If you live in France, you must be curious about not only if your country’s selection on Netflix is good, but also how to find the movies that are worth your time. This list serves both purposes. Specific to Netflix France, this is a countdown of handpicked critically acclaimed films that will cover you for a long time. As we will update it regularly, make sure to bookmark it for whenever you feel like watching something good.
agoodmovietowatch suggests films that are highly-rated but relatively little-known. We’re to serve as a gateway to services like Netflix, and in a way show you what to “demand” from these On-Demand providers.
Below, find the best movies on Netflix France, you can also browse all our suggestions here.
Do not go in to this film expecting a traditional comedy, or anything you’ve previously known Hader and Wiig for. The Skeleton Twins is more of a beautiful, deep drama than it is a comedy – although it will produce many laughs. Due to unusual events, estranged siblings Milo and Maggie (Bill Hader and Kristen Wiig) reunite after years and attempt to repair their fractured relationship, despite their own individual misgivings. A very bittersweet and touching film starring two actors showing impressive range and versatility as their characters seek to rediscover the childhood friendship and camaraderie they had lost many years earlier. Again, don’t expect a traditional comedy, but an honest display of the complexities of sibling relationships and how conflict, compassion and understanding fits into it all. Really left me with a soft spot in my heart.
Editor’s note: we are only tagging this film as a drama.
A riveting take on one of the most prestigious forms of modern art, The Best Offer is a film laced with symbolism and thick, posh accents. Virgil Oldman (Geoffrey Rush) ends up pursuing a socially inept woman through Robert (Jim Sturgess), who guides him in winning her heart, albeit, rather unconventionally. What starts out as something Oldman brushes off to be some poor laid-out scam ends up a mystery he begins obsessing over, turning his life to shambles of sorts.
This uncanny film by Academy Award-winning director Giuseppe Tornatore delivers sharp twists and appropriately-timed surprises in a suspense-thriller served on a silver platter.
A Kurdish-Iraqi immigrant runs into serious immigration problems as he tries to immigrate from France to England in order to be reunited with his girlfriend. Eventually he begins to train in swimming, in an attempt to swim the channel between France and England. Welcome is a gripping tale of tolerance as well as relationships between locals and immigrants. It also gives a great look into the shortcoming of the European immigration system, and will have you crying by the end of it, no question.
The Fountain is a highly compelling science-fiction/fantasy film told in three interwoven parts related to the mythical concept of the Tree of Life. Hugh Jackman and Rachel Weisz star in a triad of roles that alternate along the film’s narrative: 1) an ancient conquistador assigned by the Queen of Spain to locate the legendary tree within the jungles of South American, 2) a modern medical doctor desperately striving to find a cure for his wife’s terminal brain cancer, and 3) a futuristic space traveler transporting the sacred tree across the cosmos with spectral images of his wife as his companion. In this, his 3rd feature feature-length film, writer/director Darren Aronofsky has crafted a strikingly ambitious depiction of the search for, manifestation of and preservation of the oft-fabled key to eternity. It’s highly philosophical and at times strikingly abstract visual storytelling, aided immeasurably by Jackman’s and Weisz’s heartfelt, aggrieved performances. The passion and the earnestness they deliver helps to buoy a complicated plot that isn’t always entirely cohesive, but comes together as a wonderfully compelling amalgamation of sights and sounds bound to inspire the viewer. Kudos to Aronofsky for eschewing simple fantasy in lieu of something so dynamic, original and emotionally commanding.
This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.
The White Helmets, the 2016 Academy Award for Best Documentary Short Subject, is a concise but riveting documentation of the titular rescue organization that formed in Syria in 2012. Set primarily in the war-torn city of Aleppo, the film captures the day-to-day efforts of the White Helmet volunteers as they respond to the sites of airstrikes and bombings in order to remove survivors and victims from demolished buildings. Director Orlando von Einsiedel (Virunga) clearly put himself in the face of it to capture remarkable footage of war and ruin, illuminating the unimaginable destruction and death beset upon the Syrian people over the course of nearly 6 years of civil war. It’s a remarkable effort, highlighted by the profound one-on-one interviews with members of The White Helmets. They each express their heartfelt desire to save the lives of other human beings, even as they yearn for peace and the safety of their own families and friends. Indeed their official credo from The Quran, as explained in the film, reads “Whoever saves one life, saves all of humanity.”
