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38 Best TV-MA Movies to Watch

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It’s difficult to describe this miniseries as just one thing: it has elements of true crime, but it’s more than just a “Netflix true-crime show.” It’s also about an immensely empathetic and likable family man who joins the fight against the opioid epidemic.Dan Schneider, a small-town pharmacist, lost his teenage son to drug-related violence in New Orleans’ notorious Lower 9th Ward neighborhood. With corruption rampant in the city’s police department, he takes matters into his own hands and starts investigating his son’s murder.Beyond this murder, Dan notices a rise in opioid prescriptions from one doctor. Fueled by a relentless determination to protect other children from addiction, he quits his job and begins to gather evidence against this doctor and, by extension, the company responsible for the sale of Oxycodone: Purdue Pharma.

8.6

TV nerds know that Orange is the New Black, as much as it’s hailed in the U.S. for being 'crazy’, doesn’t deserve that title. It’s only a mellow take on the women prison genre that was perfected outside the States. The Australian show Wentworth is one example and Vis a Vis (or Locked Up) is another. The show starts with an inmate being boiled alive.Macarena Ferreiro is set up by her boss/lover and ends up in prison for tax crimes. First naive and used to luxury, she has to adapt to harsh prison conditions, and harsher inmates. On the outside, her parents try to secure a large sum to pay her bail.

7.6

Shot almost entirely in one take and on a tiny budget, and yet the central performance in this movie is still better than most big-budget dramas I’ve seen this year.Two indigenous women, one upper-class and the other impoverished, meet on the day that the rich one gets an IUD and the other one, pregnant, finds herself kicked out of her home. They spend a few hours together: they talk, they take cabs, walk, etc; and you as a viewer, follow them throughout their intimate yet difficult moments.If you like subtle movies that showcase how people live and interact with one another, beyond plot-obsessiveness, this is for you.

7.0

Two storylines take place in this Parisian animation: one of a Moroccan immigrant who works as a pizza delivery guy, and the other of his hand, somehow no longer part of his body, but also going on a trip around Paris.The hand storyline is not gory by the way, except for one or two very quick scenes. Mostly, this is a film about loneliness and not being able to find your way back, both as an immigrant who misses how they were raised and as a hand who misses its body.Sporting some of the most beautiful animation work this year, this movie premiered at Cannes where it became the first-ever animated film (and Netflix film) to win the Nespresso Grand Prize.

8.2
Best Film

Unbelievable is one of the best Netflix productions in a while and definitely the best detective-centric show since the first season of True Detective.After a rape victim is not believed by the detectives who are assigned to her case, details of a similar incident surface elsewhere.Two detectives played masterfully by Toni Collette and Merritt Wever, embark on a relentless journey to catch the perpetrator in this thrilling and insanely bingeable true-crime show.

8.8

Three kids from a poor neighborhood win scholarships to the best high-school in Spain and later find themselves at the center of a murder. There is a lot that comes to the surface from the working-class kids clashing with the wealthy. Themes of money, power, religion, and even sexuality make this show so compelling that I never felt like I needed a murder to keep watching.

7.4

From the Oscar-nominated cinematographer of City of God, this is a Brazilian Netflix TV show that I can only describe as a smarter Hunger Games. In a dystopian society, the majority of the planet’s population lives in extreme poverty while a select 3% (hence the title) live in a heaven-like world called “The Offshore”. Every year, the 20-year-olds of the planet get a chance to join the 3% in a selection process that for the first time might harbor moles. With an intriguing first episode that shares just enough to keep you informed but engaged, it’s easy to want to binge-watch the whole first season of 3% in one sitting.

8.0

Some of the best black actors working today team up for When They See Us - the list includes Michael K William (Omar Little from The Wire) Jovan Adepo (Fences) and Jharrel Jerome (Moonlight). And as most on-camera faces in this miniseries are recognizable (there is also Felicity Huffman and Michael Peña), so is the writer, director, and creator of the show, Ava DuVernay. She is the director of Selma, for which she became the first female black director to ever be nominated for an Oscar. I’m spending a lot of time on credentials because the performances and high-quality direction are one of the few things that will get you through this show. It’s a tough watch - chronicling the story of five black teenagers who get falsely accused of rape. The case, known as The Central Park Five, was also made into an excellent documentary by the same name (available on Amazon Prime). When They See Us goes through the mechanisms and details of how the U.S. justice system framed these teenagers. It also pays special attention to their time in prison, and their family relationships. It’s an excruciating but incredibly important watch.

9.4

This Netflix production is based on a case that rocked public opinion in Italy. Stefano Cucchi was arrested for a minor drug charge and died five days later from police brutality.The movie takes its time to expose what Cucchi went through, which might lead some viewers to find On My Skin slow, and rightfully so. Thinking about the issues at hand here, it’s easy to understand why the director made that choice. In fact, Italians’ complex relationship with the Carabinieri, a division of the Italian army that carries out domestic policing, is delicate to explain and requires meticulous unveiling.Nominated to nine David di Donatello Awards (the equivalent of the Academy Awards in Italy), of which it won three.

7.7

In After Life, Ricky Gervais plays a kind-hearted journalist who turns dark after his wife passes away. Her parting gift to him is a video manual on how to deal with life. But his pessimism and annoyance with people keep delaying him from watching it. Worst of all, a new recruit at the newspaper is assigned to work with him. Her determined personality not only further delays him from dealing with his sadness, but gives him the platform to be even darker and more pessimistic. After Life is a mix of dark humor, straightforward drama, and tragedy. It’s a difficult story packaged in the easiest and most digestible TV form. The episodes are quick, have clear arcs and plot; and yet, you won’t be able to shake the feeling that you’re watching something much deeper than a Ricky Gervais comedy.

7.6
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