Robert, Idir Azougli, Kader Benchoudar, Kenza Fortas, Lisa Amedjout, Nabila Ait Amer, Nabila Bounad, Sofia Bent

Director: Jean-Bernard Marlin

Rating: TV-MA

The debut feature by Palestine’s most well-known director, Chronicle of a Disappearance is an unusual movie about the decades-long Israel-Palestine conflict in that it's closer to absurdist comedy than anything else. The only physical violence we see here are men cat-fighting in the street or arm-wrestling each other in cafes, and Israeli presence is limited to a couple of bumbling police officers. Chronicle is full of slapstick cinema touches — right down to the Buster Keaton-esque eyes of director Elia Suleiman, who appears here as a silent wanderer — and yet we feel the bitter reality of the occupation framing every deadpan gag. 

Structured as a series of vignettes, Chronicle’s loose form is both a way to depict the stagnation and dry repetition in which Palestinians are stuck and a wry metaphor for all this listlessness. Suleiman speaks plainly in some chapters — such as the one following a woman who is repeatedly turned down from renting an apartment in Jerusalem because she’s Arab — and more obliquely in others, forcing you to recall the movie’s setting to understand his often-understated commentary. A singular film from an utterly unique director, Chronicle of a Disappearance is both a portrait of a country’s erosion and a quietly defiant act of resistance.

Genre: Drama

Actor: Ali Suliman, Elia Suleiman, Fawaz Eilemi, Fuad Suleiman, Iaha Mouhamad, Jamel Daher, Juliet Mazzawi, Leonid Alexeenko, Nazira Suleiman, Ola Tabari, Ula Tabari

Director: Elia Suleiman

The 400 billion (!) dollar industry of medical devices is director Kirby Dick’s latest fascination (Oscar winner Twist of Faith, Oscar nominated The Invisible War). This is one of those documentaries that will raise your awareness about a topic from 0 to I-should-do-something, as the number of victims and the negative impacts these devices are having are astounding. Of course, just like with any other careless American industries, greed, money, and lobbying are the culprits. This is an important watch that will probably come in very handy when you or a close one needs a medical device.

Genre: Documentary

Actor: Angie Firmalino, Kirby Dick

Director: Kirby Dick

Rating: Not Rated, TV-14

This documentary starts with Alex Lewis, who gets into a motorcycle accident and wakes up in the hospital not knowing who he is. He doesn’t remember anything (not even what a bicycle or a TV is, or who his mother or father are), but he remembers his twin brother, Marcus. When Alex gets back into his childhood home, he’s full of questions, and Marcus is full of answers. However, slowly, Marcus realizes his power to reshape Alex’s version of their past. Marcus leaves one important detail from Alex’s life that makes this documentary (as if it wasn’t already) such an insane story. I know I said it’s a sad movie, but it’s also fascinating and, ultimately, humanizing of the brothers’ experience.

Genre: Documentary, Drama, Mystery

Actor: Alex Lewis, Andrew Caley, Evan Milton, Kathleen Rainey, Laura Obiols, Marcus Lewis |, Thomas Mulhurn

Director: Ed Perkins

Rating: TV-MA

In the year of the Netflix TV Show Maniac, another absurdist title stole critics’ hearts. Sorry to Bother You is a movie set in an alternate reality, where capitalism and greed are accentuated. Lakeith Stanfield (Atlanta) is a guy called Cassius who struggles to pay his bills. However, when at a tele-marketing job an old-timer tells him to use a “white voice”, he starts moving up the ranks of his bizarre society. A really smart movie that will be mostly enjoyed by those who watch it for its entertaining value, and not so much for its commentary. It is like a Black Mirror episode stretched into a movie.