Tickled is a documentary about competitive tickling with a very dark underbelly. As ridiculous as that sounds, it’s true. Director David Farrier is a journalist who specializes in reporting on unusual internet phenomenons. When he comes across a video on competitive tickling he casually reaches out to the organizers (on Facebook) to make a quick video with them. Their response is disproportionate and angry – which prompts him to dig deeper. What he finds is both legitimately terrifying and very surprising given the nature of the underlining theme. A suspenseful, rewarding and just straight out weird movie. A great watch.
You’ve probably watched and heard about enough Holocaust films to expect a formula, but you might want to put all that aside going into The Boy in Striped Pajamas. Bruno, the son of a WWII Nazi commandant forms an unlikely friendship with a Jewish kid his age in his father’s concentration camp. The film is World War II told through Bruno’s eyes, and while you might not get why this movie is so highly praised in its first scenes, the twisting and profound second half will have you recommending it to everyone in need of a moving story well executed, or quite simply a good cry.
From director Noah Baumbach (Frances Ha, The Squid and the Whale) The Meyerowitz Stories is a beautiful family comedy otherwise known as that Adam Sandler that doesn’t suck. He plays a recently divorced man, as he usually does, called Danny (as he’s usually called). Danny moves in with his father, played by Dustin Hoffman, who himself is dealing with feelings of failure. As both of them are joined by other members of the family (including Danny’s half-brother, played by Ben Stiller), their family dynamic comes to the surface in a beautiful, sometimes very moving way. This is an amazingly tender movie in which Noah Baumbach proves he’s so good, he can make even Adam Sandler sound genuine.
When asked about this film, Quentin Tarantino goes so far as to say, “If there’s any movie that’s been made since I’ve been making movies that I wish I had made, it’s that one.” Kinji Fukasaku’s cult classic follows an alternative reality set in Japan, where a random high school class is forced onto a remote island to fight to the death. While it does follow the quintessential ‘only one shall leave’ scenario (complete with over-the-top, almost comedic murder scenes), the raw emotion and character depth cuts far deeper than traditional action thrillers. The film will leave you out of breath but still satisfied with how the narrative plays out.
The Fundamentals of Caring is an offbeat comedy/drama starring Paul Rudd as Ben, a man attempting to overcome tragedy and looming divorce by becoming the caretaker for a teenager with muscular dystrophy (Craig Roberts, Submarine). The two develop an unconventional relationship based largely on sarcasm and profanity, delivering many laugh-out-loud moments, while also slowly exposing the pain each is carrying inside. Together, at Ben’s urging, they embark on a road trip across the western United States for Craig to see the world beyond his wheelchair and television. It’s a formulaic yet fun and touching road movie that covers much familiar ground, but also offers a fine illustration of caregiving, personal growth, and emotional healing. Paul Rudd is as good ever, and Roberts is utterly superb. One of the best movies on the Netflix Originals catalogue, and an undeniable winner, all-in-all.
The 1868 semi-autobiographical novels of Louisa May Alcott have been adapted into film, television and theatre so many times: 6 movies, 4 TV shows, even a broadway musical. It’s a compelling story to watch as it unfolds, and it’s easy to see why many hold this one as the best adaptation of the novels. For one, the cast is top-notch and perfect for the roles: Christian Bale as Laurie, Susan Sarandon as Mrs. March, and Winona Ryder, Trini Alvarado, Claire Danes and a very young Kirsten Dunst as the four sisters.
Little Women is the story of these four girls living in post-civil war America. We watch them grow together, find love, have their little fights, and try to find their place in the world. Everything from the costumes and settings to the dialogue do an excellent job of conveying the heartwarming story and the emotional impact behind it.
How to Change the World is an insightful and candid documentary about the formation of Greenpeace in 1971 by a small group of environmentalists and activists in Vancouver, British Columbia. Beginning with their attempt to disrupt U.S. nuclear testing in Amchitka, Alaska, the film follows their subsequent efforts to thwart commercial whaling in the Pacific, their anti-sealing campaign in Newfoundland, and their ongoing efforts to defend the natural world against what they perceive as excessive human intervention and abuse. How to Change the World is as much a poignant tale of inspired activism as it is an interesting study of the organization’s early tribulations: idealism vs. anarchy, social movement vs. organizational structure (or lack thereof) and leadership vs. disunity. The voice of co-founder Robert Hunter (de facto leader of Greenpeace from inception) is heard posthumously throughout via narrator Barry Pepper, and it adds an impassioned air of gravitas to the film, detailing the many complexities Greenpeace experienced over the course of its early years of growth and development. A compelling and educational viewing experience.
