7 Movies Like Léon: The Professional (1994) On Netflix Canada

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A wealthy paraplegic needs a new caretaker. His choice is surprising -- an ex-con down on his luck. Both of their lives are changed forever. Based on a true story, it is funny, touching, and very surprising.  It will have you rolling on the floor laughing one minute and reaching for your hankie the next. Intouchables is one of those perfect movies, that will easily and instantly make anyone's all-time top 10 list.

Genre: Comedy, Drama

Actor: Absa Diatou Toure, Alba Gaïa Kraghede Bellugi, Alba Gaïa Bellugi, Anne Le Ny, Antoine Laurent, Audrey Fleurot, Benjamin Baroche, Camila Samara, Caroline Bourg, Christian Ameri, Clotilde Mollet, Cyril Mendy, Dominique Daguier, Dorothée Brière, Elliot Latil, Émilie Caen, François Bureloup, François Caron, François Cluzet, Grégoire Oestermann, Hedi Bouchenafa, Ian Fenelon, Jean-François Cayrey, Jérôme Pauwels, Joséphine de Meaux, Joséphine de Meaux, Marie-Laure Descoureaux, Michel Winogradoff, Nicky Marbot, Omar Sy, Philippe Pozzo di Borgo, Pierre-Laurent Barneron, Renaud Barse, Salimata Kamate, Sylvain Lazard, Thomas Solivérès, Yun-Ping He

Director: Eric Toledano, Olivier Nakache

Rating: R

The Grand Seduction, a remake of 2003 French-Canadian film La Grande Séduction (2003), is a lighthearted comedy about the residents of the small fishing village of Tickle Head, Newfoudland attempting to convince a young doctor to become its long-term caregiver in order to secure a contract for a new petrochemical facility. Desperate to guide the town out of its impoverished conditions and lack of employment opportunities, the citizens band together to pull ever bit out of deceit and chicanery out of their hats (in often laugh-out-loud fashion) in order to sway the young doctor Paul (Taylor Kitsch) into believing that Tickle Head is where he belongs. It’s a lighthearted and funny story, despite undeniably familiar shades of The Shipping News, Doc Hollywood and Funny Farm. Brendan Gleeson is particularly good as the new mayor of town and Paul’s head “seducer”. He gives the film that extra bit of humanity and wry humor that lifts it above the familiar plot points and into “notable recommendation” territory.

Genre: Comedy

Actor: Brendan Gleeson, Cathy Jones, Gordon Pinsent, Kevin Lewis, Lawrence Barry, Liane Balaban, Margaret Killingbeck, Mark Critch, Mary Walsh, Matt Watts, Michael Therriault, Percy Hynes White, Pete Soucy, Peter Keleghan, Steve O'Connell, Taylor Kitsch

Director: Don McKellar

Rating: PG-13

This Mexican movie set between Queens, New York, and Monterrey, Mexico is a stunning and profound work of art.

Ulises is the leader of a street dancing group that loves Cumbia, an Afro-Colombian style of music. Dancing is an alternative to being sucked in into gang life, which Ulises and his bandmates have ties to.

Ulises is good, and his town starts noticing. But just when his community is flourishing and his dancing is becoming famous, a wrong-time/wrong-place situation has a gang force him to leave everything behind and immigrate to the U.S. He suddenly finds himself lonely and living a life of undocumented existence.

But that is not the progression of I’m no Longer Here, which intertwines scenes of Ulises thriving in Monterrey and alone in New York. The difference is stark and depressing, but the camerawork and great performances are a constant source of cinematic brilliance.

Genre: Drama

Actor: Fanny Tovar, Juan Daniel Garcia Treviño, Luis Leonardo Zapata, Xueming Angelina Chen

Director: Fernando Frias, Luis Fernando Frías de la Parra

Lee Holloway (Maggie Gyllenhaal) is compassionate and diminutive, but her social awkwardness hinders her as she attempts to navigate young adulthood. After recently being hospitalized for self-harm, Lee is determined to prove she is capable of autonomously taking care of herself. She begins working as a secretary for E. Edward Grey (James Spader), a meticulous attorney.

