If you live in Spain, you must be curious about not only if your country's selection on Netflix is good, but also how to find the movies that are worth your time. This list serves both purposes. Specific to Netflix Spain, this is a countdown of handpicked critically acclaimed films that will cover you for a long time. As we will update it regularily, make sure to bookmark it for whenever you feel like watching something good.
agoodmovietowatch suggests films that are highly-rated but relatively little-known. We're to serve as a gateway to services like Netflix, and in a way show you what to "demand" from these On-Demand providers.Below, find the best movies on Netflix Spain, you can also browse all our suggestions here.
The Centre Will Not Hold explores the life of the famous Joan Didion – professional observer and cultural spectator. The film gives only a small window into the complexity of her mind and the space in which she processes and understands the world, which stems from her capacity to sit above everything that is happening around her and just observe. From writing for Vogue, to war journalism, to her famous novels – from watching a child do acid, to reporting on the first gulf war – Didion is as prolific as she is insightful and majestic in her writing. Throughout the documentary she gives her first hand perspectives on love, relationships, motherhood, and grief – beautifully articulating it as “a place we do not know unless we’ve been there.” A beautiful woman, and an incredible film.
The Fountain is a highly compelling science-fiction/fantasy film told in three interwoven parts related to the mythical concept of the Tree of Life. Hugh Jackman and Rachel Weisz star in a triad of roles that alternate along the film’s narrative: 1) an ancient conquistador assigned by the Queen of Spain to locate the legendary tree within the jungles of South American, 2) a modern medical doctor desperately striving to find a cure for his wife’s terminal brain cancer, and 3) a futuristic space traveler transporting the sacred tree across the cosmos with spectral images of his wife as his companion. In this, his 3rd feature feature-length film, writer/director Darren Aronofsky has crafted a strikingly ambitious depiction of the search for, manifestation of and preservation of the oft-fabled key to eternity. It’s highly philosophical and at times strikingly abstract visual storytelling, aided immeasurably by Jackman’s and Weisz’s heartfelt, aggrieved performances. The passion and the earnestness they deliver helps to buoy a complicated plot that isn’t always entirely cohesive, but comes together as a wonderfully compelling amalgamation of sights and sounds bound to inspire the viewer. Kudos to Aronofsky for eschewing simple fantasy in lieu of something so dynamic, original and emotionally commanding.
Icarus starts with its director Bryan Fogel deciding to inject himself with doping substances and participate in a biking race undetected. By accident, he ends up in contact with a Russian scientist. This man transforms the movie from a personal experiment to a highly relevant political thriller. Called Dr. Grigory Rodchenkov, the scientist seems to be at the center of accusations to Russia of a virtually impossible state-sponsored doping scheme. With links to the Russian president Putin himself, the movie keeps getting more and more interesting as the relationship between Fogel and Rodchenkov develops. And aside from all the madness that unfolds, Rodchenkov’s likeable personality makes the story more relatable and humane, and gives an insight into the pressures of working in the regulatory body in a country like Russia. You will be astonished by how much material this movie has. A must-watch.
A summer’s night, it’s around 2 AM and you’re outside talking with a close friend about life, happiness, and the human condition. That quality and depth of conversation, which you reach at best a couple of times a year is present throughout the 106 minutes of The End of the Tour. The film depicts the story of David Foster Wallace, as played by Jason Segel, and his interactions with then Rolling Stone journalist David Lipsky, as played by Jesse Eisenberg. It’s like being with two smart friends and discussing your life and theirs in the sense that it is deeply personal, very smart while being simple, and unpretentiously relevant. Performances are nothing short of perfect as Segel completely transforms into the character, and everything is authentically orchestrated with the deft hand of The Spectacular Now director James Ponsoldt. A rare and important film.
The story of one of the most influential musicians of recent history, George Harrison, told through the eyes of one of the most prominent filmmakers, Martin Scorsese. Directing and producing, Scorsese offers one of the most complete documentaries on any artist – ever. And What an artist he was. Successful and talented, yes, but also incredibly inspired and very spiritual. Through interviews, home movies, and concert footage, this long and intimate film will allow you to travel the world of The Beatles and their time, and explore the incredible mind of George Harrison. Such a heartfelt documentary.
This forgotten gem is the perfect family movie. It stars Michael Caine and Robert Duvall as the two eccentric uncles of Walter, a shy city kid (played by Haley Joel Osment). When Walter moves in with his uncles in rural Texas, he first has a hard time adjusting to his new surroundings. However his routine is changed after he starts hearing local gossip about his uncles, and reminiscence spurs in all three an incredible eagerness for adventure. Secondhand Lions has gathered impressive cult following in the past few years, and rightfully so. Its fast-paced, entertaining yet substantial storyline shines a light on the amazing performances by the cast, and offers a surprising mix of funny, heartwarming and sad. Look out for the flashback scenes.