If you like any of the following: Irish accents, Woody Harrelson, Pulp Fiction, or dark comedy; then this is the movie for you. This mix of violence, mafia, existential talk, and painfully comical situations might not be for everyone, but it has every component to make its target audience very pleased. And given how chaotic and crazy it can get, it should be enjoyed one take at a time, focusing on each delightful scene rather than the overall plot. Directed by Martin McDonagh, Seven Psychopaths makes a perfect comeback after In Bruges, without veering very much from it (consequently if you like this movie make sure you check out In Bruges too).
The Grand Seduction, a remake of 2003 French-Canadian film La Grande Séduction (2003), is a lighthearted comedy about the residents of the small fishing village of Tickle Head, Newfoudland attempting to convince a young doctor to become its long-term caregiver in order to secure a contract for a new petrochemical facility. Desperate to guide the town out of its impoverished conditions and lack of employment opportunities, the citizens band together to pull ever bit out of deceit and chicanery out of their hats (in often laugh-out-loud fashion) in order to sway the young doctor Paul (Taylor Kitsch) into believing that Tickle Head is where he belongs. It’s a lighthearted and funny story, despite undeniably familiar shades of The Shipping News, Doc Hollywood and Funny Farm. Brendan Gleeson is particularly good as the new mayor of town and Paul’s head “seducer”. He gives the film that extra bit of humanity and wry humor that lifts it above the familiar plot points and into “notable recommendation” territory.
Stressed by adolescence, 16-year-old Craig Gilner checks himself into a mental-health clinic. Unfortunately, the youth wing is closed, so he must spend his mandated five-day stay with adults. One of them, Bobby, quickly becomes his mentor — and him his protege, while Craig finds himself drawn to a fellow teen, Noelle, who just may be the cure he needs to forget an unrequited crush. Starring Keir Gilchrist and Zack Galifianakis, It’s kind of a Funny Story is based on a novel of the same name.
Monster is a biographical depiction of Aileen Wuornos (Charlize Theron), a prostitute and serial killer who murdered seven men in Florida between 1989 and 1990. The film follows the burgeoning relationship between Wuornos and young Selby Wall (Christina Ricci, in a role based on Wuornos’ real-life girlfriend Tyria Moore), as she grows increasingly desperate to provide for her young companion financially. Her desperation and her rage against men, brought on by years of both childhood and adult abuse, leads her down a dark path of murder and theft, even as she struggles to shield Selby from the horror of her crimes. The overwhelming highlight of the film is Theron’s mesmerizing performance as Wuornos—a role that won her a well-deserved Academy Award for Best Actress in 2004. She’s almost unrecognizable and altogether phenomenal as the volatile and increasingly unstable Wuornos, whose ferocity is interwoven with surprising affection for young Selby. This unexpected tenderness lends the film an air of tragic poignancy, and provides a bittersweet portrayal of a severely troubled woman. Very much intended for mature audiences only, Monster is a fascinating recreation of a disturbing yet compelling chapter in the annals of true crime in America.
On par with the best documentaries of the 21st Century thus far, “Requiem for the American Dream” is an essential viewing for the discerning viewer in search of a more complete understanding of how American society has evolved to such a dramatic point of polarization, and how both politics and big business have played a role in this process. In his introductory remarks to the film, celebrated intellectual and linguistics professor Noam Chomsky expounds: “Inequality has highly negative consequences on society as a whole, because the very fact of inequality has a corrosive, harmful effect on democracy.” Chomsky spells out his perspective regarding the modern political machine and the downfall of democracy, with a keen eye to the historical decisions and influences that have sabotaged the “common good” and shaped America’s current political, financial and social landscape.
Featuring a Pre-Bond Daniel Craig, Layer cake can be described as a mix between Lock Stock, Two Smoking Barrels and Scarface—a darkly funny and incredibly violent film. It features great acting from Craig and the rest of the cast, action that will keep you on the edge of your seat once it gets moving and a complex and deep theme that can make you reconsider your worldview. This is a true action movie for the thinking man (or woman).
An earnest, simple documentary with an equally as simple premise: four friends travel to Guatemala for 8 weeks and try to live on one dollar a day each. What starts as an experiment for them quickly becomes an illustration of levels of poverty some of us will luckily never experience. More than 1.1 billion people (almost four times the population of the U.S.) do live on less than one dollar a day, and this film is a journey into their world. Other than making you realize the luxury you live in, this film will leave you wanting to do more for your fellow humans.
