10 Movies Like The Witch (2015) On Cineplex Canada

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After the successful run of the first instalment, The Conjuring 2 brings back lead couple Ed and Lorraine Warren for yet another real life-based case of demonic possession. This time, it's the Enfield poltergeist, a case which gained popularity in the London Borough of Enfield between 1977 and 1979, and while the Warrens in the film show reluctance to take on a new job amongst growing skepticism, we're so glad they did so in the end. The franchise's second chapter is perfectly built: a good amount of character establishment, a fair bit of rekindling allegiance with the Warrens, and a lot of ingenious scaries. What makes The Conjuring 2 a pitch-perfect horror of its kind is precisely this multivalence, combining empathetic characters and well-crafted, yet extremely disturbing visuals. When the supposedly simple case becomes a fight between good and proper evil, the film shifts gear to an obscenely dark, vengeful mode. You can't tell from its beginning, but the second Conjuring is even more proficient, deeply troubling, and most of all, bold in the way it renders the possession horror genre a canonical must.

Genre: Horror, Thriller

Actor: Abhi Sinha, Annie Young, Benjamin Haigh, Bob Adrian, Bonnie Aarons, Emily Brobst, Emily Tasker, Frances O'Connor, Franka Potente, Jason Liles, Javier Botet, Jennifer Collins, Joseph Bishara, Kate Cook, Lauren Esposito, Madison Wolfe, Maria Doyle Kennedy, Nancy DeMars, Patrick McAuley, Patrick Wilson, Robin Atkin Downes, Shannon Kook, Simon Delaney, Simon McBurney, Sterling Jerins, Steve Coulter, Vera Farmiga

Director: James Wan

Rating: R

, 2017

One of the sharpest horror films of the last decade, Julia Ducournau’s Raw follows in the footsteps of films like Carrie by translating coming of age anxieties into visceral full-throated terror. Justine is a beginner veterinary student leaving home for the first time. After a brutal hazing ceremony forces this young vegetarian to eat meat, she develops an insatiable hunger for flesh that begins to consume her.

Raw is as much an intense body-horror (not for the squeamish) as it is an astute psychological drama. Underneath its nightmarish sheen, Ducournau layers social commentary on sexuality, patriarchy, and deviance using the school’s sadistic initiations as metaphors for larger structures. All of this depth is paired with striking cinematography, crisp pacing, and an unforgettable performance from Garance Marillier as Justine.

Genre: Comedy, Drama, Horror, Mystery

Actor: Alexis Julemont, Alice D'Hauwe, Amandine Hinnekens, Benjamin Boutboul, Bérangère Mc Neese, Bouli Lanners, Charlotte Sandersen, Denis Mpunga, Ella Rumpf, Garance Marillier, Helena Coppejans, Jean-Louis Sbille, Joana Preiss, Julianne Binard, Laurent Lucas, Maïté Katinka Lonne, Marion Vernoux, Marouan Iddoub, Morgan Politi, Pierre Nisse, Rabah Nait Oufella, Sibylle du Plessy, Sophie Breyer, Thomas Mustin, Virgil Leclaire

Director: Julia Ducournau

Rating: R

Before the late 2010s push for more Asian American and lesbian cinema, there were movies already making strides toward better representation. One of the first to achieve this was Saving Face. Despite this film being the first feature for writer-director Alice Wu and actress Lynn Chen, and the first lead role for Michelle Krusiec, the three women lead the film with ease. Wu’s clear mastery of rom-com and family drama tropes directs us through some predictable moves, but with unpredictable twists. Krusiec and Chen’s Wil and Vivian are easy to root for with their striking chemistry, but at the heart of this film is Wil’s relationship with her mom Hwei-Lan (Joan Chen). Their dynamic—expressed through passive-aggression, bilingual bickering, and their need for the other’s honesty—turns this easygoing rom-com into a light yet cathartic family drama.

Genre: Comedy, Drama, Romance

Actor: Ato Essandoh, Brian Yang, Brittany Perrineau, David Shih, Hoon Lee, Jessica Hecht, Joan Chen, Lynn Chen, Mao Zhao, Michelle Krusiec, Pamela Payton-Wright, Saidah Arrika Ekulona, Twinkle Burke

Director: Alice Wu

Rating: R

You may have heard about this 2019 critic-favorite from clips like this one of a kid running to flee the movie theater during a screening. “little billy ran the f**k out the door”, the caption reads.

You will want to do the same. Recovering from losing her sister and her parents in a single incident, a young girl goes on a trip to Sweden to observe a ritual within a bizarre commune that occurs every 90 years. This cult’s idea of death and their traditions intersect with the girl’s grief to create unthinkable monstrosities.

Note: while some readers praise the movie for its depiction of anxiety, I highly recommend against watching Midsommar if you suffer from panic attacks.

Genre: Drama, Horror, Mystery

Actor: Agnes Westerlund Rase, Anders Back, Anders Beckman, Anki Larsson, Anna Åström, Anna Berentzen, Archie Madekwe, Austin R. Grant, Björn Andrésen, Ellora Torchia, Florence Pugh, Frans Cavallin Rosengarten, Gunnel Fred, Hampus Hallberg, Henrik Norlen, Isabelle Grill, Jack Reynor, Julia Ragnarsson, Katarina Weidhagen, Klaudia Csányi, Lars Väringer, Lennart R. Svensson, Levente Puczkó-Smith, Liv Mjönes, Louise Peterhoff, Mats Blomgren, Mihály Kaszás, Rebecka Johnston, Tove Skeidsvoll, Vilhelm Blomgren, Vilmos Kolba, Will Poulter, William Jackson Harper, Zsolt Bojári

Director: Ari Aster

Rating: R

Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.

Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.

This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.

Genre: Drama

Actor: Andy Roy, Daewon Song, Danny Glover, Finn Wittrock, Isiain Lalime, Jamal Trulove, Jello Biafra, Jimmie Fails, John Ozuna, Jonathan Majors, Mari Kearney, Mike Epps, Rob Morgan, Thora Birch, Tichina Arnold, Tonya Glanz

Director: Joe Talbot

Rating: R

In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Genre: Drama, Horror

Actor: Adam Morgan, Barbara West, Ben Winspear, Benjamin Winspear, Carmel Johnson, Chloe Hurn, Craig Behenna, Daniel Henshall, Essie Davis, Hayley McElhinney, Jacquy Phillips, Michael Gilmour, Michelle Nightingale, Noah Wiseman, Peta Shannon, Pippa Wanganeen, Stephen Sheehan, Terence Crawford, Tiffany Lyndall-Knight, Tim Purcell

Director: Jennifer Kent

Rating: Not Rated

This is the follow-up film by the director of the (also) excellent and intense Blue Ruin. Like that film, Green Room often subverts genre expectations. The basic premise: a lefty punk band winds up taking a show at a skinhead club because they are desperate for cash. The show goes well, but afterward the band accidentally witnesses something they shouldn’t have and are trapped in the club’s green room. This film is brutal and intense, especially because you actually care about what happens to the characters. Bonus: Sir Patrick Stewart plays the leader of the skinhead organization, and gives a subtle yet effectively sinister performance. While some truly horrific acts of violence occur (especially in the back-half of the film) they really do serve the story. Still, there are a handful of scenes that may require more sensitive viewers to cover their eyes. You have been warned.

Genre: Crime, Horror, Thriller

Actor: Alia Shawkat, Anton Yelchin, Callum Turner, David W. Thompson, Eric Edelstein, Imogen Poots, Jeremy Saulnier, Joe Cole, Joseph Bertót, Kai Lennox, Lj Klink, Macon Blair, Mark Webber, Mason Knight, Michael Draper, Patrick Stewart, Taylor Tunes

Director: Jeremy Saulnier

Rating: R

This movie is distilled horror. A teenager sleeps with her boyfriend for the first time, after which he tells her that he was the latest recipient of a curse that is transmitted through sexual contact. After she becomes completely paranoid without any manifestations, the curse manifests itself in assassins that kill their way to her. A genuinely creepy film that’s also very smart.

Genre: Horror, Mystery

Actor: Alexyss Spradlin, Bailey Spry, Carollette Phillips, Charles Gertner, Claire Sloma, Daniel Zovatto, Ele Bardha, Heather Fairbanks, Jake Weary, Keir Gilchrist, Kourtney Bell, Leisa Pulido, Lili Sepe, Linda Boston, Loren Bass, Maika Monroe, Mike Lanier, Olivia Luccardi, Rich Vreeland, Ruby Harris, Scott Norman

Director: David Robert Mitchell

Rating: R

A peculiar Western that might not please everyone if it wasn't for its main star, Kurt Russel. It's a mix between classic western material, a horror flick, and a fantasy movie. Yes, it's a lot. And not only that, it can be slow at times. However, in those perks it also finds a lot of originality in a saturated genre, and one more time: Kurt Russel. He's amazing as can be expected, playing the sheriff of a quiet town that gets struck by sudden disappearances. The suspect is a faraway tribe known for its cannibalism practices, the movie follows the sheriff as he leads an expedition to save a disappearing woman.

Genre: Drama, Horror, Western

Actor: Alex Meraz, Brandon Molale, David Arquette, David Midthunder, Eddie Spears, Erick Chavarria, Evan Jonigkeit, Fred Melamed, Geno Segers, James Tolkan, Jamison Newlander, Jay Tavare, Jeremy Tardy, Kathryn Morris, Kurt Russell, Lili Simmons, Maestro Harrell, Mario Perez, Matthew Fox, Michael Emery, Michael Pare, Omar Leyva, Patrick Wilson, Raw Leiba, Richard Jenkins, Robert Allen Mukes, Sean Young, Sid Haig, Zahn McClarnon

Director: S. Craig Zahler

Rating: Not Rated

The broad, symbolic strokes of The Killing of Two Lovers—how its story is set up and the general atmosphere it evokes—are stunning to behold. It's a naturalistic story whose ordinary moments feel like they're being told at the end of the world, given how deliberately chilling Robert Machoian's direction is. Unfortunately, once you start getting into the details of the plot and its characters, their actions and decisions don't lead to particularly interesting insights about the separation and the couple's relationship to each other or their children. The end result is something that's clearly driven by a compelling mood more than anything, but whose resolution still feels anticlimactic.

Genre: Drama, Thriller

Actor: Arri Graham, Avery Pizzuto, Barbara Whinnery, Chris Coy, Clayne Crawford, Sepideh Moafi

Director: Robert Machoian

Rating: R