If you live in Russia, you must be curious about not only if your country's selection on Netflix is good, but also how to find the movies that are worth your time. This list serves both purposes. Specific to Netflix Russia, this is a countdown of handpicked critically acclaimed films that will cover you for a long time. As we will update it regularily, make sure to bookmark it for whenever you feel like watching something good.
agoodmovietowatch suggests films that are highly-rated but relatively little-known. We're to serve as a gateway to services like Netflix, and in a way show you what to "demand" from these On-Demand providers.Below, find the best movies on Netflix Russia, you can also browse all our suggestions here.
From director Noah Baumbach (Frances Ha, The Squid and the Whale) The Meyerowitz Stories is a beautiful family comedy otherwise known as that Adam Sandler that doesn’t suck. He plays a recently divorced man, as he usually does, called Danny (as he’s usually called). Danny moves in with his father, played by Dustin Hoffman, who himself is dealing with feelings of failure. As both of them are joined by other members of the family (including Danny’s half-brother, played by Ben Stiller), their family dynamic comes to the surface in a beautiful, sometimes very moving way. This is an amazingly tender movie in which Noah Baumbach proves he’s so good, he can make even Adam Sandler sound genuine.
A deeply affecting and meaningful documentary, directed by the woman who it revolves around. Jennifer Brea, a Harvard Ph.D student, begins suffering from unusual symptoms: prolonged and extreme fatigue, mental confusion, full-body pain, etc. When she goes to the doctor she is dismissed for being dehydrated and depressed. Later she finds an extended community suffering from her exact same symptoms, all of which fall under the umbrella of Myalgic Encephalomyelitis, more widely known as Chronic Fatigue Syndrome. She decides to tell their stories from her bed, and as such this movie is a collection of videos from her and her partner, added to the stories of others living with the disease. An important and inspiring movie that sheds a light on the lives of the millions affected by CFS around the world. Watch the trailer.
When asked to play Andy Kaufman, Jim Carrey decided that he would get into character and never get out, even when the camera was not rolling. This was extremely frustrating to everyone at first, especially the director, who had no way of communicating with Jim Carrey, only Andy Kaufman or Tony Clifton (an alter ego created by Andy Kaufman). At the same time, Carrey had allowed a camera crew to follow him in order to create a behind-the-scenes documentary. The footage was never released because Universal Studios expressed concerns that “people would think Jim Carrey is an asshole”. Jim & Andy is that footage being displayed for the first time since it was recorded 20 years ago, finding Carrey at a very unique point in his life. Sick of fame and almost sick of acting, he displays his true self – an unbelievably smart, fragile, and complex person. His commentary, when it’s not funny impressions, is extremely emotional and grounded – sometimes philosophical. This is one of the best documentaries that Netflix has ever bought the distribution rights for, and certainly a mind-blowing portrayal of a complex mind.
Tickled is a documentary about competitive tickling with a very dark underbelly. As ridiculous as that sounds, it’s true. Director David Farrier is a journalist who specializes in reporting on unusual internet phenomenons. When he comes across a video on competitive tickling he casually reaches out to the organizers (on Facebook) to make a quick video with them. Their response is disproportionate and angry – which prompts him to dig deeper. What he finds is both legitimately terrifying and very surprising given the nature of the underlining theme. A suspenseful, rewarding and just straight out weird movie. A great watch.
The Centre Will Not Hold explores the life of the famous Joan Didion – professional observer and cultural spectator. The film gives only a small window into the complexity of her mind and the space in which she processes and understands the world, which stems from her capacity to sit above everything that is happening around her and just observe. From writing for Vogue, to war journalism, to her famous novels – from watching a child do acid, to reporting on the first gulf war – Didion is as prolific as she is insightful and majestic in her writing. Throughout the documentary she gives her first hand perspectives on love, relationships, motherhood, and grief – beautifully articulating it as “a place we do not know unless we’ve been there.” A beautiful woman, and an incredible film.
Icarus starts with director Bryan Fogel deciding to inject himself with doping substances and participate in a biking race undetected. By accident, he ends up in contact with a Russian scientist. This man transforms the movie from a personal experiment to a highly relevant political thriller. Dr. Grigory Rodchenkov, the scientist is at the center of accusations in Russia of a virtually impossible state-sponsored doping scheme. With links to the Russian president Putin himself, the movie keeps getting more and more interesting as the relationship between Fogel and Rodchenkov develops. Aside from all the madness that unfolds, Rodchenkov’s likeable personality makes the story more relatable and humane, and gives an insight into the pressures of working in the regulatory body in a country like Russia. You will be astonished by how much material this movie has. A must-watch.