Genre: Comedy, Fantasy, Science Fiction

Actor: Annie Chen, Armie Hammer, Damion Gallegos, Danny Glover, David Cross, David Fine, Dawayne Jordan, Ed Moy, Eric Jacobus, Forest Whitaker, James D. Weston II, Jermaine Fowler, John Ozuna, Kate Berlant, Lakeith Stanfield, Lily James, Marcella Bragio, Michael X. Sommers, Molly Brady, Omari Hardwick, Patton Oswalt, Robert Longstreet, Rosario Dawson, Safiya Fredericks, Steven Yeun, Terel Gibson, Teresa Navarro, Terry Crews, Tessa Thompson, Thessaly Lerner, Tom Woodruff Jr., Tony Toste, Val Garrahan, W. Kamau Bell, William W. Barbour

Director: Boots Riley

Rating: R

An interior designer comes back from Sweden to her birthplace in Thailand where she tries to declutter her family home to make it a minimalist, Marie Kondo-type house. “Minimalism is like a Buddhist philosophy. It’s about letting go,” she tells her mother as she tries to convince her. “Are you nuts?” The woman replies.

Jean insists and she embarks on a journey of touching what hasn’t been touched in decades: traces of an absent father and a past lover among the old Nokias and VHS tape recorders.

Happy Old Year is a contemporary exploration of the age-old resistance to throwing things away. Decluttering is a costly act, one of rejecting and discarding memories. The film was Thailand’s official submission to the Oscars.

Genre: Drama, Romance

Actor: Aokbab Chutimon Chuengcharoensukying, Apasiri Nitibhon, Bhumibhat Thavornsiri, Chutimon Chuengcharoensukying, Natda Chawawanid, Nawapol Thamrongrattanarit, Neennara Boonnithipaisit, Patcha Kitchaicharoen, Puangsoi Aksornsawang, Sarika Sartsilpsupa, Sarika Sathsilpsupa, Sunny Suwanmethanon, Sunny Suwanmethanont, Thirawat Ngosawang, Um Apasiri Nitibhon, Wasu Pluemsakulthai

Director: Nawapol Thamrongrattanarit

Rating: N/A

Les Glaneurs et la Glaneuse (The Gleaners and I) is one of the late Agnès Varda’s great documentaries. The film follows “gleaners”—scavengers and collectors of discarded garbage or abandoned items—from the French countryside into the city. The first of Varda’s subjects recalls, “Gleaning, that’s the old way,” marking a clear distinction: old versus new, rural versus urban, wasted versus repurposed.

Fans of Varda will recognize the signature tenderness with which she approaches both her subjects and their objects. Those new to her work will be sure to find something familiar in this documentary: a film largely about loss, but which approaches its ideas of modernization and time with humor and lightness. Among the rubble, there is joy yet to be found—and in this documentary, there is a great comfort, too, to be gleaned.

Genre: Documentary

Actor: Agnès Varda, Agnès Varda, Bodan Litnanski, François Wertheimer, François Wertheimer

Director: Agnès Varda, Agnès Varda

Rating: 0, Not Rated

Us and Them follows two former lovers who reminisce and reassess their decade-long relationship over one night. They both seem to be in better places, certainly financially if anything else, but their shared wistfulness for the past threatens to prove otherwise. 

The film was an immediate hit when it was first released in China, and it’s easy to see why. With just the right balance of realism, romance, and comedy, the movie makes for a simple but deeply moving and involving watch. You can’t help but root for the exes to get back together, even though you know as well as they do how minimal the chances of that happening are.

Genre: Drama, Reality, Romance

Actor: Andrew Tiernan, Boran Jing, Dongyu Zhou, Jack Roth, Jing Boran, Liu Di, Qu Zhe Ming, Qu Zheming, Rene Liu, Shi Yufei, Sophie Colquhoun, Su Xiaoming, Tian Zhuangzhuang, Tim Bentinck, Zhang Zixian, Zheming Qu, Zhou Dongyu, Zhuangzhuang Tian

Director: Rene Liu

Rating: Not Rated

In the early 1990s, Singaporean teens Sandi, Jasmine, and Sophie set out to make the country’s first indie movie. Incredibly, in between college, day jobs, and very limited funding, they manage to do just that with the help of their wise but mysterious mentor, Georges. Shirkers, as the project came to be called, seemed primed to revolutionize the burgeoning Singaporean film industry. It was ambitious and bonkers, unlike anything the country has seen before, and it lovingly contained tributes to the makers' cinematic heroes (among them Wim Wenders and David Lynch). But before it could see the light of the day, before it could even be viewed and edited by the girls who conceptualized it, Shirkers’ raw footage was whisked away by Georges, who fled the country without a trace. 

