Chasing the feel of watching Portrait of a Lady on Fire ? Here are the movies we recommend you watch after Portrait of a Lady on Fire (2019).
This unique romance is set during a time when a man would be sent the painting of the woman he was to marry before the wedding could take place. Héloïse, secluded with her mother and a maid on a remote island, doesn't approve of her upcoming wedding and refuses to be painted. Her mother sends for a new painter, Marianne, to try to paint her without her noticing. Marianne has to take on this near-impossible task when she starts having feelings for Héloïse. This makes for a riveting romance where Marianne has to choose between her heart and her art while keeping a huge secret from her love interest.
Polytechnique directed by Denis Villeneuve, is a dramatization of the 1989 Montreal massacre of multiple female engineering students. This film focuses on a male student navigating the massacre for the majority of the film’s run time. The performances and minimal dialogue in this film certainly make this an unnerving film to watch. Littered with the screams of the actors portraying the engineering students, this could be mistaken as a gaudy horror film. However, this is far from a fictionalized horror.
This Villeneuve classic is undoubtedly one of the most emotionally brutal films of the 2000s, yet I appreciate the honesty of the storytelling. Polytechnique encourages its audience to ask itself if it truly understands the truth of misogyny.
Much like the 1976 horror classic Carrie, Thelma centers on a young telekinetic woman whose religious upbringing and sexual repression give way to unpredictable moments of fury and rage. When she meets the cool, charismatic Anja, she falls in love immediately, but the wave of emotions that overwhelm her threaten to destabilize not just their budding romance, but other relationships and lives as well.
Thelma recalls Carrie in other ways too, most notably in the way it uses supernatural elements to allude to female fury and lust, but it also stands on its own as a singular piece of work; the mesmerizing transitions, the slow-burn pace, and the undercurrent of melancholia are all known trademarks of director Joachim Trier. This layering of old and new makes Thelma an intriguing watch, at once recognizable and wholly original.
This Danish film which was the country's submission to the Oscars is about a delicate subject. A lawyer who specializes in defending children, and who is used to developing closeness with her clients including meeting with them in her home, starts having an affair with her teenage step-son.
There is inherent tension to this obviously very explicit plotline: how would a serious, non-erotic (or not-only-erotic) movie like this one portray such attraction. And of course, afterwards, what are the implications?