An inspiring documentary about famed artist Ai Weiwei who has been the source of arguably the biggest public confrontation with the Chinese government by any artist. His straightforward attitude is made to provoke and to defend the people of China against the totalitarian regime. The film portrays Weiwei’s very visible struggle for redemption and invoke a sense of accountability from the government. The documentary is also about him as a person, his intimate relationships and his interactions with his family as he prepares for a big exhibition. A rare insight into a fascinating mind.
This is the type of famous movie that doesn’t feel like one. So if you haven’t yet seen it, avoid watching the trailer. Kate (Emily Blunt) is an FBI agent who is enlisted to aid in the war on drugs at the Mexican border. She is introduced to Alejandro (Benicio del Toro), a quiet and secretive agent working on the Mexican side. The reason you shouldn’t watch the trailer is that Sicario is much more than just another crime action movie, which its marketing will lead you to believe. It’s gorgeously made, with scenes that will catch your breath starting from the color composition to the amazing performances by Blunt and Del Toro. It’s intense, intelligent and very realistic in its approach to action sequences. Directed by Denis Villeneuve (Prisoners, Incendies, etc.)
Director Noah Baumbach’s autobiographical film is a strikingly realistic take on divorce and the turmoil it sets on an already-dysfunctional family. Bernard (Jeff Daniels) is a selfish decadent writer who’s splitting with his unfaithful wife Joan (Laura Linney). Their two sons, Walt (Jesse Eisenberg) and Frank (Owen Kline), are taking different sides that reflect their personality. This separation only reinforces their insecurities as they quickly fall into depression and grow away from their friends. The parents, however, find unconventional lovers just as quickly, Bernard with a student of his, and Jane with her son’s tennis coach.
The Squid and the Whale is a funny, emotional, and gripping story that finds a perfect balance in tone despite dealing with bitter divorce and troubled adolescence.
Director Bong Joon-ho (Snowpiercer) does something quite amazing with the $50 million budget Netflix gave him: he makes a simplistic movie. But boy is it good. Okja tells the story of a “super pig” experimentation that sends genetically modified pigs to top farmers around the world. In Korea, a farmer’s granddaughter forms a special relationship with one of these super pigs (called Okja), only to be confronted by the company who runs the experimentation in the persons of Johnny Wilcox (Jake Gyllenhaal) and Lucy Mirando (Tilda Swinton). When they try to take away Okja, she finds an ally in an animal advocacy group lead by Jay (Paul Dano), and goes on an adventure to retrieve her friend. Again, it’s a straightforward movie, and in that sense it is very entertaining – but it’s also full of thought-provoking themes, and mostly incredibly thoughtful performances from the ensemble cast.
One of the many good movies from director Edgar Wright. If you loved Shaun of the Dead, then this Buddy-Cop Homage will make you double over (and question humanity – or lack, thereof) just as much. Sandford is a small English village with the lowest crime and murder rates, so when overachieving police Nicholas Angel (Simon Pegg) gets sent there because he was so good he apparently intimidated those around him, he just about lost it. From car-chasing, bone-thrilling, head-blowing action, he graduates to swan-calling, thrill-seeking, sleep-inducing madness. But all that’s about to change – for the worse? For the better? You decide.
An obscenely funny flick that has an intriguing plot and an even greater set of characters, Hot Fuzz wasn’t named the best film of the Cornetto trilogy for nothing, clearly cementing Pegg and Nick Frost as the ultimate action duo of the genre.
Joy Division, formerly known as Warsaw, was a brilliant rock group that served its time and something that has lived through decades with the help of their songs, love for fans, and legendary performances – unfortunately for his band-mates and singer Ian Curtis, this picture-perfect scenery was cut short. Control is an exploration of his personal and professional musings, adding to the woes of his romantic troubles and inner desire to somehow break free from his deteriorating health.
Thoroughly processed in black and white, this enthralling biopic starring the brooding, and then-relatively unknown Sam Riley is all parts gut-wrenching and borderline extraordinary.
Danny (Callum Turner) is a young man struggling to make ends meet in New York. His brother, spending the night in jail, urges him to take his place in a small heist. His job is simple : He would meet Ellie (Grace Van Patten), she would drive him to take a briefcase, and then to a train station where he would exchange the briefcase with a woman holding a green purse. You’ve probably guessed what might go wrong in a plan like this: another woman with another green purse was arpi,d. Danny makes the trade quickly and, being the nervous guy that he is, storms off only to find later that he had taken the wrong briefcase. This is how Danny and Ellie’s little adventure begins as they track down the woman with the green purse throughout New York.
