8 Movies Like Nosferatu (1922)

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Winner of a Golden Bear and a slew of awards at the European Film Awards in the early noughties, Head-on is named after the suicide attempt of Cahit Tomruk (played by the late Birol Ünel), a Turkish-born German in his mid-40s. At the psychiatric clinic where he is treated, he meets the equally damaged Sibel Güner who is also of Turkish descent. (The first ever feature film of famous German actress Sibel Kekilli, who you might know from Game of Thrones.) Sibel persuades him to marry her in an attempt to break away from her traditional-minded parents.

If you think this plot summary was tough stuff, it gets even grimmer from there. Directed by famous German filmmaker Fatih Akın, the intensity with which Kekilli and Ünel perform the character's unhinged self-hatred is as raw as it gets. Head-on is a brutal, gritty, and heart-wrenching story about the violence of love and hedonism – and the struggle of third-generation Turkish immigrants in Germany.

Genre: Drama, Romance

Actor: Adam Bousdoukos, Aysel Iscan, Birol Ünel, Catrin Striebeck, Cem Akin, Demir Gökgöl, Feridun Koç, Güven Kiraç, Hermann Lause, İdil Üner, Maceo Parker, Mehmet Kurtuluş, Meltem Cumbul, Mona Mur, Orhan Güner, Philipp Baltus, Ralph Misske, Selim Erdoğan, Sibel Kekilli, Stefan Gebelhoff, Tim Seyfi, Tugay Erverdi, Zarah Jane McKenzie

Director: Fatih Akin

Rating: R

An absolutely beautiful film about superficiality, arrogance, and heartbreak. It focuses on the life of Aydin, a retired actor who now lives very comfortably managing a small hotel and a number of other small properties. Throughout the film Aydin's image shifts as he tackles the problems of his rather typical life. Having said this, there is nothing else typical about this film. It captures human relationships with an almost frightening precision. It almost feels as though you have an inside view into someone's actual life as Aydin battles it out with his sister Necla and his young wife Nihal. To me this is easily one of the best dramas of the decade, and if you so much as like movies that focus on humans and their interactions, it will be that for you too.  Nuri Bilge Ceylan will make 3 hours pass more quickly than they ever have before.

Genre: Drama

Actor: Ayberk Pekcan, Demet Akbag, Ekrem İlhan, Emirhan Doruktutan, Haluk Bilginer, Mehmet Ali Nuroğlu, Mehmet Ali Nuroğlu, Melisa Sözen, Nadir Sarıbacak, Nadir Sarıbacak, Nejat İşler, Nejat İşler, Serhat Kılıç, Serhat Mustafa Kılıç, Serhat Mustafa Kılıç, Tamer Levent

Director: Nuri Bilge Ceylan

Rating: Not Rated, Unrated

Kathryn Bigelow has a knack for action-packed scenes without compromising on the affective qualities of film style. It is precisely this combination that makes her a rare gem in American cinema, where the values of entertainment soar high. Point Break is one such example of controlled chaos, impeccable framing, and a convincing use of fast-paced editing to really get you as close to the action as possible. But what gives the film its flavour is how developed and synced the characters are and the Reeves-Swayze duo here belongs in the pantheon of equally hot frenemies, providing an apt, but subtle comment on the dangers of toxic masculinity. 

Genre: Action, Crime, Thriller

Actor: Anthony Kiedis, Anthony Mangano, Betsy Lynn George, Bojesse Christopher, Chris Pedersen, Christopher Pettiet, Daniel Beer, Dave Olson, Debra Lamb, Galyn Görg, Gary Busey, Gary Roberts, Gloria Mann, Jack Kehler, James Le Gros, Jared Chandler, Jeff Imada, John Apicella, John C. McGinley, John Philbin, Julian Reyes, Julie Michaels, Keanu Reeves, Lee Tergesen, Lori Petty, Michael Kopelow, Mike Genovese, Patrick Swayze, Peter Phelps, Ping Wu, Randy Walker, Raymond Forchion, Richard Grove, Sydney Walsh, Tom Sizemore, Vincent Klyn

Director: Kathryn Bigelow

Rating: R

What goes well with a love story? Creative architecture. Columbus the movie is such a great and genuine exploration of this idea, filmed in Columbus the city - a weird experimental hub for architecture that actually exists in real life! After his architect father goes into a coma, Jin (John Cho), a Korean-born man finds himself stuck in Columbus without a foreseeable end. In Korean tradition when a parent dies, the son should be in the same place physically otherwise they can't mourn. While waiting to see what will happen to his father he meets Casey (Haley Lu Richardson), an aspiring architect herself, who's also stuck in Columbus because of her mother. This is a beautiful movie with real-life issues and situations, to be especially appreciated by viewers who don't mind a slow narrative in exchange for a meticulously-crafted movie.

