If you live in Russia, you must be curious about not only if your country's selection on Netflix is good, but also how to find the movies that are worth your time. This list serves both purposes. Specific to Netflix Russia, this is a countdown of handpicked critically acclaimed films that will cover you for a long time. As we will update it regularily, make sure to bookmark it for whenever you feel like watching something good.
agoodmovietowatch suggests films that are highly-rated but relatively little-known. We're to serve as a gateway to services like Netflix, and in a way show you what to "demand" from these On-Demand providers.Below, find the best movies on Netflix Russia, you can also browse all our suggestions here.
Icarus starts with its director Bryan Fogel deciding to inject himself with doping substances and participate in a biking race undetected. By accident, he ends up in contact with a Russian scientist. This man transforms the movie from a personal experiment to a highly relevant political thriller. Called Dr. Grigory Rodchenkov, the scientist seems to be at the center of accusations to Russia of a virtually impossible state-sponsored doping scheme. With links to the Russian president Putin himself, the movie keeps getting more and more interesting as the relationship between Fogel and Rodchenkov develops. And aside from all the madness that unfolds, Rodchenkov’s likeable personality makes the story more relatable and humane, and gives an insight into the pressures of working in the regulatory body in a country like Russia. You will be astonished by how much material this movie has. A must-watch.
The story of one of the most influential musicians of recent history, George Harrison, told through the eyes of one of the most prominent filmmakers, Martin Scorsese. Directing and producing, Scorsese offers one of the most complete documentaries on any artist – ever. And What an artist he was. Successful and talented, yes, but also incredibly inspired and very spiritual. Through interviews, home movies, and concert footage, this long and intimate film will allow you to travel the world of The Beatles and their time, and explore the incredible mind of George Harrison. Such a heartfelt documentary.
The 1868 semi-autobiographical novels of Louisa May Alcott have been adapted into film, television and theatre so many times: 6 movies, 4 TV shows, even a broadway musical. It’s a compelling story to watch as it unfolds, and it’s easy to see why many hold this one as the best adaptation of the novels. For one, the cast is top-notch and perfect for the roles: Christian Bale as Laurie, Susan Sarandon as Mrs. March, and Winona Ryder, Trini Alvarado, Claire Danes and a very young Kirsten Dunst as the four sisters.
Little Women is the story of these four girls living in post-civil war america. We watch them grow together, find love, have their little fights, and try to find their place in the world. Everything from the costumes and settings to the dialogue do an excellent job of conveying the heartwarming story and the emotional impact behind it.
Director Noah Baumbach’s autobiographical film is a strikingly realistic take on divorce and the turmoil it sets on an already-dysfunctional family. Bernard (Jeff Daniels) is a selfish decadent writer who’s splitting with his unfaithful wife Joan (Laura Linney). Their two sons, Walt (Jesse Eisenberg) and Frank (Owen Kline), are taking different sides that reflect their personality. This separation only reinforces their insecurities as they quickly fall into depression and grow away from their friends. The parents, however, find unconventional lovers just as quickly, Bernard with a student of his, and Jane with her son’s tennis coach.
The Squid and the Whale is a funny, emotional, and gripping story that finds a perfect balance in tone despite dealing with bitter divorce and troubled adolescence.
Director Bong Joon-ho (Snowpiercer) does something quite amazing with the $50 million budget Netflix gave him: he makes a simplistic movie. But boy is it good. Okja tells the story of a “super pig” experimentation that sends genetically modified pigs to top farmers around the world. In Korea, a farmer’s granddaughter forms a special relationship with one of these super pigs (called Okja), only to be confronted by the company who runs the experimentation in the persons of Johnny Wilcox (Jake Gyllenhaal) and Lucy Mirando (Tilda Swinton). When they try to take away Okja, she finds an ally in an animal advocacy group lead by Jay (Paul Dano), and goes on an adventure to retrieve her friend. Again, it’s a straightforward movie, and in that sense it is very entertaining – but it’s also full of thought-provoking themes, and mostly incredibly thoughtful performances from the ensemble cast.
Fed Up is an American Documentary film of sorts that will make you realize at least one of two things: sugar is a different form of evil, or, the food the mass consumes, no matter what it may be, likely contains high amounts of sugar – and to be quite honest, there’s nothing scarier. Dubbed as the earthshaking truth the food industry doesn’t want you to see, this chronicled news report is an exploration of the implications and repercussions of careless food consumption and production that eventually lead to America’s most dangerous statistics, such as obesity, diabetes, high blood pressure, and other ill-health outcomes.
