If you live in South-Korea, you must be curious about not only if your country's selection on Netflix is good, but also how to find the movies that are worth your time. This list serves both purposes. Specific to Netflix South-Korea, this is a countdown of handpicked critically acclaimed films that will cover you for a long time. As we will update it regularily, make sure to bookmark it for whenever you feel like watching something good.
agoodmovietowatch suggests films that are highly-rated but relatively little-known. We're to serve as a gateway to services like Netflix, and in a way show you what to "demand" from these On-Demand providers.Below, find the best movies on Netflix South-Korea, you can also browse all our suggestions here.
Tickled is a documentary about competitive tickling with a very dark underbelly. As ridiculous as that sounds, it’s true. Director David Farrier is a journalist who specializes in reporting on unusual internet phenomenons. When he comes across a video on competitive tickling he casually reaches out to the organizers (on Facebook) to make a quick video with them. Their response is disproportionate and angry – which prompts him to dig deeper. What he finds is both legitimately terrifying and very surprising given the nature of the underlining theme. A suspenseful, rewarding and just straight out weird movie. A great watch.
Ryan Bingham (George Clooney) is a corporate axman, he comes in a fires people when the managers are too afraid to do it themselves. The nature of his work requires a lot of flying, short lived meetings in transit zones and he absolutely loves it, and he has a certain goal in mind. When the company tries a new approach to corporate downsizing he has to change his way and view of life. It’s full of cynicism and warmth. If you are familiar with Jason Reitman’s previous work, you’ll feel right at home, if you don’t : Get to it!
It’s disaster movie true to the guidelines of the genre, and yet with a little Korean twist it manages to be refreshingly thrilling. While a father tries to take his daughter from Seoul to Busan, the second largest city in Korea, a zombie virus breaks out. Together with other passengers they try to survive until Busan, with news coming in that it’s a safe zone untouched by the virus. The acting is spot on, the set pieces are well choreographed, and most importantly it makes you care about the characters through the father’s struggle to keep the governing principals of humanity in the bleakest of scenarios.
The Fountain is a highly compelling science-fiction/fantasy film told in three interwoven parts related to the mythical concept of the Tree of Life. Hugh Jackman and Rachel Weisz star in a triad of roles that alternate along the film’s narrative: 1) an ancient conquistador assigned by the Queen of Spain to locate the legendary tree within the jungles of South American, 2) a modern medical doctor desperately striving to find a cure for his wife’s terminal brain cancer, and 3) a futuristic space traveler transporting the sacred tree across the cosmos with spectral images of his wife as his companion. In this, his 3rd feature feature-length film, writer/director Darren Aronofsky has crafted a strikingly ambitious depiction of the search for, manifestation of and preservation of the oft-fabled key to eternity. It’s highly philosophical and at times strikingly abstract visual storytelling, aided immeasurably by Jackman’s and Weisz’s heartfelt, aggrieved performances. The passion and the earnestness they deliver helps to buoy a complicated plot that isn’t always entirely cohesive, but comes together as a wonderfully compelling amalgamation of sights and sounds bound to inspire the viewer. Kudos to Aronofsky for eschewing simple fantasy in lieu of something so dynamic, original and emotionally commanding.
Icarus starts with its director Bryan Fogel deciding to inject himself with doping substances and participate in a biking race undetected. By accident, he ends up in contact with a Russian scientist. This man transforms the movie from a personal experiment to a highly relevant political thriller. Called Dr. Grigory Rodchenkov, the scientist seems to be at the center of accusations to Russia of a virtually impossible state-sponsored doping scheme. With links to the Russian president Putin himself, the movie keeps getting more and more interesting as the relationship between Fogel and Rodchenkov develops. And aside from all the madness that unfolds, Rodchenkov’s likeable personality makes the story more relatable and humane, and gives an insight into the pressures of working in the regulatory body in a country like Russia. You will be astonished by how much material this movie has. A must-watch.
The story of one of the most influential musicians of recent history, George Harrison, told through the eyes of one of the most prominent filmmakers, Martin Scorsese. Directing and producing, Scorsese offers one of the most complete documentaries on any artist – ever. And What an artist he was. Successful and talented, yes, but also incredibly inspired and very spiritual. Through interviews, home movies, and concert footage, this long and intimate film will allow you to travel the world of The Beatles and their time, and explore the incredible mind of George Harrison. Such a heartfelt documentary.
The 1868 semi-autobiographical novels of Louisa May Alcott have been adapted into film, television and theatre so many times: 6 movies, 4 TV shows, even a broadway musical. It’s a compelling story to watch as it unfolds, and it’s easy to see why many hold this one as the best adaptation of the novels. For one, the cast is top-notch and perfect for the roles: Christian Bale as Laurie, Susan Sarandon as Mrs. March, and Winona Ryder, Trini Alvarado, Claire Danes and a very young Kirsten Dunst as the four sisters.