Genre: Drama, Romance

Actor: Alphaeus Green, Jr., Caitlin Ewald, Erin Allegretti, Haley Lu Richardson, Jim Dougherty, John Cho, Lindsey Shope, Michelle Forbes, Parker Posey, Reen Vogel, Rory Culkin, Rosalyn R. Ross, Shani Salyers Stiles, Wynn Reichert

Director: Kogonada

Rating: Not Rated

, 2018

It wouldn't be too far of a reach to evoke Kids (1995) while diving into Mid90s. But instead of taking on the HIV crisis, Mid90s is a much more tender, poignant reflection on coming of age in 90's skate culture. Jonah Hill, writer and director, examines the complexities of trying to fit in and the difficult choices one has to embrace individualism. From an opening of physical abuse to scenes of drug usage and traumatic experiences, Mid90s is a meditation not only on culture, but also a subtle examination of what it means to be human, to reach emotional and physical limitations, and to seek acceptance. Filmed in a 4:3 aspect ratio, Mid90s doesn't concern itself with grandiose filmography, but instead the aspect ratio almost reflects the tonal and metaphorical aspects played out on screen. With a smaller dynamic range of color and the familiar dust/scratches, the 16mm film compliments gritty and emotional moments of Mid90s. The emotional range of the film will take the audience from the depths of empathy to laughing out loud, but there is no compromise to the weight of each moment. Jonah Hill's directorial debut is beautiful in every sense of the word.

Genre: Comedy, Drama

Actor: Alexa Demie, Ama Elsesser, Aramis Hudson, Chad Muska, Chico Brenes, Donny Barley, Fig Camila Abner, Gio Galicia, Harmony Korine, Jahmin Assa, Jax Malcolm, Jerrod Carmichael, Jonah Hill, Judah Estrella Borunda, Kasey Elise, Katherine Waterston, Kevin White, Liana Perlich, Lucas Hedge, Lucas Hedges, Na-kel Smith, Olan Prenatt, Ryder McLaughlin, Sunny Suljic, Teren Delvon Jones

Director: Jonah Hill

Rating: R

A young Steve Buscemi leads this wry farce about a calamitous film set where nothing goes right. The sardonic script skewers the ins and outs of low budget film production and the various personalities on set from belligerent directors, pretentious cinematographers, and egotistic actors. 

A playful three-act structure and trips into dream sequences keep things light, while a strong supporting cast, including a cheeky appearance by Peter Dinklage and the fantastic Catherine Keener, gives the film the backbone it needs. 

Genre: Comedy, Drama

Actor: Catherine Keener, Danielle von Zerneck, Dermot Mulroney, Hilary Gilford, James Le Gros, Kevin Corrigan, Lori Tan Chinn, Norman Fields, Peter Dinklage, Rica Martens, Robert Wightman, Steve Buscemi

Director: Tom DiCillo

Rating: R

Somehow an art house film, horror, and romance all in one, Let the Right One In explores the boundaries of its genres with unprecedented finesse, and offers a stunning alternative for those disappointed with recent vampire love stories. From its haunting minimalist imagery to its incredible score, it is persistently beautiful. The film follows twelve-year-old Oskar and Eli, drawing on numerous aspects of traditional undead lore, and still manages an impressive feat in feeling entirely fresh and devoid of cliche. Those in search of a terrifying movie might need to look elsewhere, but if what you're looking for is simply a great watch, don't pass this one up.

Genre: Drama, Horror

Actor: Anders T. Peedu, Henrik Dahl, Ika Nord, Johan Sömnes, Kåre Hedebrant, Karin Bergquist, Karl-Robert Lindgren, Lina Leandersson, Malin Cederblad, Mikael Rahm, Pale Olofsson, Patrik Rydmark, Per Ragnar, Peter Carlberg, Tom Ljungman

Director: Tomas Alfredson

Rating: R

Craig Foster’s bond with an octopus takes the spotlight in this heartfelt documentary set in the cold seas of South Africa. The title hints at the nature of this bond: the tentacled creature shows the human outsider the ropes in her watery den.

Both parties have an endless curiosity about one another, giving the filmmakers Pippa Ehrlich and James Reed much fuel for this sentimental doc. My Octopus Teacher features Foster diving in the ocean every day and waxing poetic through voiceovers about the remarkable ability of a wild animal to connect with him. This all takes place amidst his obsessive mapping of said animal’s habitat during what appears to be a mid-life crisis. It’s beautiful, yes, both visually and in its message of nature being something we can connect with to find meaning, but much of the story revolves around what Foster feels the octopus is doing in relation to him, and not about what it’s doing, period. The documentary becomes an exercise in making something that exists peacefully in its own little world all about some guy.

For a film that centers on an unlikely emotional attachment, it does explore the ocean and present the adventures one can embark on due to curiosity. Despite its faults, it manages to be informative and shows off gorgeous underwater cinematography.

Genre: Documentary

Director: James Reed, Philippa Ehrlich, Pippa Ehrlich