This movie’s energy is completely intoxicating.

It’s the directorial debut of renown British/Nigerian actor Chiwetel Ejiofor, but it feels like the work of a veteran.

In a true story told in English and Chichewa (a language from Malawi), a young boy is expelled from school because his parents couldn’t afford tuition. At the same time, his village is struck by a variety of natural circumstances that bring them the threat of drought and famine.

The young boy sneaks into the library in the hopes of making a windmill and saving his village, and you can guess what follows from the title.

The triumph of engineering and a boy with a dream; mix in an incredibly interesting culture, full of unique family dynamics and a thought-provoking intersection between religion, tradition, and technology. The result is a delicate but uplifting movie, not to be missed.

I love when a misunderstood woman reclaims her narrative with her own words, and that’s exactly what Pamela: A Love Story is too, a tell-all documentary told by Pamela Anderson herself.

The documentary bares it all—the scandalous sex tape, Anderson’s troubled past, the disgusting misogyny that continues to tarnish her career. She even touches on the Hulu miniseries made about her demise (which Netflix must feel so smug about). But this isn’t a pity party. Just the opposite, the documentary is a testament to resilience. “My life is not a woe-is-me story,” Anderson says at one point, and truly, this is an inspiring and humanizing story about a woman taking charge of her own life. An absolute must-see.

I think it’s safe to say you’ve never seen a Pinocchio adaptation quite like Guillermo del Toro’s Pinocchio. It still largely stays true to the source material, which is to stay it’s still about a father grappling with the loss of his son and a boy figuring out where he figures in the world. But the movie departs from it in significant ways too. Instead of a fairy tale setting, for instance, this Pinocchio has 1930s fascist Italy as its background, lending the film a realism and historicism that weren’t there before.

Stars Ewan McGregor, Christoph Waltz, Tilda Swinton, and newcomer Gregory Mann lend their voice in this tender and stellar stop-motion animated movie.

Adam Sandler rarely plays a role straight, but when he does, you know it’s good. In Hustle, Sandler is Stanley Sugarman, a basketball scout stuck in the long game, waiting for his chance to finally coach an NBA team. On a recruitment trip to Spain, Stan discovers a talented but unknown player named Bo Cruz. They fly to the US, where Stan and Bo fight against all odds and hustle for a spot in the NBA draft. 

Inspiring without being too cheesy and informative without being bogged down by too many details, Hustle is a slam dunk of a film; a gritty crowd-pleaser that’s sure to draw anyone in.

This Obamas-produced documentary does much to change the way we may still view people with disabilities as helpless or to be pitied. First, Crip Camp cleans up footage from a 1970s New York summer camp for disabled teens to pristine sound and video quality, allowing us to see how vibrant and lively this community has always been. Then, more importantly, the film traces how these kids—in particular, Judy Heumann—became badass faces in the movement for disability rights, staging protests and articulating themselves passionately for better accessibility in the most fundamental areas of everyday life. It’s a documentary that isn’t just designed to inspire, but also to advocate for safe spaces where young people with disabilities can receive the encouragement and motivation they need as early as possible.