16 Best Movies on Netflix You’re Missing Out On

January 13, 2019

Finding what to watch on Netflix is easy, finding good things to watch is hard. There is so much movement in the Netflix catalog it sometimes confuses even the journalists covering the platform. 

Our job is to go through that catalog and waste time so that you wouldn’t have to. We hunt down the best things to watch at any one time, and in the end we summarize everything in a list like this one. So after our list of 23 best-on-Netflix list, this is our shorter, tighter recap for the best movies we’ve been recommending on Netflix lately. Because we only suggest highly-rated, little-known movies, there is a big chance that you’ve missed these picks. 

16

Paul Giamatti, man. Ever watched Win/Win? What a performance. I didn’t think he could do any better than that. But here he did.

This movie is now on Netflix. It’s about a couple that is trying to have a kid but can’t. Their frustration grows, but so does their willingness to do whatever it takes to become parents. They try to adopt, go to fertility clinics and ultimately ask their niece to donate her eggs. To really work, such a plot requires well-written, multifaceted characters one can relate to. I did, and it really worked.

15

This movie is a dramatic masterpiece and a tribute to loving middle-aged women everywhere. It is unparalleled in the way it portrays its characters and the subtlety with which it tells their stories. The events are centered around a 52-year-old Georgian woman who decides to leave her family home and live alone without much of a notice. She trades chaos and domestic disputes for solitude, and the prospect of sad old age for an opportunity to build a new life for herself. In other words, she trades being the secondary character to her mother, husband, and children, to being the hero of her own story. A genuine and beautiful film. If like me you grew up with a mother who sacrificed everything for you, this will hit very close to home.

14

The Fundamentals of Caring is an offbeat comedy/drama starring Paul Rudd as Ben, a man attempting to overcome tragedy and looming divorce by becoming the caretaker for a teenager with muscular dystrophy (Craig Roberts, Submarine). The two develop an unconventional relationship based largely on sarcasm and profanity, delivering many laugh-out-loud moments, while also slowly exposing the pain each is carrying inside. Together, at Ben’s urging, they embark on a road trip across the western United States for Craig to see the world beyond his wheelchair and television. It’s a formulaic yet fun and touching road movie that covers much familiar ground, but also offers a fine illustration of caregiving, personal growth, and emotional healing. Paul Rudd is as good ever, and Roberts is utterly superb. One of the best movies on the Netflix Originals catalogue, and an undeniable winner, all-in-all.

13

A masterpiece in every possible way: its striking balance between simplicity and effectiveness, its innovative value, the commitment of its maker, and just overall beauty. Boyhood was filmed over a span of 12 years, something never attempted before in film. The result is a captivating, breathtaking tale with almost unparalleled plausibility. The emotions it incites as well as the natural flow it has will feel a lot like life itself, and will leave you with ideas you can dwell on for long after the credits roll. Directed by Richard Linklater, and nominated for 6 different Oscars.

12

Ex Machina is the brilliant science fiction film from the writer of 28 Days Later (and 28 Weeks Later). It tells the story of a developer who is invited by his billionaire CEO to participate in a groundbreaking experiment with the artificially intelligent Ava. When the developer starts interacting with Ava, questions of trust and ethics collide with his own views and commitment to give an interesting and thrilling take on artificial intelligence from different angles. The visual effects are not only stunning but extremely efficient making Ex Machina feel as casually futuristic as Her, and in its emphasis on ideas as daringly simple as a David Fincher production.

11

Deep in the suburbs of Paris, Divines follows the story of Dounia (played by Oulaya Amamra) and her best friend Maimouna (played by Déborah Lukumuena). Director Houda Benyamina serves a nest of social issues – welcoming the viewer into a world where poverty is pervasive and adults are haunted by their own ghosts, where there is a life vest only in the reliance on friendship. The nature of this bond between the two female characters is deep, playful, and backed by mesmerizing acting on behalf of Amamra and Lukumuena.

Just as prevailing throughout the film is the commentary on immigrant diasporas and the power of idealization. The girls fantasize about financial excess with guttural determination, guided only by the realization that their escape from their current lives has to come to fruition no matter what the cost. This film is entrancing and thought-provoking. You won’t be able to look away.

2017
10

Two Korean-American brothers run their family’s shoe store on the day of the 1992 LA riots. The day starts in their struggling business as they hang out with their friend – an 11-year-old African American girl – Kamilla. The Rodney King verdict is announced and violence breaks out. Written, directed, and starring Justin Chon, it’s a tight 94 minutes of impressive film-making that speaks volumes about America’s intra-minority race relations. It’s a work that elicits sympathy, and manages to uplift the violent event to a human level. An amazing movie.

2018
9

Alfonso Cuaron is a master storyteller, Academy Award-winning director, and the man behind masterpieces such as Y Tu Mamá También, Gravity, Children of Men, and perhaps more importantly, the (uncontested) best Harry Potter movie (Prisoner of Azkaban, of course). In Roma, he tells a different story. His own.