The potentially pioneering film was never to be seen again—that is, until 20 years later when it resurfaces in near-mint condition (sadly, the audio could not be recovered). Fascinated by the journey of the lost film and mystified by Georges’ motives, Sandi decides to remake Shirkers as a documentary. The result is an artistic and personal interrogation into what made their small beloved film possible, how its loss affected the people behind it, and how this all led to Shirkers, the documentary, which is a testament to how art always prevails in the end. 

Genre: Documentary

Actor: Georges Cardona, Jasmine Ng, Jasmine Ng Kin Kia, Sandi Tan, Sophia Siddique Harvey

Director: Sandi Tan

Rating: TV-14

Iceland is a country of vast lands but limited population - only about 300,000 people can call themselves Icelandic. On the other hand, 8 million people have connecting flights through Iceland every year. 

In this setting of mass movement, a single mother dealing with poverty is offered a chance to turn things around - a job as a border agent. One of her first days, she comes across an asylum seeker on a connecting flight from Guinea Bissau to Canada, trying to cross with a fake passport. 

Their stories don’t only intertwine as border agent and asylum seeker, but as two mothers. And Breathe Normally is about struggling with poverty both in Europe and coming from a place like Guinea Bissau. It’s a beautiful, plot-heavy statement on the importance of solidarity and of seeing the human behind the country of origin or race. 

Genre: Drama

Actor: Ísold Uggadóttir, Babetida Sadjo, Bragi Arnason, Gunnar Jonsson, Kristín Þóra Haraldsdóttir, Patrik Nökkvi Pétursson, Patrik Nökkvi Pétursson, Sólveig Guðmundsdóttir, Sveinn Geirsson, Þorsteinn Bachmann

Director: Isold Uggadottir

Rating: TV-14

A 40 minute, often jaw-dropping movie about an innocent man accused of killing a teenage girl and the attempt to clear him from the murder. The man in question is Juan Catalan, a young father of two who had had a fair share of interactions with the law. His brother had recently been convicted for another murder case, and the witness to his brother's trial was the girl that Juan Catalan would be accused of killing. The fight to prove that he is innocent goes through different phases, one of which amazingly includes Curb Your Enthusiasm and Larry David himself. It's a crazy story told in a very straightforward manner. Don't expect the impact of Making a Murder or anything like that - but if you're in it for the story, you will not be disappointed.

Genre: Crime, Documentary

Actor: Jacob LaMendola, Juan Catalan, Juan Rodríguez, Kym Whitley, Larry David, Melissa Catalan, Miguel Catalan, Tasha Boggs, Tim Gibbons, Todd Melnik

Director: Jacob LaMendola

Rating: TV-14

Dear Ex is a family drama that explores LGBT+ issues in contemporary Taiwan. As much as it is a movie about how people cope with loss, it’s a powerful, heartwarming, and intimate portrait of the relationship between Jay and Song Zhengyuan and all the obstacles they face.

While the themes of Dear Ex are heavy, the director makes the viewing experience easier for the audience thanks to humorous and witty dialogue. Meanwhile, the history between Jay and Song Zhengyuan’s relationship unfolds in a very beautiful, almost poetic way, and by the end of the movie, we understand that everyone gets their own kind of forgiveness. The way the characters effortlessly show that love is something beyond genders is admirable, and it is great to see how everyone gets their own kind of forgiveness whether it's from themselves or from others by the end of the movie.