Danny (Callum Turner) is a young man struggling to make ends meet in New York. His brother, spending the night in jail, urges him to take his place in a small heist. His job is simple : He would meet Ellie (Grace Van Patten), she would drive him to take a briefcase, and then to a train station where he would exchange the briefcase with a woman holding a green purse. You’ve probably guessed what might go wrong in a plan like this: another woman with another green purse. Danny makes the trade quickly and, being the nervous guy that he is, storms off only to find later that he had taken the wrong briefcase. This is how Danny and Ellie’s little adventure begins as they track down the woman with the green purse throughout New York.
Tramps is a simple romantic comedy filled with genuine charm that will make you fall in love with the characters, and maybe even the two first-time actors that portray them – as they slowly grow closer to each other. The lively soundtrack and engaging writing are all the more reason to watch this lovely little film.
Mélanie Laurent’s fifth movie that she both directs and writes, Breathe is an impressive display of deft film-making and honest, insightful storytelling. Charlie is a teenage high school student with seemingly nothing unusual about her. When Sarah comes to her school from Nigeria they quickly form a friendship that brings out many unexpected sides of Charlie. Breathe sometimes veers to darkness which adds the last element to a perfect portrayal of friendship between two teenage girls.
The Centre Will Not Hold explores the life of the famous Joan Didion – professional observer and cultural spectator. The film gives only a small window into the complexity of her mind and the space in which she processes and understands the world, which stems from her capacity to sit above everything that is happening around her and just observe. From writing for Vogue, to war journalism, to her famous novels – from watching a child do acid, to reporting on the first gulf war – Didion is as prolific as she is insightful and majestic in her writing. Throughout the documentary she gives her first hand perspectives on love, relationships, motherhood, and grief – beautifully articulating it as “a place we do not know unless we’ve been there.” A beautiful woman, and an incredible film.
When asked to play Andy Kaufman, Jim Carrey decided that he would get into character and never get out, even when the camera was not rolling. This was extremely frustrating to everyone at first, especially the director, who had no way of communicating with Jim Carrey, only Andy Kaufman or Tony Clifton (an alter ego created by Andy Kaufman). At the same time, Carrey had allowed a camera crew to follow him in order to create a behind-the-scenes documentary. The footage was never released because Universal Studios expressed concerns that “people would think Jim Carrey is an asshole”. Jim & Andy is that footage being displayed for the first time since it was recorded 20 years ago, finding Carrey at a very unique point in his life. Sick of fame and almost sick of acting, he displays his true self – an unbelievably smart, fragile, and complex person. His commentary, when it’s not funny impressions, is extremely emotional and grounded – sometimes philosophical. This is one of the best documentaries that Netflix has ever bought the distribution rights for, and certainly a mind-blowing portrayal of a complex mind.
Twinsters is a documentary about a young Asian American actress, Samantha Futerman (also co-director), who is contacted over the internet by a young French-Asian woman, Anaïs Bordier, who has been shown a video of Samantha on the internet — and cannot believe their remarkably similar physical appearance. After initial perplexity and uncertainty, Samantha and Anaïs are soon embroiled in excited correspondence and travel to meet one another in their respective countries — eventually confirming via DNA testing that they are in fact long-lost twin sisters given up for adoption 25 years earlier in South Korea. A remarkable true story with a wonderfully beating heart, Twinsters does a lovely job of not just spelling out the amazing story of the sisters’ unlikely connection, but also finding and exploring the growing love and affection between both the two girls, as well as their extended families and groups of friends. A truly touching and humanistic film-viewing experience.
Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.
A summer’s night, it’s around 2 AM and you’re outside talking with a close friend about life, happiness, and the human condition. That quality and depth of conversation, which you reach at best a couple of times a year is present throughout the 106 minutes of The End of the Tour. The film depicts the story of David Foster Wallace, as played by Jason Segel, and his interactions with then Rolling Stone journalist David Lipsky, as played by Jesse Eisenberg. It’s like being with two smart friends and discussing your life and theirs in the sense that it is deeply personal, very smart while being simple, and unpretentiously relevant. Performances are nothing short of perfect as Segel completely transforms into the character, and everything is authentically orchestrated with the deft hand of The Spectacular Now director James Ponsoldt. A rare and important film.