Last Days in Vietnam is a 2014 documentary that recounts the final weeks of the Vietnam conflict in 1975, as North Vietnamese forces surged toward Saigon and U.S personnel anxiously awaited word of an evacuation plan. At the time, U.S. Ambassador Graham Martin was reluctant to accept defeat, and delayed a U.S. withdrawal in his (rapidly diminishing) hopes that a solution could be reached. Once the fall of Saigon became imminent and Congress denied emergency funding for the evacuation, however, U.S. diplomatic, military and intelligence personnel were left piecing together a bare bones plan to escape via military helicopter support. The moral dilemma they soon faced was the harsh reality of leaving behind so many South Vietnamese citizens who had supported the American effort—many of whom faced likely imprisonment and/or death. Featuring remarkable archival film footage and first-hand accounts from many involved, the film recounts those final days of chaos and confusion in stunningly dramatic fashion. Director Rory Kennedy has put together a gripping and emotionally compelling film that balances broad historical exposition with concise detail related to the evacuation’s complexities—all of it punctuated by remarkable examples of bravery and heroism. Not to be missed.
Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometowns 20 years later. They talk, then get coffee, and then beer and jelly beans, until they move to Jim’s mother’s house. As they talk, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.
From one of the most compelling books of this generation, comes the good movie that aims to tell the tale of a friendship that spans lifetimes. Amir and Hassan share a brotherhood bond backed by days of kite flying and nights of storytelling. Long after the well-off Amir moves to California, Hassan holds out hope for his return. This is cut short by his untimely execution during the war, in which only his son is left unharmed. In search of something that will make him “good again”, Amir pays his former home a visit and starts looking for Hassan’s son.
A story about forgiveness, finding light, and holding onto hope, Oscar Nominated film The Kite Runner is a haunting masterpiece boasting authenticity that just proves it is one worth seeing a thousand times over.
Monster is a biographical depiction of Aileen Wuornos (Charlize Theron), a prostitute and serial killer who murdered seven men in Florida between 1989 and 1990. The film follows the burgeoning relationship between Wuornos and young Selby Wall (Christina Ricci, in a role based on Wuornos’ real-life girlfriend Tyria Moore), as she grows increasingly desperate to provide for her young companion financially. Her desperation and her rage against men, brought on by years of both childhood and adult abuse, leads her down a dark path of murder and theft, even as she struggles to shield Selby from the horror of her crimes. The overwhelming highlight of the film is Theron’s mesmerizing performance as Wuornos—a role that won her a well-deserved Academy Award for Best Actress in 2004. She’s almost unrecognizable and altogether phenomenal as the volatile and increasingly unstable Wuornos, whose ferocity is interwoven with surprising affection for young Selby. This unexpected tenderness lends the film an air of tragic poignancy, and provides a bittersweet portrayal of a severely troubled woman. Very much intended for mature audiences only, Monster is a fascinating recreation of a disturbing yet compelling chapter in the annals of true crime in America.
On par with the best documentaries of the 21st Century thus far, “Requiem for the American Dream” is essential viewing for the discerning viewer in search of a more complete understanding of how American society has evolved to such a dramatic point of polarization, and how both politics and big business have played such an inextricably role in this process. In his introductory remarks to the film, celebrated intellectual and linguistics professor Noam Chomsky expounds: “Inequality has highly negative consequences on society as a whole, because the very fact of inequality has a corrosive, harmful effect on democracy.” At his rational and coherent best, Chomsky spells out his perspective regarding the modern political machine and the downfall of democracy, with a keen eye to the historical decisions and influences that have sabotaged the “common good” and shaped America’s current political, financial and social landscape.
The White Helmets, the 2016 Academy Award for Best Documentary Short Subject, is a concise but riveting documentation of the titular rescue organization that formed in Syria in 2012. Set primarily in the war-torn city of Aleppo, the film captures the day-to-day efforts of the White Helmet volunteers as they respond to the sites of airstrikes and bombings in order to remove survivors and victims from demolished buildings. Director Orlando von Einsiedel (Virunga) clearly put himself in harms way in order to capture remarkable footage of war and ruination, illuminating the unimaginable destruction and death beset upon the Syrian people over the course of nearly 6 years of civil war. It’s a remarkable effort, highlighted in particular by profound one-on-one interviews with members of The White Helmets. They each express their heartfelt desire to save the lives of other human beings, even as they yearn for peace and the safety of their own families and friends. Indeed their official credo from The Quran, as explained in the film, reads “Whoever saves one life, saves all of humanity.”
