In The Sun, a family of four is dealt with tragedy after tragedy, beginning with the younger sun A-ho’s sudden incarceration. The mother is sympathetic but the father all but shuns him as he chooses to throw all his affection to A-hao, the older brother, and his med school pursuits instead. Themes of crime, punishment, family, and redemption are then explored in gorgeous frames and mesmerizing colors with director Chung Mong-hong doubling as the film’s cinematographer. 

Despite itself, The Sun never falls into cliche melodrama territory. Its heavy themes are undercut by naturalistic acting and poetic shots, resulting in a deeply emotional but balanced film. Rich in meaning and beauty, The Sun will surely stay with you long after your first watch.

You’ve probably watched and heard about enough Holocaust films to expect a formula, but you might want to put all that aside going into The Boy in Striped Pajamas. Bruno, the son of a WWII Nazi commandant forms an unlikely friendship with a Jewish kid his age in his father’s concentration camp. The film is World War II told through Bruno’s eyes, and while you might not get why this movie is so highly praised in its first scenes, the twisting and profound second half will have you recommending it to everyone in need of a moving story well executed, or quite simply a good cry.

This is quite the movie. It’s based on the true story of Brady Jandereau, an ex-rodeo star who suffered from an injury that took him away from riding horses. This is the best part, in the movie, he actually plays himself. His friends in the movie are his real-life friends. And the horse taming scenes are real wild horses being trained (by him). The line between reality and the filmmaking process is so thin here. An absolutely mesmerizing movie, directed by Chinese filmmaker Chloe Zhao. The Rider. Don’t miss it.

Hayao Miyazaki is no stranger to the fantastical. Howl’s Moving Castle and Spirited Away conjure worlds of spirits and demons, monsters and witches, imaginary wars and extraordinary heroes. But in Kiki’s Delivery Service, the real magic arises from the mundane.

The titular teenaged Kiki leaves home, setting out to become a better witch. She arrives in the idyllic seaside town of Koriko with only her broom and best friend, a black cat named Jiji. When she serendipitously meets Osono, the gentle owner of a bakery, Kiki begins a delivery service as part of her training.

Kiki’s Delivery Service may be one of Miyazaki’s more understated films, but it’s a beautiful reminder that believing in oneself is a magical act of courage that we should all undertake.

Featuring a Pre-Bond Daniel Craig, Layer cake can be described as a mix between Lock Stock, Two Smoking Barrels and Scarface—a darkly funny and incredibly violent film. It features great acting from Craig and the rest of the cast, action that will keep you on the edge of your seat once it gets moving and a complex and deep theme that can make you reconsider your worldview. This is a true action movie for the thinking man (or woman).

The Fundamentals of Caring is an offbeat comedy/drama starring Paul Rudd as a man attempting to overcome his looming divorce by becoming the caretaker for a teenager with muscular dystrophy (Craig Roberts, Submarine). The two develop an unconventional relationship based largely on sarcasm and profanity, delivering many laugh-out-loud moments, while also slowly exposing the pain each is carrying inside.

Together, at Ben’s urging, they embark on a road trip across the western United States for Craig to see the world. It’s somewhat formulaic but fun and touching road movie that covers much familiar ground, but also offers a fine illustration of caregiving, personal growth, and emotional healing. Paul Rudd is as good ever, and Roberts is utterly superb. One of the best movies on the Netflix Originals catalog, and an undeniable winner, all-in-all.

There is so much power to this story based actor Shia Laboeuf’s life. As a kid, he lived with his father on the road during the filming of Even Stevens and other star-making roles. His dad was a war veteran who goes to bikers’ AA meetings and who had a brief acting career himself.  He was full of anger that made Laboeuf later suffer from PTSD, but which he was able to perceive in a fascinating way. 

Putting Laboeuf’s fame aside, this is an incredible movie on emotionally abusive parent-child relationships. It’s a universal story. With Shia Laboeuf as his father and Lucas Hedges as current-day Laboeuf. 

Asif Kapadia, the genius of biopics who gave us Senna, is back with this documentary on an even bigger sports personality: Argentinian soccer player Diego Armando Maradona. Considered as possibly the best soccer player of all time, Maradona’s footage on the pitch is pure wizardry, and you’ll feel that way whether you are a soccer fan or not. But that’s not the focus of this documentary. What happens outside the pitch is more interesting: from Maradona’s modest beginnings to the passionate hatred (and love) that entire countries develop of him. And it doesn’t make his story less interesting that during his time in Naples he was affiliated with the mafia.

This is an excellent documentary that distills 500 hours of footage into 2, giving you all you need to know about a character who captured the imagination of a big part of the world for decades. 

This groundbreaking documentary follows the USA Olympics sexual abuse case that made headlines in 2015. Through interviews with Olympians, their families, and investigative reporters, it’s also a documentary on the overall culture of abuse in gymnastics: sexual, physical, and emotional.

In one scene from the 1996 Olympics, gold medalist Kerri Strug has to run, vault, and land – all with a severe foot injury that was covered up by her coaches. She does this twice, limping between attempts and crawling off the mat on the second, crying. Meanwhile, her family, her coaches, the spectators – the World – is celebrating.

When she’s carried off, it’s Larry Nassar, the pedophile at the center of the documentary, who carries her.

Athlete A is groundbreaking exactly because it illustrates that the problem is not only with one doctor, or the 54 coaches who were also found guilty of sexual abuse, or the morally bankrupt leadership of USA Gymastics; it’s also about what went so wrong with society to see the abuse of young girls as cause for celebration.

Director Ziad Doueiri is one of the first filmmakers to successfully break through to the global stage out of Lebanon, and West Beirut, which was selected as the country’s entry for the Best Foreign Language Film at the 1999 Academy Awards, is one of his most accomplished films.

The film stars the director’s son Rami Doueiri as Tarek, a young Lebanese boy who loves to shoot with his Super 8 camera and go on small adventures with his friends Omar and May in the streets of Beirut. But one day, he is faced with the ugly truth of the Lebanese civil war. As he learns more and more about the divided state of his country, he sets out on a mission in search of any lingering hope to help keep the beautiful idea he has of his country locked safe and sound in his brain. “Whoever asks about your religion, you tell them I’m Lebanese.”