Little Women is the story of these four girls living in post-civil war america. We watch them grow together, find love, have their little fights, and try to find their place in the world. Everything from the costumes and settings to the dialogue do an excellent job of conveying the heartwarming story and the emotional impact behind it.
This is the type of famous movie that doesn’t feel like one. So if you haven’t yet seen it, avoid watching the trailer. Kate (Emily Blunt) is an FBI agent who is enlisted to aid in the war on drugs at the Mexican border. She is introduced to Alejandro (Benicio del Toro), a quiet and secretive agent working on the Mexican side. The reason you shouldn’t watch the trailer is that Sicario is much more than just another crime action movie, which its marketing will lead you to believe. It’s gorgeously made, with scenes that will catch your breath starting from the color composition to the amazing performances by Blunt and Del Toro. It’s intense, intelligent and very realistic in its approach to action sequences. Directed by Denis Villeneuve (Prisoners, Incendies, etc.)
Free journalism versus government control is an issue that most of us feel strongly about, but it’s not often that we hear about people fighting with their lives for it. Journalist Rachel Armstrong (Kate Beckinsale) finds herself in the midst of such a fight. After she releases a controversial article where she exposes the president for ignoring the findings of a covert CIA agent (Vera Farmiga), Rachel is instantly put under pressure from the government to name the source of her story, since someone who knows and shares the identity of undercover CIA agents poses a threat to U.S security.
This is a movie about principles and how far one would go to defend them. Rachel loses many things during her fight, and you’re always fearfully waiting for the moment when she would break under the pressure. This one quote from Rachel’s lawyer (Alan Alda) sums up her story perfectly: “…With great people there’s no difference between principle and the person.”
Director Noah Baumbach’s autobiographical film is a strikingly realistic take on divorce and the turmoil it sets on an already-dysfunctional family. Bernard (Jeff Daniels) is a selfish decadent writer who’s splitting with his unfaithful wife Joan (Laura Linney). Their two sons, Walt (Jesse Eisenberg) and Frank (Owen Kline), are taking different sides that reflect their personality. This separation only reinforces their insecurities as they quickly fall into depression and grow away from their friends. The parents, however, find unconventional lovers just as quickly, Bernard with a student of his, and Jane with her son’s tennis coach.
The Squid and the Whale is a funny, emotional, and gripping story that finds a perfect balance in tone despite dealing with bitter divorce and troubled adolescence.
Director Bong Joon-ho (Snowpiercer) does something quite amazing with the $50 million budget Netflix gave him: he makes a simplistic movie. But boy is it good. Okja tells the story of a “super pig” experimentation that sends genetically modified pigs to top farmers around the world. In Korea, a farmer’s granddaughter forms a special relationship with one of these super pigs (called Okja), only to be confronted by the company who runs the experimentation in the persons of Johnny Wilcox (Jake Gyllenhaal) and Lucy Mirando (Tilda Swinton). When they try to take away Okja, she finds an ally in an animal advocacy group lead by Jay (Paul Dano), and goes on an adventure to retrieve her friend. Again, it’s a straightforward movie, and in that sense it is very entertaining – but it’s also full of thought-provoking themes, and mostly incredibly thoughtful performances from the ensemble cast.
Danny (Callum Turner) is a young man struggling to make ends meet in New York. His brother, spending the night in jail, urges him to take his place in a small heist. His job is simple : He would meet Ellie (Grace Van Patten), she would drive him to take a briefcase, and then to a train station where he would exchange the briefcase with a woman holding a green purse. You’ve probably guessed what might go wrong in a plan like this: another woman with another green purse was arpi,d. Danny makes the trade quickly and, being the nervous guy that he is, storms off only to find later that he had taken the wrong briefcase. This is how Danny and Ellie’s little adventure begins as they track down the woman with the green purse throughout New York.
Tramps is a simple romantic comedy filled with genuine charm that will make you fall in love with the characters, and maybe even the two first-time actors that portray them – as they slowly grow closer to each other. The lively soundtrack and engaging writing are all the more reason to watch this lovely little film.
Fed Up is an American Documentary film of sorts that will make you realize at least one of two things: sugar is a different form of evil, or, the food the mass consumes, no matter what it may be, likely contains high amounts of sugar – and to be quite honest, there’s nothing scarier. Dubbed as the earthshaking truth the food industry doesn’t want you to see, this chronicled news report is an exploration of the implications and repercussions of careless food consumption and production that eventually lead to America’s most dangerous statistics, such as obesity, diabetes, high blood pressure, and other ill-health outcomes.