Building on events from his childhood, he tells the story of a young domestic worker in the Mexico City’s Roma neighborhood. You get tales of class struggle, family dynamics and sexism in 1970s Mexico City.

The first hour is slow but so beautiful. All it does is prepare you for the events to come, and those who stick it out will be handsomely awarded. 

This is a stunning, wise and deeply personal movie. It’s everything we should ever ask from filmmakers at their prime.

8

Five orphaned sister are put under house arrest by their uncle and grandmother after they are seen horsing around with local boys from school. While their actions were purely innocent, their behaviour is viewed as scandalous and shameful by the conservative elders in their small Turkish village. After this incident, their grandmother turns her attention towards marrying off her granddaughters. Each of the five sisters rebel in their own way, but it is the youngest and rowdiest sister, Lale, who is the central protagonist of the film. She watches helplessly as each of her older sisters are married off with an increasing sense of dread and desperation. While this may sound hopelessly depressing, the movie is equal parts beautiful and tragic, and floats across the screen in a dreamlike manner. Not all of the sisters escape their oppressive surroundings or their assigned fate, but the message is clear: it’s crucial to try.

7

On Body and Soul is the impeccably crafted winner of the 2017 Berlin Film Festival. Two strangers have the same dream every night, they meet as deer in a forest and eventually fall in love. When they run into each other in real life and search for the love they experience once unconscious, their introverted personalities as well as their surroundings add variables that make it hard to establish that same connection. This unconventional love story is beautifully and passionately made by Hungary’s best director, who had taken an 18-year break from making movies. When you watch it you will realize that her break was probably the only way someone could so creatively and tenderly make something like On Body and Soul.

6

A Call me By Your Name without the privilege, pretentiousness or wealth, and it’s probably a better movie because of it. God’s Own Country tells the story of Johnny, a kid from the Yorkshire countryside and underclass. The family’s workload and responsibility fell on his shoulders after his father suffered from a stroke, which drove him further into loneliness and alienation. Upon meeting a Romanian farmer, his ideas of loneliness, sex, and intimacy are confronted with change. A beautiful and beautifully humane film, and an unbelievable debut by British director Francis Lee.

2015
5

An exploration of the complex and loving relationship between a mother and her son that will take you through a variety of extremely perceived emotions: it’s uplifting, disturbing, provocative, sad, and hopeful among many other things. We don’t get many of these middle-class-budget films anymore, and this one might be its category’s best. A kidnapped girl (Brie Larson) has a son (Jacob Tremblay in an electrifying performance) with her abductor and tries to provide a “normal” environment for the kid in the room where they’re being held captive, until they attempt to escape. Brie Larson won an Oscar for Best Actress in Room, so make sure to also check out Short Term 12, an equally impressive performance by her in an equally amazing movie.

4

From one small Texas town to the other, two brothers rob banks and travel with extreme precaution yet apparent recklessness. Played by Chris Pine and Ben Foster, their journey captures their essence as men and the essence of their surroundings. A character study, not of one character, but of many, Hell or High Water is a magical modern-day crime western that you can get soaked in so easily. Jeff Bridges plays the Texas Ranger that chases them adding another perfect performance to the beautiful aesthetic of this thriller that manages to combine realism with romanticism of the subject matter. What turns good men bad? Some of the stuff in this film, definitely.

2016
3

Lion is the award-sweeping movie based on the true story of a kid in India who gets lost in a train and suddenly finds himself thousands of kilometers away from home. 25 years later, after being adopted by an Australian couple, he embarks on a journey through his memory and across continents to reconnect with his lost family. Dev Patel plays Saroo, and Nicole Kidman plays his Australian adoptive mother. Two truly amazing performances that will transport you to the time and place of the events, as well as its emotions spanning tear-jerking moments and pure joy. An uplifting, meaningful, and beautiful movie.

2

Phenomenal and heartbreaking, Wind River is a true masterpiece by Taylor Sheridan, the man behind Sicario and Hell or High Water. In a Native American Reservation, a local girl is found dead and a young detective (Elizabeth Olsen) tries to uncover the mystery. She is accompanied by a tracker (Jeremy Renner) with his own dark history in the community. It’s not a very rewarding movie at first, so don’t expect an incredibly fast-paced story from the get-go. However, when everything unfolds, it’s not only action-packed, its reflections on indigenous communities are deep and poignant. How this remains a relatively known movie is shocking, it has to be one of the best mysteries of the past 20 years.

1

A summer’s night, it’s around 2 AM and you’re outside talking with a close friend about life, happiness, and the human condition. That quality and depth of conversation, which you reach at best a couple of times a year is present throughout the 106 minutes of The End of the Tour. The film depicts the story of David Foster Wallace, as played by Jason Segel, and his interactions with then Rolling Stone journalist David Lipsky, as played by Jesse Eisenberg. It’s like being with two smart friends and discussing your life and theirs in the sense that it is deeply personal, very smart while being simple, and unpretentiously relevant. Performances are nothing short of perfect as Segel completely transforms into the character, and everything is authentically orchestrated with the deft hand of The Spectacular Now director James Ponsoldt. A rare and important film.