Incredible footage combined with an incredible soundtrack will keep you frozen in your seat until global warming melts you off (so to speak). Chasing Ice is about a National Geographic photographer who tries to capture a complete overview of what climate change is doing to our planet. Consequently this movie took years to make and countless technical issues had to be dealt with in order to record amazing time-lapse videos. The result is mesmerizing, and something that has never been caught on camera before. This movie is evidence of what our planet is going through that everyone will understand. Be prepared to be charmed and saddened at the same time.
This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will probably enjoy this small, well-acted film.
Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.
As ivory became appreciated in the Chinese middle-class, demand for it has skyrocketed in the past few years. This brought elephants to a dire outlook: extinction in as early as the next 15 years. “Traders in ivory actually want extension in elephants, the less elephants there are the more the price rises” as one of the commentators in the film says. To bring awareness to this threat, filmmakers went undercover for 16 months and followed the ivory from where it was stolen until it hits the shelves of Hong Kong. The result is a genuine thriller, far more gripping than you’d expect from a documentary. It portrays the brave and hopeful men and women trying to combat these atrocities, the battle they may be losing, and all the obstacles they face. An extremely important watch.
From countries like Finland to North Korea, this amazing documentary explores the most fascinating active volcanoes on our planet. But as it unfolds you realize that Into the Inferno is a movie as much about volcanoes as it is about the people obsessed with them, and the general fascination we all have towards them. And who can be called obsessive more than the film’s own director, Werner Herzog, who, with such an explosive career had to eventually make a film about volcanos (bad pun intended). Beautiful scenery, interesting interviews, and Werner’s majestic delivery all make Into the Inferno both an interesting and satisfying documentary.
Deep in the suburbs of Paris, Divines follows the story of Dounia (played by Oulaya Amamra) and her best friend Maimouna (played by Déborah Lukumuena). Director Houda Benyamina serves a nest of social issues – welcoming the viewer into a world where poverty is pervasive and adults are haunted by their own ghosts, where there is a life vest only in the reliance on friendship. The nature of this bond between the two female characters is deep, playful, and backed by mesmerizing acting on behalf of Amamra and Lukumuena.
Just as prevailing throughout the film is the commentary on immigrant diasporas and the power of idealization. The girls fantasize about financial excess with guttural determination, guided only by the realization that their escape from their current lives has to come to fruition no matter what the cost. This film is entrancing and thought-provoking. You won’t be able to look away.
How to Change the World is an insightful and candid documentary about the formation of Greenpeace in 1971 by a small group of environmentalists and activists in Vancouver, British Columbia. Beginning with their attempt to disrupt U.S. nuclear testing in Amchitka, Alaska, the film follows their subsequent efforts to thwart commercial whaling in the Pacific, their anti-sealing campaign in Newfoundland, and their ongoing efforts to defend the natural world against what they perceive as excessive human intervention and abuse. How to Change the World is as much a poignant tale of inspired activism as it is an interesting study of the organization’s early tribulations: idealism vs. anarchy, social movement vs. organizational structure (or lack thereof) and leadership vs. disunity. The voice of co-founder Robert Hunter (de facto leader of Greenpeace from inception) is heard posthumously throughout via narrator Barry Pepper, and it adds an impassioned air of gravitas to the film, detailing the many complexities Greenpeace experienced over the course of its early years of growth and development. A compelling and educational viewing experience.
When Russian director Vitaly Mansky is commissioned by the North Korean government to make a documentary about an average Pyongyang child, he follows their every guideline. Except the end result, Under The Sun, is the complete opposite of what they had intended. For example starting every take earlier than they thought, he makes the documentary about the watchdogs around the child and other mechanisms of propaganda. He uses quiet storytelling to expose just how brainwashing in a fascist regime takes place, and how the people caught in it function. May just be the smartest, most important film you can watch on North Korea.
An earnest, simple documentary with an equally as simple premise: four friends travel to Guatemala for 8 weeks and try to live on one dollar a day each. What starts as an experiment for them quickly becomes an illustration of levels of poverty some of us will luckily never experience. More than 1.1 billion people (almost four times the population of the U.S.) do live on less than one dollar a day, and this film is a journey to their world – a journey to what it takes to live a life in poverty and exactly what that entails. Other than making you realize the luxury you live in, this film will leave you wanting to do more for your fellow humans.