Chasing the feel of watching The Perks of Being a Wallflower ? Here are the movies we recommend you watch after The Perks of Being a Wallflower (2012).
This coming-of-age story based on the bestseller by the same name starts fun but veers towards darker territory. It's about a high-schooler who makes two older friends, played perfectly by Ezra Miller and Emma Watson. But as he gets closer to one of them, his anxieties and past trauma come to the surface. The impressive depth to which the makers of The Perks of Being a Wallflower were able to take it is what elevates it to greatness. It's the perfect mix between easy and challenging. If there is ever such a thing, it's this movie.
At the height of the 1997 Asian financial crisis, a small Singaporean family scrambles to keep their middle-class status afloat. The parents shave their expenses and work extra-long hours, but their busyness causes them to neglect their misbehaved son. When his misdemeanors prove to be too much, the mother is forced to hire a stay-at-home nanny, and her presence (along with other external pressures) brings about a change in the house. Suddenly, everyone becomes a bit more aware of their limitations and potential, and from this, a shared empathy grows. In other hands, this story might come off as bare and forgettable, but under first-time-feature director Anthony Chen’s helm, Ilo Ilo comes to life in rich detail, thoughtful shots, and captivatingly natural performances. Despite its many heartbreaking scenes, the film rarely dwells in sentiment, and it's this restraint that makes Ilo Ilo all the more gripping to watch.
An insightful and thoughtful Canadian coming-of-age drama, Giant Little Ones is about two seventeen-year-old best friends whose relationship changes after an incident one night. Spanning a quick 90 minutes, it manages to tell its story quickly and honestly, as it touches on themes of sexual identity not only for the teenagers but for their parents as well. And it has a great message about tolerance. It's a lovely and wholesome movie.
Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.
Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.
This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.
A dark and sophisticated slow-burning drama, Never Let Me Go is adapted from the highly acclaimed novel of the same name by Japanese-born British author Kazuo Ishiguro. It stars Carey Mulligan, Keira Knightley, and Andrew Garfield as boarding school raised teenagers eager to explore the outside world when they learn a secret that will threaten their very existence. Anything more is a spoiler, watch it.
Set between the years 1977 and 2005, this Polish drama goes through various stages in the life of the controversial surrealist-expressionist painter Zdzisław Beksiński. The extensive video archive left behind by the artist was used to craft an intimate portrait of three interdependent people: Beksiński himself, his suicidal and neurotic son, and his wife.
Beksiński is superbly played by veteran actor Andrzej Seweryn, known for his appearance in numerous Andrzej Wajda films. Even though the film focuses less on Zdzisław's painting career and more on his relationship with his family, it will definitely inspire you to dig deeper into both his tragic life and impressively dark body of work.
A heart-wrenching tribute to victims of natural disasters that is one of despair, suffering, and hope. And it wouldn’t be so damning if it weren’t based off a true story surrounding the tragedy that killed more than 230,000 people. Boxing Day 2004 was one of the most memorable dates for wedded couple, Henry (Ewan McGregor) and Maria (Naomi Watts, for an Oscar nominated performance). Just two days prior, they arrived at Orchid Beach Resort in Thailand to celebrate the Christmas holidays together with their three children. After a squabble with the crew regarding their room reservations, they are granted the privilege of staying in a peaceful villa and all seems to be well. Nature had other plans in mind, though, and facing it head-on is the bittersweet reality.
Nisha, the daughter of conservative Pakistani immigrants in Oslo, finds ways to secretly go out with her Norwegian friends. She goes to parties, plays basketball, and dates.
One day, Nisha’s father catches her with a boy, bringing what he perceives as a great shame to the family. Nisha’s delicate balance is broken, and her family acts drastically: without telling her about their plans, they move her to Pakistan.
What Will People Say is based on its director and writer Iram Haq’s own experience being kidnapped to Pakistan and going back to Norway at age 16.
I don't want to go too much into detail, but this film is an acting masterpiece. From start to finish it drags you into the characters' life and really makes you feel for the main character. It shows you how hard it really is for the main character to struggle with what she's going through. I hate being left in the dust to wonder like I was left after Tomboy and this film did it and it really gets on my nerves, but it is so good. A true masterpiece.
A comedy (!) that follows James (Benedict Cumberbatch) a man terminal cancer who knows that he doesn't have long to live, so he goes on a journey with his closest friends, Bill (Adam Robertson), Davy (Tom Burke) and Miles (JJ Field), to Barafundle Bay in Wales. The journey itself is funny and the characters have many issues to sort out, some lighter than others, but the film is by no means completely lighthearted, so if you aren't prepared for some tears with your laughter, maybe look elsewhere!
Jane Campion’s biographical drama about the poet John Keats derives its name from one of the latter’s greatest love sonnets: Bright star, would I were stedfast as thou art… / Still, still to hear her tender-taken breath/ And so live ever—or else swoon to death.
Keats remains one of the most celebrated and adored Romantic poets. His writing challenged the poetic form, and revered the world for what it is at its best: wondrous, surprising, sublime. Ben Whishaw’s portrayal of Keats is rightfully distant, as we encounter the poet’s incredible aloofness through the perspective of interested suitor Fanny Brawne (Abbie Cornish). Brawne’s relationship with Keats was short but intense, providing great artistic inspiration and devastating devotion. Campion perfectly captures their fleeting relationship in this deft, crushing drama.