The story of one of the most influential musicians of recent history, George Harrison, told through the eyes of one of the most prominent filmmakers, Martin Scorsese. Director and producer, Scorsese offers one of the most complete documentaries on any artist – ever. And what an artist he was – successful and talented, yes, but also incredibly inspired and spiritual. Through interviews, home movies, and concert footage, this long and intimate film will allow you to travel through the world of The Beatles, and explore the incredible mind of George Harrison. A heartfelt documentary.
Director Bong Joon-ho (Snowpiercer) does something quite amazing with the $50 million budget Netflix gave him: he makes a simplistic movie. But man, is it good. Okja tells the story of a “super pig” experiment that sends genetically modified pigs to top farmers around the world. In Korea, a farmer’s granddaughter forms a special relationship with one of these super pigs (Okja). When the company who originally ran the experiment want their pig back (performances by Jake Gyllenhaal and Tilda Swinton) – the two find an ally in an animal advocacy group led by Jay (Paul Dano). This is a straightforward movie, but nevertheless it is entertaining and full of thought-provoking themes and performances from an excellent cast.
One of the many good movies from director Edgar Wright – if you loved Shaun of the Dead, then this Buddy-Cop Homage will make you double over (and question humanity – or lack, thereof) just as much. Sandford is a small English village with the lowest crime and murder rates, so when overachieving police Nicholas Angel (Simon Pegg) gets sent there because he was so good he intimidated those around him, he just about loses it. From car-chasing, bone-thrilling, head-blowing action, he graduates to swan-calling, thrill-seeking, sleep-inducing madness. But all that’s about to change – for the worse? For the better? You decide.
An obscenely funny flick that has an intriguing plot and an even greater set of characters, Hot Fuzz wasn’t named the best film of the Cornetto trilogy for nothing, clearly cementing Pegg and Nick Frost as the ultimate action duo of the genre.
Danny (Callum Turner) is a young man struggling to make ends meet in New York. His brother, spending the night in jail, urges him to take his place in a small heist. His job is simple : He would meet Ellie (Grace Van Patten), she would drive him to take a briefcase, and then to a train station where he would exchange the briefcase with a woman holding a green purse. You’ve probably guessed what might go wrong in a plan like this: another woman with another green purse. Danny makes the trade quickly and, being the nervous guy that he is, storms off only to find later that he had taken the wrong briefcase. This is how Danny and Ellie’s little adventure begins as they track down the woman with the green purse throughout New York.
Tramps is a simple romantic comedy filled with genuine charm that will make you fall in love with the characters, and maybe even the two first-time actors that portray them – as they slowly grow closer to each other. The lively soundtrack and engaging writing are all the more reason to watch this lovely little film.
One of the most relevant movies to come out in the past years, Moonlight is a celebration of onscreen aesthetics and delicate screenwriting, acting and directing. In the poorer area of Miami, snippets of the life of a gay African-American man are shown in three different ages, states, and attitudes. Throughout the movie, and as you witness him progress and regress, you become almost enchanted by what is happening in front of you. You find yourself in a state of understanding and not understanding, of thinking you know what’s going to happen in the next scene, but also of having no idea of what is to follow. Winner of the Best Picture Oscar, Best Supporting Actor (for Mahershala Ali who plays one of the main charachter’s early role models), and Best Adapted Screenplay.
Fed Up is an American Documentary film that will make you realize at least one of two things: sugar is a different form of evil or, the food the mass consumes, no matter what it may be, likely contains high amounts of sugar – and to be quite honest, there’s nothing scarier. Dubbed as the earthshaking truth the food industry doesn’t want you to see, this chronicled news report is an exploration of the implications and repercussions of careless food consumption and production that eventually leads to America’s most dangerous statistics, such as obesity, diabetes, high blood pressure, and other ill-health outcomes.
