111 Best R Movies On Hbomax, kanopy (Page 7)

A man accidentally gets into a time travel machine and travels one hour back in time. He finds himself stuck in a series of disasters of unforeseeable consequences, with unusual and thrilling moments at every corner. Similarly to Primer, this movie goes to prove that with intelligence and attention to detail, you don't need a big budget to create an unforgettable story. Great acting, great story-line, and a great thriller.

This is a revelation of a movie for its simplicity in handling a pretty serious and dark subject. It's the story of a generally immature and newly unemployed stand-up comic in New York and her unplanned pregnancy with a man that was supposed to be a fling, and it's surprisingly funny and yet rather touching. I can't think of many actresses who would've fit the bill quite like Jenny Slate. Not only is she hilarious, but her treatment of a generally sensitive issue from the honest, crass point of view of a down-on-life, New York-er leaves you drowning in empathy for her. I recommend this for anyone looking to cuddle up, have a few little clever laughs and feel all tingly in the chest-al area.

As Nicole Holofcener's directorial debut, Walking and Talking stands out not only for its honest dialogue and wonderful performance from the young Catherine Keener, but also for its portrayal of female friendship in a genre which too often portrays mindless cliches. The movie focuses on two best friends as one of them gets engaged and the other fears their friendship is getting lost in the middle of the excitement around her friend's marriage. Catherine Keener does a brilliant job as the likable but depressed friend and Anne Heche does an equally as good job playing her sympathetic half. A great movie if you're in the mood for something sweet, honest and sometimes sad.

Set in the 1930's English Countryside, the story of the eccentric Mortmain family is told from the daughter Cassandra's point of view. Her father, a once acclaimed and famous writer has written nothing in years, leading the family into bankruptcy. Themes such as first love and financial troubles are explored from Cassandra's comic and intelligent point of view. A classic and a must-see.

Chiwetel Ejiofor stars as a disgraced doctor-turned-immigrant cab driver who inadvertently stumbles upon London's black market organ trade. Audrey Tatou and Sophie Okonedo also star as fellow "illegals" struggling to make ends meet in the shadows of England. This film is about illegal immigrants, it is told from their perspective, and because of that it becomes so humane that it indulges in social commentary. It's a really interesting, sometimes thrilling, watch.

Christine is about Christine Chubbuck, an awkward and complex reporter who was the first person ever to commit suicide on live TV.Rebecca Hall is terrific as Chubbuck and goes to great lengths to communicate the personality of her subject matter. The movie might seem slow at times, and her acting off, but it’ll all make sense once she immerses you in the complex reality of the character.An interesting story and an incredible performance.

Summary: it’s a really unusual movie, especially for a star like Robin Williams. It’s almost an indie film actually. Robin Williams plays Lance Clayton, the father of a typical rude teenage boy Kyle Clayton (Daryl Sabara) wherein Sabara’s character meets an unusual demise, and out of embarrassment of the situation the father ghost-writes a suicide note from his son. This white lie leads to another and another and so on until his lies spread further than anticipated. The movie definitely earns points for making the film that was set out to be made. They wanted to make a dark comedy and a dark comedy was what they made. It’s even uncomfortable to watch at times. Between Lance’s love life and Kyle’s non-existent one there’s enough awkwardness that you feel like you can’t wait to get to the next scene just so this one can be over. All in all the actors did a truly fantastic job. Each character seemed well developed by the individual actor to the point where every gesture, line delivery, and awkward silence seemed too natural and organic. Additionally, the writing was exceptional for this movie, as no dialogue was ever wasted. Each and every little detail in each and every shot of each and every scene was very carefully designed to continually push the aesthetics, this film is a big success.

Ryan Bingham (George Clooney) is a corporate axman, he comes in a fires people when the managers are too afraid to do it themselves. The nature of his work requires a lot of flying, short lived meetings in transit zones and he absolutely loves it, and he has a certain goal in mind. When the company tries a new approach to corporate downsizing he has to change his way and view of life. It's full of cynicism and warmth. If you are familiar with Jason Reitman's previous work, you'll feel right at home, if you don't : Get to it!

The Sessions is drama about Mark O’Brien (John Hawkes), a quadriplegic who is forced to live in an iron lung due to complications from childhood Polio. A poet by trade, Mark longs to experience the touch of a woman, and despite his condition, to ultimately lose his virginity at the age of 38. After consultation with his parish priest (William H. Macy), Mark begins to see a professional sex surrogate (Helen Hunt), who slowly opens his mind and his body to the pleasures of sexuality. A very frank depiction of sex and sensuality, The Sessions is unflinching yet utterly tender storytelling. Hawkes and Hunt are both wonderfully real and honest in their performances. It’s the type of film that will surprise you by the ending at how much it has moved you.

In this neo-noir crime drama, John Cusack, Anjelica Huston and Annette Bening play a trio of con-artists in modern day (1990) California. Roy (Cusack) is a small-stakes hustler prone to swindling bartenders and drunken sailors for pocket money, while Lilly (Huston) plays his estranged mother who reappears in his life while working a series of horse track bluffs. Myra (Bening) notches in between the two of them as Cusack’s boisterous yet conniving girlfriend, and the instant mutual dislike between her and Lilly sets the film’s course of action in motion. It’s a fun, edgy thriller that will leave you guessing up until it's shocking finale. Elevated immeasurably by Elmer Bernstein’s old-fashioned, hard boiled music score, The Grifters is a real feather in the hat for both director Stephen Frears and producer Martin Scorsese.

Not enough movies tell the stories of the down-on-luck, kind of uncool wolf-pack that still goes out into town with their wallets on chains hanging from their pockets and try their luck with the ladies. Mike, heart-broken actor-comedian pines over his ex long after she's been gone, while his guys - Trent, Rob and Sue - try to help him get back in the game in a series of nights club-hopping and wingman-ing. You find yourself empathizing with Mike almost immediately if you've ever had a broken heart and root for him throughout his highs and fairly embarrassing lows. Sprinkled with clever references and subtle, refreshing humor, Mike's journey to find closure is more than likely to warm your heart.As a bonus, the flawed yet endearing gang of twenty-something struggling actors will take you to that charming 90's nightlife in Los Angeles (with music to die for, by the way) and remind you that boys will be boys and that they're just doing their best helping each other and themselves to keep it together with lots of "You're so money, and you don't even know it!".

Slow West is a modern western about a young Scotsman (Kodi Smit-McPhee) trekking across America in search of Rose, the young woman he loves, while accompanied by a wayward outlaw named Silas (Michael Fassbender). Jay soon realizes that he is unwittingly leading a pack of nefarious bounty hunters toward Rose and her father as well, as a sizable reward rests on their heads for the accidental killing of a nobleman. It’s a melancholy yet clever and enjoyable film with a distinct Coen Brothers-esque sense of dark humor and quirky violence. In his debut feature, John Maclean gives the western a fresh spin and a nice creative twist, marking his territory as a promising new name in the film world.