Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience.Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story.Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.)This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against.Two worlds clash, poor and rich, in a movie that’s really three movies combined into one - a character-study, a romance, and a revenge thriller.
On Body and Soul is the impeccably crafted winner of the 2017 Berlin Film Festival.Two strangers have the same dream every night, they meet as deer in a forest and eventually fall in love. When they run into each other in real life, they search for the love they experience unconsciously. The reality of their introverted personalities and their surroundings make it hard to establish that same connection.This unconventional love story is passionately told by Hungary’s best director, Ildikó Enyedi. Before it, she had taken an 18-year break from making movies, something that kind of makes sense when you watch On Body and Soul. That break was probably the only way to come up with something as thoughtful and creative as this.
Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometown 20 years later. They talk, they get coffee, and then beer and jelly beans, until they find themselves to Jim’s mother’s house. As they familiarize themselves again, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.
This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.
From countries like Finland to North Korea, this amazing documentary explores the most fascinating active volcanoes on our planet. But as it unfolds you realize that Into the Inferno is a movie as much about volcanoes as it is about the people obsessed with them. And who can be called obsessive more than the film’s own director, Werner Herzog, who, with such an explosive career had to eventually make a film about volcanos (bad pun intended). Beautiful scenery, interesting interviews, and Werner’s majestic delivery all make Into the Inferno both an interesting and satisfying documentary.
Deep in the suburbs of Paris, Divines follows the story of Dounia (played by Oulaya Amamra) and her best friend Maimouna (played by Déborah Lukumuena). Director Houda Benyamina serves a nest of social issues – welcoming the viewer into a world where poverty is pervasive and adults are haunted by their own ghosts, where there is a life vest only in the reliance on friendship. The nature of this bond between the two female characters is deep, playful, and backed by mesmerizing acting on behalf of Amamra and Lukumuena.Just as prevailing throughout the film is the commentary on immigrant diasporas and the power of idealization. The girls fantasize about financial excess with guttural determination, guided only by the realization that their escape from their current lives has to come to fruition no matter what the cost. This film is entrancing and thought-provoking. You won’t be able to look away.
How to Change the World is an insightful and candid documentary about the formation of Greenpeace in 1971 by a small group of environmentalists and activists in Vancouver, British Columbia. Beginning with their attempt to disrupt U.S. nuclear testing in Amchitka, Alaska, the film follows their subsequent efforts to thwart commercial whaling in the Pacific, their anti-sealing campaign in Newfoundland, and their ongoing efforts to defend the natural world against what they perceive as excessive human intervention and abuse. How to Change the World is as much a poignant tale of inspired activism as it is an interesting study of the organization’s early tribulations: idealism vs. anarchy, social movement vs. organizational structure (or lack thereof) and leadership vs. disunity. The voice of co-founder Robert Hunter (de facto leader of Greenpeace from inception) is heard posthumously throughout via narrator Barry Pepper, and it adds an impassioned air of gravitas to the film, detailing the many complexities Greenpeace experienced over the course of its early years of growth and development. A compelling and educational viewing experience.
The Siege of Jadotville is a different kind of war movie. It doesn’t recount famous battles or portray renowned heroes - instead, it’s about heroes and events that went completely unnoticed. Namely, the Irish 35 Battalion ‘A’ Company - a group of youngsters who are sent out on a U.N mission to the Congo. What was supposed to be a simple positioning quickly becomes one of the most sought-after locations and the battalion of 150 ‘war-virgins” find themselves up against 3000 mercenaries led by experienced French commandants. And what a tribute this film is: it’s well-paced, powerfully shot, and the acting, led by Jamie Dornan on one side and Guillaume Canet on the other, is absolutely perfect.
The Fundamentals of Caring is an offbeat comedy/drama starring Paul Rudd as a man attempting to overcome his looming divorce by becoming the caretaker for a teenager with muscular dystrophy (Craig Roberts, Submarine). The two develop an unconventional relationship based largely on sarcasm and profanity, delivering many laugh-out-loud moments, while also slowly exposing the pain each is carrying inside.Together, at Ben’s urging, they embark on a road trip across the western United States for Craig to see the world. It’s somewhat formulaic but fun and touching road movie that covers much familiar ground, but also offers a fine illustration of caregiving, personal growth, and emotional healing. Paul Rudd is as good ever, and Roberts is utterly superb. One of the best movies on the Netflix Originals catalog, and an undeniable winner, all-in-all.
A documentary that is immediate and plays out like a thriller. Beautifully shot in Virunga National Park in the Eastern Congo, the story focuses on the struggles between Park Rangers and a list of adversaries including poachers, oil company goons, and an Islamic revolutionary army. The stories of the endangered gorillas and the people who struggle to protect them will break your heart and at the same time give you hope in humanity. On top of this, the editing is superb and gives the film an intensity that rivals any recent thriller.
“As fragile as she was strong, as vulnerable as she was dynamic, she was African royalty. How does royalty stomp around in the mud and still walk with grace?”. What Happened, Miss Simone? will surprise you no matter how much you thought you knew about the soul singer - not only in its exploration of Nina Simone’s personal life and complexities, but by being both a personal and political documentary. As you discover an original singer with talents that reach all the way to performance art, you will also learn about a Civil Rights activist’s journey and an unstable woman’s struggle. The documentary is not about answering the question of what happened, Miss Simone? – it’s an exploration of why that question is so important.