Last Days in Vietnam is a documentary that recounts the final weeks of the conflict in 1975, as North Vietnamese forces surged toward Saigon and U.S personnel anxiously awaited word of an evacuation plan. At the time, U.S. Ambassador Graham Martin was reluctant to accept defeat, and delayed a U.S. withdrawal in his (rapidly diminishing) hopes that a solution could be reached. Once the fall of Saigon became imminent, U.S. diplomatic, military and intelligence personnel were left piecing together a bare bones plan to escape via military helicopter support. The moral dilemma they soon faced was the harsh reality of leaving behind so many South Vietnamese citizens who had supported the American effort—many of whom faced likely imprisonment and/or death. Featuring remarkable footage and first-hand accounts from many involved, the film recounts those final days of chaos and confusion in stunningly dramatic fashion. Director Rory Kennedy has put together a gripping and emotionally compelling film that balances broad historical exposition with concise detail related to the evacuation complexities—all of it punctuated by remarkable examples of bravery and heroism.
Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometown 20 years later. They talk, they get coffee, and then beer and jelly beans, until they find themselves to Jim’s mother’s house. As they familiarize themselves again, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.
Monster is a biographical depiction of Aileen Wuornos (Charlize Theron), a prostitute and serial killer who murdered seven men in Florida between 1989 and 1990. The film follows the burgeoning relationship between Wuornos and young Selby Wall (Christina Ricci, in a role based on Wuornos’ real-life girlfriend Tyria Moore), as she grows increasingly desperate to provide for her young companion financially. Her desperation and her rage against men, brought on by years of both childhood and adult abuse, leads her down a dark path of murder and theft, even as she struggles to shield Selby from the horror of her crimes. The overwhelming highlight of the film is Theron’s mesmerizing performance as Wuornos—a role that won her a well-deserved Academy Award for Best Actress in 2004. She’s almost unrecognizable and altogether phenomenal as the volatile and increasingly unstable Wuornos, whose ferocity is interwoven with surprising affection for young Selby. This unexpected tenderness lends the film an air of tragic poignancy, and provides a bittersweet portrayal of a severely troubled woman. Very much intended for mature audiences only, Monster is a fascinating recreation of a disturbing yet compelling chapter in the annals of true crime in America.
On par with the best documentaries of the 21st Century thus far, “Requiem for the American Dream” is an essential viewing for the discerning viewer in search of a more complete understanding of how American society has evolved to such a dramatic point of polarization, and how both politics and big business have played a role in this process. In his introductory remarks to the film, celebrated intellectual and linguistics professor Noam Chomsky expounds: “Inequality has highly negative consequences on society as a whole, because the very fact of inequality has a corrosive, harmful effect on democracy.” Chomsky spells out his perspective regarding the modern political machine and the downfall of democracy, with a keen eye to the historical decisions and influences that have sabotaged the “common good” and shaped America’s current political, financial and social landscape.
The White Helmets, the 2016 Academy Award for Best Documentary Short Subject, is a concise but riveting documentation of the titular rescue organization that formed in Syria in 2012. Set primarily in the war-torn city of Aleppo, the film captures the day-to-day efforts of the White Helmet volunteers as they respond to the sites of airstrikes and bombings in order to remove survivors and victims from demolished buildings. Director Orlando von Einsiedel (Virunga) clearly put himself in the face of it to capture remarkable footage of war and ruin, illuminating the unimaginable destruction and death beset upon the Syrian people over the course of nearly 6 years of civil war. It’s a remarkable effort, highlighted by the profound one-on-one interviews with members of The White Helmets. They each express their heartfelt desire to save the lives of other human beings, even as they yearn for peace and the safety of their own families and friends. Indeed their official credo from The Quran, as explained in the film, reads “Whoever saves one life, saves all of humanity.”
This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.
A fast-paced thriller, and “actually dangerous” movie as envisioned by its directors, Good Time is about a bank robbery gone wrong and one brother trying to get his other brother out of jail in its aftermath. It’s a deep and fast dive into New York’s criminal underworld that will not give you the time to catch a single full breath. The rhythm here is, without exaggeration, unlike anything I’ve seen before. It’s anxiety-inducing and very… primal. Incredible work featuring a career-pivoting performance from Robert Pattinson as the loose criminal that will do literally anything in the pursuit of seeing his brother free.
Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.
Incredible footage combined with a great soundtrack will keep you frozen in your seat until global warming melts you off (so to speak). Chasing Ice is about a National Geographic photographer who tries to capture a complete overview of what climate change is doing to our planet. Consequently this movie took years to make and countless technical issues had to be dealt with in order to record the time-lapse videos. The result is mesmerizing, and captures something that has never been caught on camera before. This movie is evidence of what our planet is going through that everyone can relate to. Be prepared to be charmed and saddened at the same time.