Frequently considered one of the greatest animated movies of all times, and certainly the highest-grossing film in Japanese history, Spirited Away is Hayao Miyazaki and Studio Ghibli at their very best. It was also the first non-English animation movie to win an Oscar. On the surface, it’s a film about a Chihiro Ogino (Hiiragi), a young girl who stumbles into an abandoned theme park with her parents. In a creepy spiritual world full of Shinto folklore spirits, she sees all kinds of magic and fantastic creatures, while having to find a way to save her parents and escape. In addition to the adventure, the coming-of-age theme, and the motifs of ancient Japanese lore, the film can also be understood as a critique of the Western influence on Japanese culture and the struggle for identity in the wake of the 1990s economic crisis. A deep, fast-paced, and hypnotizing journey.

Orlando von Einsiedel’s epic documentary is at once a stunning natural film, an intimate human drama, and an intense political thriller slash investigative report. The titular Virunga National Park, a UNESCO world heritage site in Eastern Congo, serves as the magnifying glass through which we witness the natural, human, and political crisis of this embattled and volatile region. There are poachers killing endangered gorillas, the bloody business of Big Oil companies, government forces fighting a myriad of militias, and, lastly, the three individuals struggling to protect Virunga and its mountain gorillas from death and destruction. The result is a snap-crackle-pop-type situation, like sitting on a powder keg. The film captures all this superbly with great editing, compelling real-life material, and gripping action. Virunga’s intensity can rival a well-made fictional thriller any day of the week.

From Aaron Sorkin, the creator of every liberal’s favorite 2000s political drama, The West Wing, The Social Network, and the master of the “walk and talk”, comes the dramatization of a sadly true American story from the mid-last century. In 1968, different groups from all over the country travelled to Chicago to protest the Vietnam War at the Democratic National Convention. The Chicago police greeted them in full riot gear, purposely attacking the peaceful protesters. Five months later, eight of them (charges against Black Panther leader Bobby Seale were dismissed) were arrested for inciting riot. As the title suggests, the film details the trials that followed, which highlight the still ongoing battles within American society and politics: racism, ineptness, corruption, complacency, you name it. On a lighter note, while you wouldn’t necessarily call this an ensemble cast, the number of unlikely familiar faces in this film is off the charts: Yahya Abdul-Mateen II, Sascha Baron Cohen, Joseph Gordon-Levitt, Eddie Redmayne. It also features some of the greatest supporting actors in American TV history like John Carrol Lynch, Frank Langella, and the amazing John Doman aka Bill Rawls from The Wire.

Being an intimate, black-and-white portrayal of just two people, it is worth mentioning the two leads in the very first sentence: Blue Jay stars the incredibly versatile Sarah Paulson, who most of you will know from her depiction of Marcia Clark in The People vs. O.J., and Mark Duplass from Creep. In this incredibly intricate dialogue-driven drama, he is of course named Jim, a regular guy with some issues, who runs into his high-school sweetheart Amanda at the grocery store. She is only in town briefly because her sister is having a baby. Amanda agrees to have coffee with him, later they get beer and jellybeans, and find themselves recreating silly tapes at his late mother’s house that they use to make when they were still at school. This could quickly become a soppy affair if it wasn’t for the heart-felt realness of the acting, for lack of a better term, and all the fine details that the two leads bring to the screen. The chemistry between them is something to behold!

While barely 90 minutes long, Cold War is epic in scope and a modern testament to what cinema can be. Whether we are feasting our eyes on the decaying post-war landscape of Poland, the patinated streets of East Berlin, or the delicate magic of a historic Paris, Cold War offers its viewers meticulously staged black-and-white beauty, conceived by Polish wunderkind director Paweł Pawlikowski and his trusted cinematographer Łukasz Ża. Winner of a slew of prestigious awards, this is a film made for the silver screen, so we recommend leaving your iPhone on the table and getting your hands on the biggest screen you can muster for watching this. The plot is essentially about the obsessive attraction between musician Wiktor (Tomasz Kot) and the young singer Zula (Joanna Kulig), who is recruited as the newest member of the former’s state-sponsored folk music band. Cold War follows their impossible love for fourteen years and across many European countries on each side of the Iron Curtain. It is a statement on how far artists go for their art, especially when they become constrained not only by dictatorship but also love. A poetic, sexy, and gorgeous movie without a wasted moment. A work of art.

Director Bryan Fogel, who you might know as the guy behind Jewtopia, initially set out to chronicle his exploration of doping to win an amateur cycling race. He starts off by reaching out to experts to help him with obtaining and administering said drugs, one of which points him towards Russian scientist Grigory Rodchenkov, the director of Russia’s national anti-doping laboratory. Rodchenkov eagerly agrees to help him out.

Little did he know that his Russian acquaintance would transform Fogel film from a self-experiment documentary into a true-crime political thriller, when the scientist admits to being involved in a state-sponsored doping scheme of epic proportions on camera. Putin is obviously not amused.

Aside from all the madness that unfolds in this Netflix production, it’s Rodchenkov’s likeable and eccentric personality that makes the story more relatable and human as well as giving you a rare glimpse into the upper echelons of a country like Russia. As the plot thickens, one can’t help but think that Fogel too is in over his head. Rightly award-winning, this is gripping stuff even if you’re not into sports!