From Park Chan-wook (maker of Oldboy) comes The Handmaiden, a great movie in line with his now mastered style of portraying the beautifully weird. A rich Japanese lady isolated from the world accepts a new handmaiden, a shrewd young Korean girl with hidden motives. The men around them, full of greed and lust, complete the grand Victorian tale of deception, romance or lack thereof, and dark humor. You will find yourself at times screaming "what?", and at times bewildered by the general aesthetic of the film including clothes, traditions, and the stunning nature of both Korea and Japan. If you love cinema, you can't miss this movie. It's just too big of an achievement.
Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometown 20 years later. They talk, they get coffee, and then beer and jelly beans, until they find themselves to Jim’s mother’s house. As they familiarize themselves again, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.
In the crowded genre of Mafia movies, Gomorrah finds its originality in not romanticizing anything. It's authentically gripping, violent without being excessively violent, and something that can only be described as a masterpiece of Italian cinema. It follows different protagonists' entry into organised crime in Naples, with the two main ones taking their inspiration from American gangster characters. Just to give you a sense of how well-rooted this movie is, after it was done shooting, many of the characters (including the guy who plays the clan boss in the movie), were arrested. In his case, he was caught trying to collect "pizzo", otherwise known as mafia tax.
Deep in the suburbs of Paris, Divines follows the story of Dounia (played by Oulaya Amamra) and her best friend Maimouna (played by Déborah Lukumuena). Director Houda Benyamina serves a nest of social issues – welcoming the viewer into a world where poverty is pervasive and adults are haunted by their own ghosts, where there is a life vest only in the reliance on friendship. The nature of this bond between the two female characters is deep, playful, and backed by mesmerizing acting on behalf of Amamra and Lukumuena.Just as prevailing throughout the film is the commentary on immigrant diasporas and the power of idealization. The girls fantasize about financial excess with guttural determination, guided only by the realization that their escape from their current lives has to come to fruition no matter what the cost. This film is entrancing and thought-provoking. You won’t be able to look away.
How far are you ready to go for a friend? You will find yourself puzzled with this question after you watch 4 Months, 3 Weeks and 2 Days. Set in Communist Romania, it's about a college student assisting her friend in arranging an illegal abortion. When things don't go as planned they find themselves in extremely tense and uncomfortable situations. Powerful performances and a realistic script drive a suspenseful and interesting experience. Won the Palme d'Or at Cannes.
Human Capital is a rich and absorbing tale of two families tied together by love, money and a hit-and-run accident. One family is wealthy, the other struggling to get by in the days after the 2008 economic meltdown. Human Capital dexterously contrasts the social calculations the characters make about who can afford to step outside the lines of law and morality. The story is told from different perspectives, a device that serves to give the tale and the characters greater depth. In Italian with English subtitles.
The Siege of Jadotville is a different kind of war movie. It doesn’t recount famous battles or portray renowned heroes - instead, it’s about heroes and events that went completely unnoticed. Namely, the Irish 35 Battalion ‘A’ Company - a group of youngsters who are sent out on a U.N mission to the Congo. What was supposed to be a simple positioning quickly becomes one of the most sought-after locations and the battalion of 150 ‘war-virgins” find themselves up against 3000 mercenaries led by experienced French commandants. And what a tribute this film is: it’s well-paced, powerfully shot, and the acting, led by Jamie Dornan on one side and Guillaume Canet on the other, is absolutely perfect.
Warm, enchanting, poetic and delicate, this is an almost silent film about a poor Vietnamese girl who goes to work for a well-off family in Saigon. The film follows her experiences as she grows but is also very focused on the nature around her, and the beautiful little details of this nature, which the young girl seems attuned to and curious about. The feelings in the film come more from the excellent visuals rather than the plot itself.
A Swedish film about a world-famous conductor who suddenly interrupts his career to return alone to his childhood village in Norrland. It doesn't take long before he is asked to come and listen to the fragment of a church choir, which practices every Thursday in the parish hall. "Just come along and give a little bit of good advice". He can't say no, and from that moment, nothing in the village is the same again. The choir develops and grows. He makes both friends and enemies. And he finds love. It's a wonderful movie about faith, values, and the exploration of one's spirit.
C.R.A.Z.Y. is crazy good, so to speak. A portrait of a French-Canadian family in 70's Quebec that will knock your socks right off, it's the story of a boy struggling with his identity and his relationship with his father. Featuring a killer soundtrack (including but not limited to Bowie, Pink Floyd, Rolling Stones), it received Best Canadian Film in 2005 at Toronto International Film Festival. There are many things I would like to say about C.R.A.Z.Y. but I fear it's one of those films you enjoy best when you go into them not knowing much.
I don't want to go too much into detail, but this film is an acting masterpiece. From start to finish it drags you into the characters' life and really makes you feel for the main character. It shows you how hard it really is for the main character to struggle with what she's going through. I hate being left in the dust to wonder like I was left after Tomboy and this film did it and it really gets on my nerves, but it is so good. A true masterpiece.
The Fundamentals of Caring is an offbeat comedy/drama starring Paul Rudd as a man attempting to overcome his looming divorce by becoming the caretaker for a teenager with muscular dystrophy (Craig Roberts, Submarine). The two develop an unconventional relationship based largely on sarcasm and profanity, delivering many laugh-out-loud moments, while also slowly exposing the pain each is carrying inside.Together, at Ben’s urging, they embark on a road trip across the western United States for Craig to see the world. It’s somewhat formulaic but fun and touching road movie that covers much familiar ground, but also offers a fine illustration of caregiving, personal growth, and emotional healing. Paul Rudd is as good ever, and Roberts is utterly superb. One of the best movies on the Netflix Originals catalog, and an undeniable winner, all-in-all.