Genre: Comedy, Drama, Romance

Actor: Ai-Lun Kao, Clover Kao, Danny Liang, Fang Wan, Hsieh Ying Shiuan, Hsieh Ying-xuan, Hsin-Ling Chung, Hsu Chih-yen, Joseph Huang, Mag Hsu, Ping-Ya Tai, Roy Chiu, Spark Chen, Ting-Chien Wu, Wanfang, Yang Li-yin, Ying-Xuan Hsieh

Director: Chih-Yen Hsu, Hsu Chih-yen, Mag Hsu

Rating: TV-MA

This lovely romance is about Ellie, a straight-A student who takes money from a classmate, Paul, to write love letters for him. Ellie does this to help with the household bills but there is one big problem: the girl Paul is in love with is also the girl Ellie has a crush on.

This might seem like the set-up for a standard Netflix comedy (and if you’re thinking Bergerac, you’re right, it is based on the famous play) but as the introduction of the film reads: “This is not a love story … not one where anyone gets what they want."

It is in fact, personal work from a brilliant and quality-focused director, Alice Wu. Her last movie, Saving Face, a pioneering lesbian romance set in an Asian American context, was released a long 15 years ago.

Genre: Comedy, Drama, Romance

Actor: Abigail Donaghy, Alec Tincher, Alexandre Bagot, Alexxis Lemire, Becky Ann Baker, Billy Thomas Myott, Catherine Curtin, Collin Chou, Collin Chou Siu-Lung, Cronin Cullen, Daniel Diemer, Emma Diner, Enrique Murciano, Haley Murphy, Joan Jaffe, Joe Lanza, Leah Lewis, Logan Riley Bruner, Lucas Kane, Macintyre Dixon, Matt Meinsen, Patrick Noonan, Patrick T. Johnson, Spencer Wawak, Wolfgang Novogratz

Director: Alice Wu

Rating: PG-13

This Eddie Murphy comedy had all the ingredients to be both a famous movie and an award-winner, but neither happened. It tells the true story of Rudy Ray Moore, a comedian who became famous for creating a character called Dolemite, a pimp, and who later attempted to make his own movie based on the same character. Murphy plays Rudy, but there are also other recognizable faces in supporting roles: Chris Rock, Wesley Snipes, Keegan-Michael Key, Snoop Dogg, and many others. It's above all a funny movie, but being Eddie Murphy's first R-rated movie since 1999, it's also a realistic portrayal of both 1970s L.A. and the struggles of being a black filmmaker at the time.

Genre: Comedy, Drama, History

Actor: A.J. Tannen, Aaron Craven, Akono Dixon, Aleksandar Filimonović, Amy Keys, Baker Chase Powell, Barry Shabaka Henley, Bob Odenkirk, Bobby Rush, Brandon Stewart, Bubba Ganter, Chelsea Gilson, Cheryl Francis Harrington, Chris Rock, Claude Phillips, Cole S. McKay, Craig Brewer, Craig Robinson, Da'Vine Joy Randolph, Dale Gibson, David B. Lyons, Demetrius Hodges, Denise Milfort, Eddie Murphy, Erik Kilpatrick, Garland Whitt, Gerald Downey, Henry Monfries, Ivo Nandi, Jamaal Lewis, Jernard Burks, Jill Savel, John Michael Herndon, Joshua Weinstein, Kazy Tauginas, Keegan-Michael Key, Kezii Curtis, Kodi Smit-McPhee, Lamar Usher, Leonel Claude, Li Eubanks, Luenell, Michael Peter Bolus, Mike Epps, Milan Carter, Monique StaTeena, Phil Abrams, Quartay Denaya, Ron Cephas Jones, Sade E. Moore, Saudia Rashed, Snoop Dogg, T.I., Tasha Smith, Tituss Burgess, Tommie Earl Jenkins, Toni Duclottni, Wesley Snipes

Director: Craig Brewer

Rating: R