Tramps is a simple romantic comedy filled with genuine charm that will make you fall in love with the characters, and maybe even the two first-time actors that portray them – as they slowly grow closer to each other. The lively soundtrack and engaging writing are all the more reason to watch this lovely little film.
Shaun (Thomas Turgoose) is a 12-year-old kid fueled by rage because of his father’s death. Over the course of the summer in good ole’ Northern England, he befriends a group of local skinheads and instantly feels at home – with the mischief-making still partially at bay then. This was prior to meeting Combo, the most ill-bred of the gang, and being led down a path of greater danger.
Dubbed as director Shane Meadows’s best work, it’s easy to pick this one off a list and give it all the praise, depicting England perfectly in a coming-of-age approach you otherwise would’ve paid no mind to.
Is an innocent child’s life worth millions of other civilian casualties? In a modern-day drone warfare led by Colonel Katherine Powell, played by the very versatile Helen Mirren, she is conflicted to order the target of the Somali terrorist organization when she spots Alia, a young girl who just happens to be selling bread within the premises of the Kill Zone. Her icy exterior, however, is a far cry from Lieutenant General Frank Benson’s profound sympathy, the portrayal of the late Alan Rickman in his last onscreen role being one of his most remarkable ones to date. Eye in the Sky is a thriller that will have you questioning your morals while gripping your seats in what appears to be a battle of the best choice and the only one. Do the ends always justify the means?
Fed Up is an American Documentary film of sorts that will make you realize at least one of two things: sugar is a different form of evil, or, the food the mass consumes, no matter what it may be, likely contains high amounts of sugar – and to be quite honest, there’s nothing scarier. Dubbed as the earthshaking truth the food industry doesn’t want you to see, this chronicled news report is an exploration of the implications and repercussions of careless food consumption and production that eventually lead to America’s most dangerous statistics, such as obesity, diabetes, high blood pressure, and other ill-health outcomes.
Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometowns 20 years later. They talk, then get coffee, and then beer and jelly beans, until they move to Jim’s mother’s house. As they talk, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.
A heart-wrenching tribute to victims of natural disasters that is one of despair, suffering, and hope. And it wouldn’t be so damning if it weren’t based off a true story surrounding the tragedy that killed more than 230,000 people.
Boxing Day 2004 was one of the most memorable dates for wedded couple, Henry (Ewan McGregor) and Maria (Naomi Watts, for an Oscar nominated performance). Just two days prior, they arrived at Orchid Beach Resort in Thailand to celebrate the Christmas holidays together with their three children. After a squabble with the crew regarding their room reservations, they are granted the privilege of staying in a peaceful villa and all seems to be well. Nature had other plans in mind, though, and facing it head-on is the bittersweet reality.
A riveting take on one of the most prestigious forms of modern art, The Best Offer is a film laced with symbolism and thick, posh accents. Virgil Oldman (Geoffrey Rush) ends up pursuing a socially inept woman through Robert (Jim Sturgess), who guides him in winning her heart, albeit, rather unconventionally. What starts out as something Oldman brushes off to be some poor laid-out scam ends up a mystery he begins obsessing over, turning his life to shambles of sorts.
This uncanny film by Academy Award-winning director Giuseppe Tornatore delivers sharp twists and appropriately-timed surprises in a suspense-thriller served on a silver platter.
Family movies were made to teach a lesson or two – whether it be loving dear parents, being a tad empathetic about others, or simply cherishing the moment. Like a true family dramedy, August: Osage County is all that, and more. The Westons is a family seemingly (actually, more like) falling apart at the seams – what with patriarch Beverly (Sam Shepard) going missing, mother Violet (Meryl Streep) suffering from alcoholism and pill-addiction, and some well-kept secrets distancing the siblings that are, well, under the table. This drives the Weston-daughters to come home after diverging many moons ago and chaos ensues.
With an overly talented ensemble headlined by Streep as the cancer-ridden matriarch of the Westons and Julia Roberts as her eldest, supremely in-denial daughter, it’s easy to see why this has gathered five Academy Award nominations to its name.
On par with the best documentaries of the 21st Century thus far, “Requiem for the American Dream” is essential viewing for the discerning viewer in search of a more complete understanding of how American society has evolved to such a dramatic point of polarization, and how both politics and big business have played such an inextricably role in this process. In his introductory remarks to the film, celebrated intellectual and linguistics professor Noam Chomsky expounds: “Inequality has highly negative consequences on society as a whole, because the very fact of inequality has a corrosive, harmful effect on democracy.” At his rational and coherent best, Chomsky spells out his perspective regarding the modern political machine and the downfall of democracy, with a keen eye to the historical decisions and influences that have sabotaged the “common good” and shaped America’s current political, financial and social landscape.