Last Days in Vietnam is a 2014 documentary that recounts the final weeks of the Vietnam conflict in 1975, as North Vietnamese forces surged toward Saigon and U.S personnel anxiously awaited word of an evacuation plan. At the time, U.S. Ambassador Graham Martin was reluctant to accept defeat, and delayed a U.S. withdrawal in his (rapidly diminishing) hopes that a solution could be reached. Once the fall of Saigon became imminent and Congress denied emergency funding for the evacuation, however, U.S. diplomatic, military and intelligence personnel were left piecing together a bare bones plan to escape via military helicopter support. The moral dilemma they soon faced was the harsh reality of leaving behind so many South Vietnamese citizens who had supported the American effort—many of whom faced likely imprisonment and/or death. Featuring remarkable archival film footage and first-hand accounts from many involved, the film recounts those final days of chaos and confusion in stunningly dramatic fashion. Director Rory Kennedy has put together a gripping and emotionally compelling film that balances broad historical exposition with concise detail related to the evacuation’s complexities—all of it punctuated by remarkable examples of bravery and heroism. Not to be missed.
Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometowns 20 years later. They talk, then get coffee, and then beer and jelly beans, until they move to Jim’s mother’s house. As they talk, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.
From one of the most compelling books of this generation, comes the good movie that aims to tell the tale of a friendship that spans lifetimes. Amir and Hassan share a brotherhood bond backed by days of kite flying and nights of storytelling. Long after the well-off Amir moves to California, Hassan holds out hope for his return. This is cut short by his untimely execution during the war, in which only his son is left unharmed. In search of something that will make him “good again”, Amir pays his former home a visit and starts looking for Hassan’s son.
A story about forgiveness, finding light, and holding onto hope, Oscar Nominated film The Kite Runner is a haunting masterpiece boasting authenticity that just proves it is one worth seeing a thousand times over.
Pawn Sacrifice is a period drama about famed chess player Bobby Fischer (Tobey Maguire), following Fischer’s rise from his childhood in Brooklyn through to his famed matchup with Soviet Grandmaster Boris Spassky (Liev Schreiber) at the 1972 World Chess Championship. The film captures Fischer’s adolescence as a time of burgeoning mastery of the game, while struggling in a fatherless home and beset by early signs of mental illness. Set during the height of the Cold War, tensions between the United States and Russia play a critical role in the story, as they fuel many of Fischer’s fears and anxieties over perceived Russian spying and surveillance. His paranoia reaches a fever pitch in Reykjavik, Iceland, the site of his famous duel with Spassky for the world championship, leading to a remarkably compelling finale. Writer director Steven Knight and director Edward Zwick have crafted a striking depiction of a real-life genius grappling with fraying sanity, and Maguire is stunningly evocative as the abrasive and acerbic Fischer. For the viewer, no advanced knowledge of chess is necessary to enjoy this vivid depiction of one man’s historical achievement in the face of profound mental disturbance.
A heart-wrenching tribute to victims of natural disasters that is one of despair, suffering, and hope. And it wouldn’t be so damning if it weren’t based off a true story surrounding the tragedy that killed more than 230,000 people.
Boxing Day 2004 was one of the most memorable dates for wedded couple, Henry (Ewan McGregor) and Maria (Naomi Watts, for an Oscar nominated performance). Just two days prior, they arrived at Orchid Beach Resort in Thailand to celebrate the Christmas holidays together with their three children. After a squabble with the crew regarding their room reservations, they are granted the privilege of staying in a peaceful villa and all seems to be well. Nature had other plans in mind, though, and facing it head-on is the bittersweet reality.
On par with the best documentaries of the 21st Century thus far, “Requiem for the American Dream” is essential viewing for the discerning viewer in search of a more complete understanding of how American society has evolved to such a dramatic point of polarization, and how both politics and big business have played such an inextricably role in this process. In his introductory remarks to the film, celebrated intellectual and linguistics professor Noam Chomsky expounds: “Inequality has highly negative consequences on society as a whole, because the very fact of inequality has a corrosive, harmful effect on democracy.” At his rational and coherent best, Chomsky spells out his perspective regarding the modern political machine and the downfall of democracy, with a keen eye to the historical decisions and influences that have sabotaged the “common good” and shaped America’s current political, financial and social landscape.
The White Helmets, the 2016 Academy Award for Best Documentary Short Subject, is a concise but riveting documentation of the titular rescue organization that formed in Syria in 2012. Set primarily in the war-torn city of Aleppo, the film captures the day-to-day efforts of the White Helmet volunteers as they respond to the sites of airstrikes and bombings in order to remove survivors and victims from demolished buildings. Director Orlando von Einsiedel (Virunga) clearly put himself in harms way in order to capture remarkable footage of war and ruination, illuminating the unimaginable destruction and death beset upon the Syrian people over the course of nearly 6 years of civil war. It’s a remarkable effort, highlighted in particular by profound one-on-one interviews with members of The White Helmets. They each express their heartfelt desire to save the lives of other human beings, even as they yearn for peace and the safety of their own families and friends. Indeed their official credo from The Quran, as explained in the film, reads “Whoever saves one life, saves all of humanity.”
This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will probably enjoy this small, well-acted film.