It’s not long before both Lee and Edward realize they’re attracted to one another’s opposite natures: Lee’s obedience and Edward’s dominance. They begin a mutually consensual BDSM relationship, with both experiencing a sexual and emotional awakening. 

The premise may sound familiar: 50 Shades of Grey is widely acknowledged as, at the very least, owing its title to Secretary. But while 50 Shades of Grey portrays an unhealthy, toxic, and superficial idea of a BDSM affair, Secretary maintains that consent must be at the core of any relationship. And ultimately for Lee and Edward, BDSM becomes a way for them to communicate and overcome their individual pain, and unite stronger as a vulnerable, loving whole.

Genre: Comedy, Drama, Romance

Actor: Amy Locane, Ezra Buzzington, James Spader, Jeremy Davies, Jessica Tuck, Julene Renee, Lacey Kohl, Lauren Cohn, Lesley Ann Warren, Lily Knight, Maggie Gyllenhaal, Mary Joy, Michael Mantell, Osgood Perkins, Oz Perkins, Patrick Bauchau, Sabrina Grdevich, Stephen McHattie

Director: Steven Shainberg

Rating: R

Film direction—at least in the traditional sense—is all about establishing control. In Even the Rain, however, the crew led by director Sebastian faces a problem larger than what they can manage when they become embroiled in a local conflict over water supply while shooting a period film in Bolivia. The situation escalates into a violent uprising between the residents and the Bolivian state forces, which then endangers the completion of Sebastian’s film.

Even the Rain exposes the hypocrisy of urban filmmaking, questioning its exploitative and selfish tendencies. “Some things are more important than your film,” the actor Daniel bluntly tells Sebastian in one scene. This meta-commentary extends to the audience and encourages us to reevaluate the importance we put into films, especially with regards to the current socio-political context.

Genre: Drama, History

Actor: Carlos Santos, Cassandra Ciangherotti, Dani Curras, Daniel Currás, Daniel Currás, Ezequiel Díaz, Gael García Bernal, Juan Carlos Aduviri, Karra Elejalde, Leónidas Chiri, Leónidas Chiri, Luis Bredow, Luis Tosar, Milena Soliz, Najwa Nimri, Pau Colera, Raúl Arévalo, Sonia Ovando, Vicente Romero, Vicente Romero Sánchez

Director: Icíar Bollaín

Rating: Not Rated

Dear Ex is a family drama that explores LGBT+ issues in contemporary Taiwan. As much as it is a movie about how people cope with loss, it’s a powerful, heartwarming, and intimate portrait of the relationship between Jay and Song Zhengyuan and all the obstacles they face.

While the themes of Dear Ex are heavy, the director makes the viewing experience easier for the audience thanks to humorous and witty dialogue. Meanwhile, the history between Jay and Song Zhengyuan’s relationship unfolds in a very beautiful, almost poetic way, and by the end of the movie, we understand that everyone gets their own kind of forgiveness. The way the characters effortlessly show that love is something beyond genders is admirable, and it is great to see how everyone gets their own kind of forgiveness whether it's from themselves or from others by the end of the movie.

Genre: Comedy, Drama, Romance

Actor: Ai-Lun Kao, Clover Kao, Danny Liang, Fang Wan, Hsieh Ying Shiuan, Hsieh Ying-xuan, Hsin-Ling Chung, Hsu Chih-yen, Joseph Huang, Mag Hsu, Roy Chiu, Spark Chen, Ting-Chien Wu, Yang Li-yin, Ying-Xuan Hsieh

Director: Chih-Yen Hsu, Hsu Chih-yen, Mag Hsu

Rating: TV-MA

, 2012

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

Genre: Drama

Actor: Abdullrahman Al Gohani, Ahd, Alanoud Sajini, Dana Abdullilah, Haifaa Al-Mansour, Rafa Al Sanea, Reem Abdullah, Sultan Al Assaf, Waad Mohammed

Director: Haifaa al-Mansour

Rating: PG