The Siege of Jadotville is a different kind of war movie. It doesn’t recount famous battles or portray renowned heroes – instead, it’s about heroes and events that went completely unnoticed. Namely, the Irish 35 Battalion ‘A’ Company – a group of youngsters who are sent out on a U.N mission to the Congo. What was supposed to be a simple positioning quickly becomes one of the most sought-after locations and the battalion of 150 ‘war-virgins” find themselves up against 3000 mercenaries led by experienced French commandants. And what a tribute this film is: it’s well-paced, powerfully shot, and the acting, led by Jamie Dornan on one side and Guillaume Canet on the other, is absolutely perfect.
Goon is funny, violent, and sweet as hell. You’ll be surprised by how nasty it is but at the same time you won’t care. What you will want to do, on the other hand, is rip through the screen, and hug the main character. It is also a great example of a feel-good movie that isn’t solely focused on being a feel-good movie. It’s also great love story, with all its absurdities and highly emotional load. The story shines a light on the players who join hockey teams not for the game but for the fights that may erupt. They are called goons. Doug Glatt (Seann William Scott) is a new goon and this movie is his journey towards success both on the ice and off.
From countries like Finland to North Korea, this amazing documentary explores the most fascinating active volcanoes on our planet. But as it unfolds you realize that Into the Inferno is a movie as much about volcanoes as it is about the people obsessed with them. And who can be called obsessive more than the film’s own director, Werner Herzog, who, with such an explosive career had to eventually make a film about volcanos (bad pun intended). Beautiful scenery, interesting interviews, and Werner’s majestic delivery all make Into the Inferno both an interesting and satisfying documentary.
Elisabeth Moss is in it. Calling The One I Love a romantic-comedy, looking it up, or trusting anyone else about it — especially my review, will ruin this film for you. Just watch it. If one’s penchant is typically opposed to titles with ‘love’ in them, then it’s for you. Just hit ‘play’, or ‘start’, or whatever. The initial wtf-ness that attracted me to it is compelled further by excellent acting. And Elisabeth Moss is in it.
Based off the real life experiences of the film’s writer, Jack Asser, Starred Up is a gritty crime drama set within a violent offenses prison in the UK. The film’s name references a youthful offender who, by virtue of his crimes, is sent to an adult facility. The film hums along like a taut bit of wire, keeping the viewer on the edge of their seat as the enormity of the prison subculture is unfolded in front of them. Unlike many other prison dramas, this film isn’t afraid to break cliches and explore new ground, and is populated with disturbingly real character studies, slices of dark and broken humanity.
An instant classic, Beast of No Nation is a unique and uniquely-paced war drama which ranges in patterns from explosive visual storytelling to calm character studies. A child joins a rebel group consisting almost entirely of children and led by a charismatic leader credited as Commandant. As you get to witness the conflict through the child’s eyes, his own development and his commander’s, the film unfolds as an exploration of the never ending state of war in Africa. It takes you to varying conclusions, most of which you will have trouble admitting you’ve reached. As Commandant, Idris Elba is transfixing, and the whole cast of almost entirely non-actors, as well as the deeply authentic staging by True Detective and Sin Nombre director Cary Fukunaga, are enthralling.
The story of a single mother trying to raise an unstable teenager and their interactions with the world surrounding them, Mommy is a movie that aims straight for the heart and doesn’t miss. It is so intense that you are likely to feel a kind of emotional tiredness after watching it. However, it is a beautiful intensity so to speak. Because while it has many joyous moments as well as funny ones, its true brilliance is reached while you are being punched in the guts. This is the more impacting with perfect the performances from the cast, the elaborate soundtrack and Xavier Dolan’s impeccable staging. Think of Mommy as the most beautiful heartbreaking movie you will ever watch, it will hurt, but you will never regret watching it, and you will find yourself recommending it to everyone you know.
“As fragile as she was strong, as vulnerable as she was dynamic, she was African royalty. How does royalty stomp around in the mud and still walk with grace?”. What Happened, Miss Simone? will surprise you no matter how much you thought you knew about the soul singer – not only in its exploration of Nina Simone’s personal life and complexities, but by being both a personal and political documentary. As you discover an original singer with talents that reach all the way to performance art, you will also learn about a Civil Rights activist’s journey and an unstable woman’s struggle. The documentary is not about answering the question of what happened, Miss Simone? – it’s an exploration of why that question is so important.